The Raw Shark Texts. Steven Hall
or inside or through the two hundred and eighteen words that made up my description, behind or inside or through those nine hundred and sixty-nine letters, there is some kind of flow. A purely conceptual stream with no mass or weight or matter and no ties to gravity or time, a stream that can only be seen if you choose to look at it from the precise angle we are looking from now, but there, nevertheless, a stream flowing directly from my imaginary lake into yours.
Next, try to visualise all the streams of human interaction, of communication. All those linking streams flowing in and between people, through text, pictures, spoken words and TV commentaries, streams through shared memories, casual relations, witnessed events, touching pasts and futures, cause and effect. Try to see this immense latticework of lakes and flowing streams, see the size and awesome complexity of it. This huge rich environment. This waterway paradise of all information and identities and societies and selves.
Now, go back to your lake, back to your gently bobbing boat. But this time, know the lake; know the place for what it is and when you’re ready, take a look over the boat’s side. The water is clear and deep. Broken sunlight cuts blue wedges down, down into the clean cold depths. Sit quietly, wait and watch. Don’t move. Be very, very still. They say life is tenacious. They say given half a chance, or less, life will grow and exist and evolve anywhere, even in the most inhospitable and unlikely of places. Life will always find a way, they say. Be very quiet. Keep looking into the water. Keep looking and keep watching.
I read through the text couple of times. I put the page back in its folder. I drained my vodka. I rubbed my eyes. I said Jesus. I poured another drink and slouched back into the sofa. The cat slid past, ignoring me completely. The fridge hummed. Everything else was rain on the windows and the night-time dramas of insects. Nothing made any kind of sense at all, or if it did, I was too tired and frazzled to see how. I closed my eyes and concentrated on the burn, swirl and chink of the vodka and on the simple sliding weights of breathing.
•
I woke up on the sofa in the middle of some vivid memory playback of my second meeting with Dr Randle.
“But it’s not –” I said out loud, and then stopped, recognising the dream for what it was.
While I’d been asleep, something had changed.
My groggy half-awake attention turned inwards like a brilliant sweeping searchlight and the sudden clarity of it shocked me. I saw the whole of my sixteen-week-old mind and my sixteen-week-old self perfectly, completely, vivid and obvious in every detail. I could even see the memory dream still playing in the back of my head, tape winding down, losing cohesion and forward momentum.
I pushed myself upright on the sofa. The sensation of clarity expanded. Everything in the room, all things and their spatial relationships, all colours, light, shades, textures, all space, all air pressure and all bouncing wave sounds became cutting-edge sharp, everything tuned to a hot brilliant focus. My wide-open skipping-around eyes found the vodka glass on my lap. I became transfixed. I lifted it as carefully and gently as I could, working hard not to affect events inside. The three ice cubes had melted into round-edged lozenges, each with its own complex puzzle of faultlines, ghost planes and fractures. Around each cube, the run-off water and the slightly thicker vodka curled together in miniature weather systems and storm fronts. I thought about fragile colour spirals of oil in water, about the sad rolling and dispersing of the galaxy, about cogwheel daisies on green grass driving the vast machinery of evolution, about a whirl of cream unwinding its spiral arms in a left-behind coffee cup and all this coming from somewhere all at once but not distracting; perfectly in line with the beautiful, almost traumatic actuality of substance, form, movement and light in the glass. It was breathtaking, too clear, too much. My eyes were hot and prickly, and I realised I was crying.
A movement unlocked my attention. I re-focused my eyes, looking past the vodka glass and into the static buzz of the TV. I stayed very still for a few seconds before lowering the glass to the floor, careful not to take my eyes off the screen. There was something distant and alive in the depths of the white noise – a living glide of thoughts swimming forward, a moving body of concepts and half felt images.
I moved slowly off the sofa and crawled across the floor towards the television, trying to see deeper into the vast depths of no-signal hiss behind the glass. I got nearer and the creature became aware of me. It picked up speed and powered out of sight, disappearing in a fast flick of movement below the bottom right corner of the screen.
I crawled closer, closer, closer, trying to pick out another glimpse or recollective flash of the thing deep in the vast distances of static, and then –
The screen threw itself forward with a screaming electric flash and the lights all died. The TV landed with a heavy glassy thud in the black and I scrambled backwards on balls of feet and heels of hands in animal panic. My shoulders hit the sofa and I clumsily reverse-clambered onto it, pulling my knees up off the floor until they were tucked under my chin, hands locked together around my shins. My body squeezed, desperate to run, but the dark, silence and panic locked me still, petrified in place. I tried for silent breaths but my breathing and my thinking were all ripped, chopped, torn-up, ragged. I couldn’t hear anything else and couldn’t see anything either. The room was pitch-black.
No.
Not totally pitch-black. The little green smoke detector light on the ceiling became my distant North Star. Gently releasing the most fragile light, it remade the edges of the bookcase and the magazine stand and the back of the upturned TV out of the darkness. I focused on this circle and on my breathing. With a little longer to adjust, even this thin polleny dusting of illumination would be enough to see by. And once I could see, and see the door, I’d be able to force my legs out of their deep-freeze and run.
A violent something slammed into the far end of the sofa shunting everything sideways with a hard, wrenching pressure lurch. I barrelled right, digging my fingers deep into the soft fabric arm, trying to resist the travelling momentum taking me tumbling over the side and managing it, just. Rocking myself hard back into my seat, I kept one hand gripped tight on the arm and the other stretched out across the sofa back, elbows locked and braced, wedging myself deep and tight in the corner. No thoughts – my thinking like a pile of smashed glass and my breathing so fast the darkness started to swarm. An impulse came to run at the wall and hope to hit the door or at least near the door and fumble for it, but I couldn’t break the panic locking my legs. Bang – another hit directly behind and under me, much harder, like a slow-motion car crash and the back end of the sofa thrown up and coming toppling forward, sending me sprawling off into empty space and then the carpet and the floor came up at me and it – broke.
The idea of the floor, the carpet, the concept, feel, shape of the words in my head all broke apart on impact with a splash of sensations and textures and pattern memories and letters and phonetic sounds spraying out from my splashdown. I went under, deep, carried by the force of my fall and without the thought or image or any recollection of oxygen or breathing at all.
I came up coughing, gasping for air, the idea of air. A vague physical memory of the actuality of the floor survived but now I was bobbing and floating and trying to tread water in the idea of the floor, in fluid liquid concept, in its endless cold rolling waves of association and history.
Everything dark and black except for the faint green of the North Star. No more outlines, no edging of the bookcase or back of the upturned TV, just me treading water alone in the middle of this vast and fundamental conceptual form; concept as environment, with its own characteristic depths and swells, moving and shifting and altering with time and perspective the way all words and ideas and concepts do. No no no. I tried to shake that mode of being, to force the idea back behind the physical, force my body to find and accept the hard reality of the floor as an entity of sand and stones and cement, hard physical atoms with no words or ideas or attachments, but my mind could only find the words, ideas, signs and attachments for these things, never anything solid at all, and my body couldn’t act