Rosalind Creasy's Recipes from the Garden. Rosalind Creasy
links between the kitchen and garden: putting the water on to boil before picking the corn, judging when an asparagus spear is at its peak, and harvesting string beans and partially stringing them at the same time. (Use your thumbnail to cut part way through the bean below the stem and pull the bean down and away. This leaves the “stem-y” top and the string from one side of the bean hanging on the vine. I now use the same technique with snap peas.)
My mother was the cook in our house. Looking back, I must say that she wasn’t very inspired—bless her heart. It was the 1950s, after all. Although she made great roasts and steaks, she boiled most vegetables. Because they were garden fresh and she usually didn’t overcook them, her vegetable dishes were pleasant. But Mom’s repertoire was very limited. She baked or boiled potatoes; it probably never occurred to her to roast, sauté, or grill them—or any other vegetable for that matter. The only herbs she used were in poultry seasoning for the holidays, and those were dried and came in a tin. She certainly never prepared anything that was remotely spicy.
After I married, my husband Robert and I set up housekeeping in Cambridge, Massachusetts. In retrospect, I can’t believe my luck. Cambridge in the early 1960s was home to both Julia Child and Joyce Chen, the doyennes of cooking in America. The town was abuzz with food mania. Both women had written popular cookbooks and Julia had her landmark cooking show—what inspirations they were! Robert, being a clever, food-loving man with a sophisticated palate, came up with great birthday presents for me. The first was the gastronomic bible of the day, Julia Child’s Mastering the Art of French Cooking (written with Louisette Bertholle and Simone Beck), followed the next year by the Joyce Chen Cookbook. Living in the city, my gardening days were temporarily over, but I can’t think of better introductions to the techniques for creating some of the world’s best food.
I was home with one baby, then a second, so for well over five years I cooked my way through both books. From Julia, I learned to make hollandaise for my asparagus; to put together what was then an exotic dish with eggplant and zucchini—ratatouille; to serve homemade squash soup in a hollowed-out pumpkin; and to make Pommes Anna, a crisp cake of thin potato slices layered with butter. Over the years, I also learned how to make a good chicken stock, blanch vegetables, and even make French bread.
Years later, I gave a slide presentation on edible landscaping to Julia Child and members of the American Institute of Wine and Food. I brought along my dog-eared copy of French Cooking for her to sign. When she saw it, she hugged it, saying that such a well-worn copy was the ultimate compliment. Before she signed my book, she ran her hand over the pages, feeling the splatters and wrinkles, and read some of my hand-written notes: “Robert loved it!” “Make this again and add more herbs,” and “Freezes well.”
Although I never had the good luck to meet her, Joyce Chen was no less vital to my culinary journey. Growing up, my only exposure to Chinese food was the not-so-authentic, and not-so-thrilling, canned chop suey with chow mein noodles—clearly a poor take on one of the world’s most sophisticated cuisines. Although I’d had Joyce Chen’s cookbook for many months, I hadn’t used it. Apparently Robert noticed, and so decided to take me to Joyce’s restaurant. What a culinary awakening that was! The flavors were complex yet easy to like. Inspired by the meal, I was ready to delve into the cookbook. From it, I learned how to make wonton soup, cook rice properly, and stir-fry (not to mention the importance of having all the vegetables and seasonings completely prepared before starting to cook). Compared to French cooking, Chinese techniques were more straightforward. I soon discovered that Chinese dishes were easier to make for everyday meals than Julia’s fancy French recipes. They also fit better into our limited budget and seemed healthier (using oil instead of butter, less meat, and amounting to far fewer calories). My friends and I started to go to Boston’s Chinatown to seek out pak choi, pea pods, fresh ginger, and Chinese cabbage—all new to me. Even though we lived in an apartment, I also got back into gardening in a very small way: I grew bean sprouts in my kitchen. They were tasty in my stir-fries—nothing like the slimy ones in canned chop suey—and they were lots of fun and easy to grow.
My return to gardening was made complete in 1968 when we moved to the San Francisco Bay area. We bought a ranch-style house in Los Altos on a small lot with a sunny front yard and a very shady backyard. My gardening opportunities were still limited, because vegetables and fruits need lots of sun and the concept of ripping out the front lawn and replacing it with an edible garden had not yet occurred to me. For a few years a friend and I shared her wonderful vegetable garden; we planted the usual rows of corn, beans, tomatoes, basil, peppers, and both summer and winter squash. It was great to once again enjoy luscious homegrown tomatoes and to start the water boiling before we picked the corn. Right in front of our eyes—and to our great surprise—we found the green bell peppers ripening to a rich red. Who knew?
This harvest of traditional Italian vegetables features eggplants, red and yellow tomatoes, leeks, peppers, and squash blossoms.
Thanks to America’s broadening culinary horizons, it is now possible for chefs living in even the remotest of locations to purchase or grow once-rare edibles. This brightly colored taco, for example, is made with yellow tomatoes, ‘Ruby Queen’ corn, and orange bell peppers.
Robert and I acclimated well to California and loved all the ethnic foods that were so readily available. These exciting new dishes were influencing my cooking, so I decided that it was time to have a small garden area of my own where I could experiment with some of the more unusual edible plants required to make them. I transformed the parking strip in front of the lawn into a flower border, into which I snuck a few spicy peppers for chili relleños, jalapeños for tacos, lots of basil for pesto, cilantro for stir fries, tarragon for Julia’s béarnaise sauce, and artichokes, which, as it turns out, were the stars of the “flower border” because they were so beautiful.
In the mid 70s, I decided to go back to school to get a degree in horticulture with the goal of becoming a landscape designer. About the same time, Robert started overseeing scientific projects all over the world for IBM. I got to go along with him to places like Milan, Grenoble, Cairo, Taipei, Paris, Hong Kong, and Vienna. While he was working with clients in each city, I would head out to the markets and the gardens. Often, a host spouse would translate for me when I stood puzzled in front of a large pile of unusual-looking radicchios or chili peppers. My most frequent questions were “How do you cook it?” and “Where can I get seeds?” During dinner I usually shared my wonder at all the great vegetables and herbs I was discovering. Our hosts would tell me more about them, and if I was lucky, they shared recipes.
In France, it was eye opening not to have traditional potato salad with mayonnaise but instead a salade niçoise with fingerling potatoes, haricots verts, and fresh seared tuna with tarragon vinaigrette. The braised baby bok choi and mushrooms in spicy ginger sauce in Hong Kong, and Italy’s slivers of raw artichoke bedecked with curls of Parmesan cheese and drizzled with lemon juice and olive oil blew the top off my perception of vegetables. This started me down the road to growing even more fantastic edible plants, or tracking them down in the market. When harvest time came, I’d use the recipes I had saved or develop my own.
I was fortunate to have firsthand experience of so many unusual foods. In the 60s when I started cooking, there were few recipes available using any but the most common of vegetables and herbs. The two books my husband had gifted to me were exceptions, yet I was still held back by the limited availability of interesting ingredients. In fact, there was an unwritten rule in the cookbook-publishing world: “Never use an ingredient the average cook could not find in his or her local grocery store.” Consequently, American cooking allowed little room for innovation and imploded in on itself. It was not until the early 1980s when Julee Rosso and Sheila Lukins agreed to write their soon-to-be-classic The Silver Palate Cookbook—and insisted on including “exotic” ingredients like fresh basil and mangos—that this rule changed. Creative ingredients began to show up in a flood of good eating.
Meanwhile, gardening was running a parallel path to cooking. In the mid-twentieth century, the seed industry limited in the name of efficiency