Japanese Swords. Colin M. Roach
href="#u762cbde7-5bd2-51f9-accd-484ffad7fdd2">Nara Period Swords
The Nara Period
The Sword of Chinese Influence
Taōism In Japanese Warrior Culture
The Sword of Taōism
Lao Tzū: A Balance Between War and Wit
Chuang Tzū: Swords as Metaphor
Japanese Adaptations
The Sword and Martial Spirituality
Blades of the Nara Period
CHAPTER 5
The Heian Period
The Kamakura Period
The Muromachi Period
The Sword of Esoteric Buddhism
Buddhist Stories of Sword-Wielding Deities
The Sword of Zen: The Sword of Insight
Heian Period Swords
Kamakura Period Swords
Muromachi Period Swords
CHAPTER 6
The Edo Period
A Scholar-Warrior Ruling Class
Edo Period Swordsmanship: A Case Study
The Fall of the Edo Period
Edo Period Swords
CHAPTER 7
The Meiji Period and Onward
Spirituality, Modernization and Martial Arts
Post-War Period Martial Arts
Meiji, Taishō and Showa Period Swords
A Glimpse into Sword-making Apprenticeship Today
PART 3
CHAPTER 8
The Classical Art of Iaidō
Envision laidō
The History of Iaidō
A Living Tradition
Swordsmanship Today
Studying Iaidō Today The
Sword of Iaidō
The Sword and Society
CONCLUSION
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Dedication
I would like to dedicate this book to my wonderful family. First, I must thank my lovely wife Alethea, who now knows more about Japanese swords than any woman who didn’t care about them in the first place. Second, I wrote this book for my three young sons, Aidan, Porter, and Charlie, who will teach me more than I could hope to teach them. I certainly owe them some fishing, camping and motorcycling time now that this project is over. But the owing of thanks does not stop there. In truth, I have completed this work with the assistance of many wonderful people.
I am very honored by the involvement of many top experts in completing this work. Kawachi Kunihira was a most gracious host and, in his very natural and unassuming way, opened my eyes to aspects of swordmaking I had not dreamed of. Abe Kazunori gave very generously of his time and resources, donating both his expertise and many images used in this book. Paul Martin, a sword expert who lived in Japan for many years and has assisted me in connecting with top-level craftsmen was instrumental. His quiet nature hides deep level knowledge and kindness. Pierre Nadeau, a swordmaking apprentice who gave of his time, writing, and assistance in translating during my visit with Mr. Kawachi. Professor Karl Friday aided me more than he probably knows. During our conversations over the last four years, I have changed my entire outlook on the history of martial arts. He also suggested I read the work of (and contact) Professor Bodiford, who clarified my understanding of many misconceptions surrounding martial arts spirituality. I owe both of these men a cold beer and a heartfelt thanks.
I would like to thank the city of Murayama for their kind support of this project. The iai-jingu is now overseen by the city as an important cultural property. Mrs. Okuyama, the caretaker and wife of the shrine’s late land-owner (Mr. Okuyama) was very kind and gracious in opening the Hayashizaki shrine’s inner chamber, allowing us to view many of the shrine’s treasures. Caring and thoughtful, Mrs. Okuyama even sent a beautiful shimenawa from the iai-shrine itself. Mrs. Okuyama exemplifies the kindness and grace of the Japanese people. I am grateful to her and hope to see her again soon.
Pictured above is the author with Ochiai Tadao (10th Dan Hanshi) and Iwasa (8th Dan Kyoshi) Sensei.
The logistics of traveling to Japan, meeting with top-level artisans, and filming/ photographing the whole affair were daunting to say the least. I owe a debt of gratitude to my friend Yamaji Fumihito, a.k.a. Fred. He was our “fixer,” while in Japan and helped us schedule everything from Shinkansen trips to last minute lodging changes while staying at the Hayashizaki shrine in Murayama. Thank you Yamaji-san. You have been a hero in supporting this project.
There have been some organizations and representatives who deserve thanks. First, I would like to thank Ginza Choshuya for allowing the use of many of their beautiful sword photos. Second, I’d like to thank Tozando and, in particular, my longtime friend Yamamoto Yasumasa, who serves the martial arts world with honor and dignity rarely seen outside of Japan. Thanks to Tozando, we were able to film and photograph