After Eden. Harold J. Recinos

After Eden - Harold J. Recinos


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love

      alas not weak in each tasty living

      breath. we live where time is no

      longer complained, a place where

      dreams sluggishly still make their

      way into the light, the deeply hidden

      spring that has held thousands of tears

      and bathes us now with the scent of

      heaven that was always near—this

      we say delivers us!

      The Storm

      in our twenty-first century

      the devastation of a storm

      threatening to leave more

      dead than anyone has the

      strength to bury in soggy

      ground exposes stars and

      stripes sinking into a vast

      sea. our flag placed on the

      distant moon the hurt and

      dying nightly see is like a

      desert mirage for Spanish

      speaking citizens who do not

      count for the president as other

      than spics! the sweet chariots

      of God cannot even rescue the

      condemned who live each day

      afraid since the foul mouthed

      head of a decaying democratic

      State gives no crying damn for

      flag or them!

      The Sting

      the history toward which

      the country slides will be

      memorized in the future

      with indecorous words,

      a bitter taste on tongues,

      the sound of heaped up

      wailing, and the Rose

      Garden haunted by all

      the anonymous dead in

      the deserts, mountains,

      cities, and islands in the

      middle of vast seas. the

      future made last week by

      the president’s tweets spread

      ignorance across the land,

      conceited tales ringed with

      the scum of nothing good

      done, and citizens swayed

      by rabbit punching lies to

      live quietly in these times.

      the history the future will

      bitterly speak, the stories

      from the public squares, the

      marches on town streets, the

      abominable citizens who paraded

      hate covered with white sheets,

      the elected idiots who came to

      their defense, will ask of every

      resident whose precious life was

      dressed with utter fright what

      comes next?

      The Garden

      in my childhood on the

      streets, I saw in the ripe

      hour of each day things

      spoken about truth in the

      gloomy basement of the

      church that were clearly

      not true. I passed through

      many sanctuaries, where

      the good folks wasted dreams,

      denied the long lines of sorrow

      claiming their kids and waited

      for the coming hour to lower

      beloved innocence with heaps

      of rotting flowers beneath the

      earth. in loud hollow tones, I

      heard voices by men trained to

      think morally exhorting broken

      hearts on the block to wait for

      coming heaven and the aromatic

      blossoming of the stony road. after

      all these years, the wailing has not

      stopped, the good news yet only

      sweeps away the dust, priests are

      glad in useless prayer, academics

      have their cottage industry studying

      our streets and Spanish eyes keep

      searching for the promised land

      confessing it’s just too damn far

      from here.

      The Painter

      woke up to hop the subway

      downtown to get lost in an

      art museum to look at oils

      that imagined the unfinished

      work of God, stroll the rooms

      with creaky floors the grey world

      doesn’t visit, stare at the Picasso

      using colors and lines to trick my

      eyes, until a word jumped up to

      say something about the beginning

      of things. I wanted to find somebody

      to tell of an old woman on the block

      living on the ground floor of Lefty’s

      building who painted at night. She

      must have had a special set of eyes

      to see things in the dark, to have the

      night come to her like water rushing

      down a steep hill, then capture on a

      canvas details thrown her way by

      whispered ghostly streets. I looked

      for the associate curator of the cubist

      wing, while repeating a few lines in my

      head about having him come down to

      the barrio to have a look at the paintings

      this Abuela boxed and placed in a room

      with a window facing the Westchester

      Avenue. I found him talking casually

      about Goya, Picasso, Orozco, Caravaggio,

      and Manet in a near empty room, a small

      voice in me said what the hell you can’t lose

      anything inviting


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