The Village on Horseback. Jesse Ball

The Village on Horseback - Jesse  Ball


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to admire each thing, each object of his vision as though all were new to him. At the door he was greeted by a servant, who took his coat and led him to table, where his wife and children awaited him. Servants saw to his every need.

      Do not come near when flood waters are rising. It was in foolishness that our hearts were overthrown, and it will be in haste that our lives end. A set of toys, laid out on some inarticulate floor, will be like causes in a causeless time. Ask why, as if in doubt. Doubt is a glorious luxury, and one upon which we base all our hopes. Upon a silver field, motley hunters have speared a boar. The composition shakes and trembles, as wind moves from object to comparison.

      In the book she wrote down things that were surely true and things that were surely false. Nothing was subject to interpretation—this was the necessary wrong, with great freedom the result. She wrote, a man has hurriedly leapt from coveted position, and found surfeit of disaster, then stopped, looking out an open window to where two boys were piling rocks. Upon those of our own breath, we heap the hardest, heaviest stone. A knock came then, with a letter pushed beneath the door. She took it to the bed, and drawing her knees up to her chest, read the letter spread out before her on the bed.

      My dear, my darling,

      I have been told by those who now

      manage my affairs, that I may never

      see you again. would that it were not

      so, and yet it seems maybe that we

      may each accomplish what we need to

      best in the other’s absence.

      I remain, yours,

      X

      She rocked back and forth with drawn features, and sobbed once. Yet soon she was again at the window, where she wrote: Those men who are false to those they love have a hell set aside solely for their kind. In it, they must stab themselves for a glimpse of beauty, at which they expire and wake, left only to stab themselves again. With a smile, she closed the book and locked it in her desk. Then she ran nimbly to the door and down the stairs, throwing a light shawl about her slender shoulders, for the wind then came often and without warning from the north.

      Once, a man went to a fortune-teller to have his fortune told. He went through his city to the district where such business is conducted. He crossed a small courtyard, and was admitted to her private chamber. She said, “You will die in the spring of the year, and crying of gulls will muffle voices that may come through the wall from another room.” The man was undone.

      He begged of her to tell him what year it would be, yet she refused. Finally, he asked, “Is fortune-telling true? Have you told me the truth? Or do lies make your fortune?” To this she replied, “It is not not-true.

      And when I lie, it is because a fortune is too grim to be told, and then it itself bears the burden of the lie.”

      Thus, in the spring of each year, the man laid out his best clothing, and went about as though bereaved, and each summer, he sang and spent great sums of money, as if to do so was nothing and of no consequence.

      sleight of hand was so fast that even the flourished points of his tricks could not be seen. He would pull coins from behind people’s ears, but the audience would see neither the hand as it hid the coin, nor the hand as it took the coin away. His art was too great. The best of his tricks, to circle the globe in less than a second, impressed no one, as he, for reasons of his own, would always end up precisely where he had been standing before. “He’s a fraud!” they chanted. And they were right, in a way. Someone else would have had to come along and teach the audience to see, before they could ever appreciate this dancing of a human hand upon a second hand.

      A heavy wooden staff is presented as a gift. In 7 of 9 possible worlds, it is a stern staff, some length of thickly carved wood, a strength to the traveler. In the 8th world, separate, it acts and speaks upon its own, casting a moving shadow, bending its long neck beneath a canopy of leaves. We may not name it there, for there it names itself. And in the 9th, that farthest of far places?

      Questions of the 9th remain unanswered, for statement there is nothing but swiftness of motion.

      In the midst of a terrible storm, a carriage comes thundering down a narrow drive, and pulls up at the entrance to a large mansion. The carriage doors are thrown open and a man with a haughty, powerful bearing exits the carriage and goes to the house. Hours pass. The storm is a brutal call from an angry host, and the tree line flails upon the near hills; the mud churns, pounded by the water’s ceaseless assault. Still the carriage driver waits, trembling. He wants to rub the horses with a soft blanket, but he cannot, for the mud about their hooves is too deep now for him to stand in. In fact, the carriage has now sunk so that only half of its wheels rise out of the mud. The horses are curiously dead, slumped in their harness, unmoving. Soon the mud will cover them. Then and only then will he knock upon the house’s great door. He will not speak when the door is answered, but will simply point, dumbfounded, at the carriage as it sinks from sight.

      It happened that a man returned from his day’s labor to find three young women living in his house. The first was black-haired, the second yellow-haired, and the hair of the third was scarlet. They gave him different reasons for their arrival. The first said they had been drowned in a lake by their father, who could not bear their taking lovers, and this is where they had emerged.

      The second said they were tinkers, and had come to fix his pots. The third said they were commissioned by a lord to find the only honest man in Christendom. The beauty of but one of these girls would have lit the rooms of his house as by some small descended sun. The presence of three was uncanny and hardly to be borne. “I think you have come to take a husband,” said the man. And the girls laughed, and it was true that one would remain. But which? Each day, the three would tell stories, and he would guess at who was lying. And always he would catch the black-haired girl, while the others could deceive him. For her lies were grand, implausible affairs, and a signal delight. The girls slept in his bed, all three, while he laid out a mat on the kitchen floor, and wrapped himself in a single woolen blanket. Each night he would hear their murmuring, as they composed the next day’s lies. Finally, he took to writing these lies down in a leather book. For one year they stayed, and when they left all three left together, in the night. And when he looked at the book he had kept, he saw that he had only ever written down the tales the black-haired girl had told. He saw also, that he had been wrong, and that some tales he had thought false, now seemed true. A book, he thought to himself, a book of lies and truths. All equally redeeming, all damning, all brought upon us by these ghosts, our selves, and where we walk, where we have walked, where we will walk yet, guided by a chorus whose nature must always be hidden.

       EXCEPTED

      And therefore, simply keep a cup, dusted lightly with poison, within your cupboard. When the time comes, let your fellow pour the drink, first in your cup, then in his.


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