The Zad and NoTAV. Mauvaise Troupe

The Zad and NoTAV - Mauvaise Troupe


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the market.

      In both cases, defending a territory from the outset brought together extremely eclectic and diverse groups of people around that goal. The never-ending process of soldering together black bloc anarchists and nuns, retired farmers and vegan lesbian separatists, lawyers and autonomistas into a tenacious and effective community is what the authors call ‘composition’, and the story of its unfolding is, to my mind, the most compelling part of the book. This is the daily drama of unexpected encounters, of co-existing, sharing space, coordinating, recognizing difference, undergoing existential overhaul, and, above all, learning to avoid the temptation of trying to convert others to the superiority of one’s practices, whether these be spreading counter information, hunger strikes, the fastidious preparation of legal appeals, nocturnal sabotage, naturalist surveys to document the endangered species among the flora and fauna of the zone, or frontal confrontations with the police. And it is what is meant by the book’s subtitle: ‘the making of a new political intelligence’. ‘In the act of holding diverse elements together’, write the authors, ‘it is more a question of tact than tactics, passion than sad necessities, and opening up the field than carving up the terrain.’

      The phenomenon of solidarity in diversity is mirrored in another ‘composition’ as well: the formal decisions the authors have made in recounting its achievement almost entirely through the voices of those who built it. This book is not an anti-state manifesto or an abstract treatise. While highly theoretical, very little time is wasted on theoretical edifices or citational strategy. It does not prophesize the coming insurrection but instead recounts – from the inside, for the authors are themselves actively engaged in the struggles they narrate – two insurrections in progress. Telling the two stories together, in a productive entanglement that isolates moments of convergence, while allowing each struggle its own history, poetry and praxis, is not only difficult – it is itself an exemplary exercise in solidarity in diversity. The narrative choice to relate the movements almost entirely in the individual voices of their protagonists mirrors the authors’ territorial commitments and it also leads to something quite new in the creation of a tableau of what revolution might look like today. The personal testimonies are not merely called upon to provide context or local colour to the dominant story, as is so frequently the case. They certainly do this, and very vividly, but they also move the plot forward in time, providing key eye-witness depictions of dramatic moments in their sagas; they enact conflicting viewpoints and commentary on strategy debates; they reflect on the reasons behind particular choices made under given conditions – choices that are the very essence of historical change; they theorize their own commitments and conflicts. They show the forceful role of women in every aspect of the struggle – something I have witnessed myself at the zad. Often intensely personal, the voices reach beyond to a common flow. And as such, those who speak are not mere data, illustrations, or foot-soldiers to a pre-existing theory or revolutionary prediction but the flesh, blood and thought of the movements they are making.

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