Dreams From My Father. Barack Obama

       PREFACE TO THE 2004 EDITION

      ALMOST A DECADE HAS passed since this book was first published. As I mention in the original introduction, the opportunity to write the book came while I was in law school, the result of my election as the first African-American president of the Harvard Law Review. In the wake of some modest publicity, I received an advance from a publisher and went to work with the belief that the story of my family, and my efforts to understand that story, might speak in some way to the fissures of race that have characterized the American experience, as well as the fluid state of identity—the leaps through time, the collision of cultures—that mark our modern life.

      Like most first-time authors, I was filled with hope and despair upon the book’s publication—hope that the book might succeed beyond my youthful dreams, despair that I had failed to say anything worth saying. The reality fell somewhere in between. The reviews were mildly favorable. People actually showed up at the readings my publisher arranged. The sales were underwhelming. And, after a few months, I went on with the business of my life, certain that my career as an author would be short-lived, but glad to have survived the process with my dignity more or less intact.

      I had little time for reflection over the next ten years. I ran a voter registration project in the 1992 election cycle, began a civil rights practice, and started teaching constitutional law at the University of Chicago. My wife and I bought a house, were blessed with two gorgeous, healthy, and mischievous daughters, and struggled to pay the bills. When a seat in the state legislature opened up in 1996, some friends persuaded me to run for the office, and I won. I had been warned, before taking office, that state politics lacks the glamour of its Washington counterpart; one labors largely in obscurity, mostly on topics that mean a great deal to some but that the average man or woman on the street can safely ignore (the regulation of mobile homes, say, or the tax consequences of farm equipment depreciation). Nonetheless, I found the work satisfying, mostly because the scale of state politics allows for concrete results—an expansion of health insurance for poor children, or a reform of laws that send innocent men to death row—within a meaningful time frame. And too, because within the capitol building of a big, industrial state, one sees every day the face of a nation in constant conversation: inner-city mothers and corn and bean farmers, immigrant day laborers alongside suburban investment bankers—all jostling to be heard, all ready to tell their stories.

      A few months ago, I won the Democratic nomination for a seat as the U.S. senator from Illinois. It was a difficult race, in a crowded field of well-funded, skilled, and prominent candidates; without organizational backing or personal wealth, a black man with a funny name, I was considered a long shot. And so, when I won a majority of the votes in the Democratic primary, winning in white areas as well as black, in the suburbs as well as Chicago, the reaction that followed echoed the response to my election to the Law Review. Mainstream commentators expressed surprise and genuine hope that my victory signaled a broader change in our racial politics. Within the black community, there was a sense of pride regarding my accomplishment, a pride mingled with frustration that fifty years after Brown v. Board of Education and forty years after the passage of the Voting Rights Act, we should still be celebrating the possibility (and only the possibility, for I have a tough general election coming up) that I might be the sole African American—and only the third since Reconstruction—to serve in the Senate. My family, friends, and I were mildly bewildered by the attention, and constantly aware of the gulf between the hard sheen of media reports and the messy, mundane realities of life as it is truly lived.

      Just as that spate of publicity prompted my publisher’s interest a decade ago, so has this fresh round of news clippings encouraged the book’s re-publication. For the first time in many years, I’ve pulled out a copy and read a few chapters to see how much my voice may have changed over time. I confess to wincing every so often at a poorly chosen word, a mangled sentence, an expression of emotion that seems indulgent or overly practiced. I have the urge to cut the book by fifty pages or so, possessed as I am with a keener appreciation for brevity. I cannot honestly say, however, that the voice in this book is not mine—that I would tell the story much differently today than I did ten years ago, even if certain passages have proven to be inconvenient politically, the grist for pundit commentary and opposition research.

      What has changed, of course, dramatically, decisively, is the context in which the book might now be read. I began writing against a backdrop of Silicon Valley and a booming stock market; the collapse of the Berlin Wall; Mandela—in slow, sturdy steps—emerging from prison to lead a country; the signing of peace accords in Oslo. Domestically, our cultural debates—around guns and abortion and rap lyrics—seemed so fierce precisely because Bill Clinton’s Third Way, a scaled-back welfare state without grand ambition but without sharp edges, seemed to describe a broad, underlying consensus on bread-and-butter issues, a consensus to which even George W. Bush’s first campaign, with its “compassionate conservatism,” would have to give a nod. Internationally, writers announced the end of history, the ascendance of free markets and liberal democracy, the replacement of old hatreds and wars between nations with virtual communities and battles for market share.

      And then, on September 11, 2001, the world fractured.

      It’s beyond my skill as a writer to capture that day, and the days that would follow—the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish