Mother to Mother von Sindiwe Magona. Königs Erläuterungen Spezial.. Patrick Neill Charles

Mother to Mother von Sindiwe Magona. Königs Erläuterungen Spezial. - Patrick Neill Charles


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My Childrens Children. 47 1998 Cape Town Mother to Mother was published. 55 2003 New York/Cape Town Magona has been working for the UN’s Public Information Department before retiring in 2003 and moving back to South Africa. 60 2003–now Cape Town Writer in Residence at the University of the Western Cape in Cape Town; also works for Georgia State University (USA). 2007 South Africa In this year, Magona is awarded several major prizes. She is presented with the Lifetime Achievement Award for her contributions to South African Literature, as well as other prizes recognising her literary work, her social activism and her efforts to promote and celebrate Xhosa culture. 64 2012 South Africa 2012 she is joint winner with Nadine Gordimer of the Mbokodo Award in Creative Writing.[1] 69
2.2 Zeitgeschichtlicher Hintergrund

      ZUSAMMENFASSUNG

       Mother to Mother is set in the Western Cape province of South Africa and covers a period from the early 1970s up until 1993.

       The book describes the era and aftermath of apartheid in South Africa and is the real world backdrop to the murder of Amy Biehl in August 1993.

      Mother to Mother is set in the Western Cape province of South Africa and covers a period from the early 1970s up until 1993. The story is largely situated in a black township near Cape Town called Guguletu. Other locations include the squatters’ settlement of Blouvlei, where Mandisa grew up, and her ancestral village Gungululu, where her grandmother still lives. All the African characters in the novel belong to the Xhosa people, and we see many examples of tribal customs and traditions.

      The book describes the era and aftermath of apartheid in South Africa, a period of extreme racial oppression, state neglect, police brutality and political turmoil and violence. This is the real world backdrop to the murder of Amy Biehl in August 1993 (see p. 32); the novel is a fictionalised account of the killing.

      Guguletu

      The majority of the book – and the entirety of its present-day time frame, in 1993 – is set in the township of Guguletu, which is 15 kilometres outside Cape Town, in the Western Cape province of South Africa. Today Guguletu has a population of over 98,000, and more than 98% are black Africans. The primary language spoken in the township is Xhosa.

      Guguletu (which comes from the Xhosa phrase for “our pride”, igugu lethu) was founded in the 1960s as a home for the black people of the Cape Town district of Langa. During apartheid, blacks in the region were not allowed to live in Cape Town and were forced to live in one district, which became desperately overcrowded. Residents were relocated to Guguletu and other newly-founded townships, where overcrowding, lack of education, jobs and adequate infrastructure (electricity, running water, waste removal, etc.) greatly increased social tensions. Guguletu is infamous for its high levels of crime, including world-famous murders like that of Amy Biehl, and it remains a troubled and problem-ridden community even in the 21st century, with an estimated murder every two and a half days between 2005 and 2010[2].

      Blouvlei

      Blouvlei is the squatters’ settlement where Mandisa remembers growing up, before her family was forcibly relocated to Guguletu. Blouvlei was founded by squatters – people who occupy land or buildings without permission and without paying rent. It was one of three major squatters’ settlements, the others being Windermere and Epping Forest, which were founded by people coming south to find work in Cape Town during and after the Second World War. They were estimated to be home to roughly 20,000 people each. Cape Town was a “closed city” (blacks were not allowed to live there) and there was very little employment or hope for jobs. Poverty was widespread amongst the black population.[3]

      Successive governments made efforts to redirect some of the migrants to a “reception depot” in Langa, which itself became terribly overcrowded. After the war, some settlers were allowed by the local council to buy the land they had occupied, but the national government took control of everything related to housing across the country and began to relocate black Africans as a part of the efforts to enforce segregation.

      There were groups of civil rights activists in Blouvlei who worked to resist the forced relocations as part of their struggles against the apartheid system. As Mandisa explains in the novel, however, these efforts were futile, because the government used police and the military to literally destroy the settlements, forcing the inhabitants cross-country to the newly-founded segregated townships like Guguletu.

      Gungululu

      Mandisa is sent away from Guguletu to live with her grandmother in the ancestral village where her mother was born. This is a very different world from the one she has known so far in her fourteen years: It is a traditional tribal village where old customs are still in effect and there are none of the amenities of even the township slums. Mandisa is lovesick for China and does not adapt easily to the village.

      Gungululu is the name of a district as well as of the village, and is situated in the Eastern Cape region – Mandisa describes it as comprising “some twenty or so villages” (p. 101). This is also where the author Sindiwe Magona was born (see Chapter 2.1). At the time covered in the novel, the village and the region were a part of the Transkei, which existed as a state (although unrecognised by the South African government) from 1976 to 1994.

      The village is presented in an ambiguous way in the novel (pp. 88–114). Mandisa’s reaction is predictably and even understandably negative – she is a teenager from a bustling township, torn away from her boyfriend and stuck in a backwards village in the middle of nowhere. She complains that the village is “remote”, but worse, she is “separated from China” (p. 108). But there is a simplicity and a calm in the village which she appreciates, and she admits that the place isn’t bad and that the school is good (p. 108). As is the case with the traditions and customs that have so much influence over her life, Mandisa is frustrated and restrained by rural life, yet appreciates its rooted, solid essence.

      Apartheid (meaning literally “separateness”) was a system of racial segregation in South Africa. It existed as a state-ordered policy determining South African society from 1948 until 1991.[4]

      Segregation is the act or policy of separating people of different races, religions or genders, and treating them differently. Many cultures across the world and throughout history, from 8th century China to 13th century Europe and the USA in the 20th century, have practiced segregation in order to separate people of different races in daily life. Even following the end of apartheid in South Africa, segregation by race, religion and gender still exists in various countries all around the world.

      The apartheid system was based on a very simple ideology – white supremacy. The fundamental idea was that white-skinned people are in every way superior to darker-skinned people, and that blacks must be repressed and segregated in order to benefit the white ruling class.


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