Genre. Mary Jo Reiff
have generally defined genres as communicative events which help members of a discourse community achieve shared communicative purposes. As such, genres are forms of communicative action. Within RGS, and following Carolyn Miller, genres have been defined as forms of social action. The next chapter will explore in greater detail what it means to think of genres as forms of social action and its implications for the researching and teaching of genres within RGS. But first, in this chapter, we will compare RGS’s and ESP’s guiding definitions of genre in order to clarify their communicative and sociological emphases. Then we will situate RGS’s guiding definition of genre within the rhetorical, phenomenological, and sociological traditions from which it grew. We will conclude the chapter by describing recent genre scholarship in Brazil, which has synthesized the sociological, rhetorical, and linguistic traditions (while also drawing on French and Swiss genre pedagogic traditions) in ways that reveal the possible interconnections between these traditions.
Communicative and Sociological Orientations to Genre
Within ESP genre approaches, the aims of genre analysis have generally been to examine what a discourse community’s goals are and how genre features (structurally and lexico-grammatically) embody and help its members carry out their communicative goals. Thus, as generally understood in ESP genre research, it is communicative purpose (defined in relation to a discourse community’s shared goals) that both gives rise to and provides the rationale for a genre, and shapes its internal structure. It is communicative purpose that often serves as a starting point for ESP genre analyses, which then proceed toward an analysis of a genre’s rhetorical moves and steps, then to textual and linguistic features that carry out the moves and steps. Because ESP approaches have tended to define genres as forms of communicative action that help members of a discourse community carry out its work, the trajectory of inquiry has tended to go from context to text. That trajectory has been used to great effect by scholars and teachers to help, in particular, graduate-level, international, non-native speakers of English gain access to and participate more effectively within various academic contexts by explicating and teaching the genres that coordinate the work of these contexts. Significantly, such an internal, linguistic trajectory has tended to take the existence of a discourse community and its goals as a given—a starting point for the identification and analysis of genres.
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