Hegel, Marx, Nietzsche. Henri Lefebvre
the subject who says ‘I want’, but the will to power [puissance], the active energy that seeks not a particular advantage from power [pouvoir], but power for itself: to dominate. As Hegel saw, following Heraclitus, there is struggle, combat, war; but for Nietzsche, the struggle of wills to power replaces Hegel’s rational historicity and dialectical overthrow (which Marx followed, modifying the Hegelian terms), an overthrow through which the slave conquers the conqueror (the master), so advancing in the direction of history. The third term of the triad: determinism, necessity. According to Nietzsche, there is not and cannot be a unique necessity, an exclusive determinism (physical, biological, historical, economic, political, etc.). There are multiple determinisms, which are born and die, grow and disappear after having undergone a certain path, played a certain role in nature or society. A role more often disastrous than beneficial …
So, history is not strictly speaking a chaos; it can be analysed and understood; but the understanding of history shows it to be irreducible to an immanent rationality, a progress determinable in advance. In any historical sequence, elements and symptoms of decadence can be discerned, even within something still strengthening. The shocks of violence shatter anything that seeks to establish itself in a fixed mould. Partial determinisms (biological, physical, social, intellectual) allow genealogies, such as that of a particular family, a discovery, an idea or a concept, far more than they do geneses, explanations by a producing activity.
Hegel, and Marx after him, refused to disconnect the rational from the real. They took the point of view of a logico-dialectical identity of the two terms (unity in contradiction and struggle, victory of a third term born from this struggle). According to Nietzsche, however, this is the root of a fundamental error. It rationally associates fact with value or meaning; but facts have no more meaning than a pebble on a mountain or an isolated noise. As for nature, it has no meaning, rather offering the possibility of countless meanings, in a mixture of cruelty and generosity, joy and suffering, pleasure and pain – a mixture with no name. ‘Man’, by a choice, confers a meaning on nature, on natural life, on the things of nature. ‘Man’ is not a ‘being’ that endlessly questions the world and himself, but a being that creates meanings and value – which he does as soon as he names things, evaluating them by speaking of them. Very likely, there are only facts and things for and by such evaluation. Does knowledge contribute a value, does it give meaning to objects and things? No, says Nietzsche against Hegel. In fact, as ‘pure’ and abstract knowledge, it strips the world of meaning. As for work, Nietzsche agrees with Marx that it has and gives meaning and value, but not the labour that manufactures products, only work that is creative. ‘Who evaluates? Who names? Who lives according to a value? Who chooses a value?’ This is how the question of the subject is posited, to which a response is necessary in order for the quest for a new meaning to retain a meaning – a question that it is hard to answer, since the answer presupposes a return to the original, by giving the ‘subject’ and its relationship with meaning a genesis. Hence Nietzsche’s uncertainties (significant in themselves). Sometimes he says that peoples invent meanings, create values. The philosopher and the poet keep aloof from the crowds, yet they emerge from the peoples, even and especially when opposed to their people.18 It is peoples that invent, and not states or nations or classes, which give no more meaning and value to anything than does knowledge or politics. This thesis posits in principle a complete relativism, a ‘perspectivism’ that is nonetheless convergent with Marxist positions, as it attributes to peoples, and consequently to the ‘masses’, the creative capacity of generating a perspective on the basis of an evaluation. Sometimes Nietzsche replies on the contrary that only the individual (of genius) has this capacity – an ‘elitist’ position: ‘We, who indissolubly perceive and think, we ceaselessly bring to birth that which is not yet’, he proudly declares in Die fröhliche Wissenschaft. Nietzsche’s thought, in other words, in as much as it is a thought, does not flinch from contradictions and incoherencies. But is it necessary to choose between these propositions? Are we faced with a system, a knowledge, or rather the transition from one knowledge to another, from sad science to Gay Science?
What then is this ‘gay science’, opposed both to the absolute science of Hegel and the critical science of Marx? Without awaiting a deeper reconsideration of this central point, it is useful to give right away here the genealogy of the fröhliche Wissenschaft. It has its origin in what is deepest in the West: a subterranean current combatted and buried by Judeo-Christian morality and Greco-Roman logos, against which Nietzsche waged a combat that was all the more terrible in that this was the matrix from which he himself emerged, which gives this struggle an exemplary and paradoxical character.
At the origin of Christian thought we have a work both illustrious and misunderstood, Augustinianism, relegated into the shadows by official doctrine. Augustine contemplated with all the resources of Greek, Platonic and Judeo-Alexandrian philosophy, in other words, with all the still-fresh memories of the Roman tradition, on the specific characteristic of Christianity, the doctrine of the fall, of sin and redemption. He interpreted the image of the mundus, of Greco-Italian origin, as a function of ordeal and purification by pain: the hole and the gap, the abyss deepening in the earthly depths, the shadowy corridor opening to the light by a path hard to find, the trajectory of souls who return to the maternal womb of the earth to be later reborn. The mundus: a ditch in which newborn infants were abandoned when their father refused to raise them, along with the condemned to death, refuse, corpses that were not returned to the celestial fire by burning them. Nothing was more sacred, that is, more accursed, more pure and more impure. The ‘world’: an ordeal in darkness to gain redemption, light. ‘Mundus est immundus’, Augustine proclaimed, at the dawn of the Christian world – the moment when the pagan world collapsed. He had found a motto for Christianity, its slogan.
Augustine, the first Westerner, did not posit in principle a ‘something’ pertaining to knowledge, whether an object (like the majority of the pre-Socratics: water, fire, atoms, etc.) or a subject (such as the noûs for Anaxagoras, or the active intelligence for Aristotle), or again an absolute knowledge (the Platonic Idea, forerunner of the Hegelian). For Augustine, being was defined (if we may put it this way) by will and desire, not by knowledge. Being (divine) is desire and infinite: desire not inherently finished, thus inexhaustible, and desire for the infinite, for another being equally infinite. This makes possible a presentment – like the sun through the clouds – of the mystery of the divine triad, the Trinity. Man in the image of God, the analogue of the divine, initially is infinite desire. The fall and sin broke this subjective infinity by separating it from its infinite ‘object’. If the ‘world’ is no more than a heap of filth, reason is revealed in the rupture and finitude of desire. Fallen into the dereliction of the finite, desire seizes on finite objects but encounters there only anxiety and frustration, in place of the infinite joy that it still and always senses. Rampant in the darkness of the mundus, this broken desire, divided from itself and yet reduced to pursuing only itself (in ‘self-love’), this infinite desire fallen into the finite is nothing other than libido, yet not unique but triple. According to the Augustinians there are three libidines, at the same time inseparable in fallen being and yet clearly distinct: libido sciendi (curiosity, knowledge and the need for knowledge, a need always disappointed and always reborn, attracted towards each thing instead of probing its own corruption and its own failure); libido sentiendi (the concupiscence of the flesh, the need for enjoyment, the endless and always disappointed pursuit of physical pleasure, a parody of infinite love), and finally libido dominandi (ambition, the need to command and dominate: the will to power). The triple libido of the Augustinians re-produces derisorily, in the dereliction of the finite, the divine triplicity of the Father (true power), the Son (the word, true knowledge and wisdom) and the Spirit (true love). Each libido is only the shadow of infinite desire, only desiring itself (self-love) through finite objects.
What relationship does this have to Nietzsche, other than purely abstract? In what way does Augustinianism (crushed by a theory of absolute knowledge, Thomism with its Aristotelian origin, which would pass through the sieve of Cartesian critique without suffering too great damage, and continue as an ingredient of Western logos) form part of the genealogy of Nietzschean thought? By way of seventeenth-century France. The underground current of Augustinianism inspired constant protest against the official theology