Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp. Edward J. Olszewski

Claes Oldenburg and Coosje van Bruggen, Cleveland’s Free Stamp

explanation of why it was fallen (or thrown) as if a skyscraper had been constructed on its side, like a fallen tree, or leaning.”⁸ Thus Oldenburg and van Bruggen have closed the circle by offering the notion of the discarded object against the objet trouvé or found object of Picasso and Duchamp, such as the latter’s bottle rack, urinal, and snow shovel.⁹ Their new configuration for the sculpture added poignancy to Oldenburg’s statement recorded in his notes of May 1961: “I am for the art of things lost or thrown away.”¹⁰

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