High Tide. Inga Abele
he bought a pork hock and left with this Demeter, who was now sleeping soundly against his shoulder. Tomorrow is his name day. He hadn’t imagined he’d be spending his name day in a strange place. Life’s funny like that.
Although, he could just leave. It was always an option. You could leave wherever you were as long as you were alive. Buy cigarettes and a book of matches at the gas station, stop and smoke one halfway across the bridge before throwing the rest of the pack into the river so they can’t tempt him. Then take a right and head toward the small Russian church. Then across the train tracks, where little red and green lights glitter welcomingly in the shallow ravine. And past the tracks he was already almost home. Five kilometers—and his shed. Probably as cold as ice by now. The heat gets sucked out of the shed in no time; it’s no surprise since the walls are so full of cracks that the wallpaper flaps in the wind.
But it’s nice to get a fire going.
Open the flue.
Pile wood into the stove. Pack enough newspapers in the middle. Then light it.
Close the stove door and regret throwing the pack of cigarettes into the river. It’s nice to have a smoke while lighting the stove. Surrounded by the dark, cool room, where the roaring flames reflect yellow onto the walls and he can see the white puffs of his breath. Regain warmth slowly, along with the floor, the ceiling, the bed and table, along with the bricks and wood. It was all somehow very nature-like.
Andrejs remembers how Ieva used to do that sometimes at the Zari house. It was too bad he didn’t smoke back then. It would’ve been pretty great with the both of them. One over the course of the entire evening. With Ieva. But they never had anything together.
But this woman here—she’s a typical woman. He told her how he’d quit smoking and right away she started going on about how good that was, and how she’d have to keep an eye on him so he didn’t pick it up again. That thing all women have, that kind of habit of ownership, they’re supposedly the weaker sex, but they’re all just calculating bitches. They net you with their promises, tie you up, hold you to your word like they’re yanking on the reigns, school you, keep an eye on you, babysit you. Just wait until she wakes up, then he’ll tell her what’s what, tell her not to get her hopes up, not to expect anything. She’ll learn only the things she’s entitled to learn. And give everything else a rest. Prison is his past. And that’s all he’ll say.
But why is this accounting thing bothering him? Ah, right, because of the photograph. She showed him a photo album—well parts of it, a few photos right at the beginning. And he’d accidentally seen the next page—kids in the prison visitation room, in the corner with the iron swing set. He recognized it right away, even though he’d only seen it a few times since he’d been released. When you’re in the prison you don’t see how pretty it looks from the outside. It’s white. With fences and searchlights. And that strange alarm tone that goes off once an hour. And a swing set in the visitation area. His prison.
He recognized the yard by its masonry. The kids play on the swing set by the prison while their mother sits in accounting—he decided that’s how it went. Two kids. Two’s always better—it’s always more fun. Now she’s alone, he can tell by her slippers and toothbrush. Who knows if her husband died or left her. Actually, he doesn’t care. She can tell him as much as she wants to. What’s done is done.
But the handwriting under the photos is familiar. The number two in the year is like a swan with a curled neck. Maybe she was one of the people in accounting who accepted payments for visitations back then? Back when Ieva still came to see him? Who knows why he’s being nagged by memories of that slanted “2”; he probably saw it on some receipt when Ieva came to visit.
Sweet little accountant. She’s pretty in the pictures, and still looks good now. He told her this. So she wouldn’t be offended that he wasn’t really into the whole pictures thing. What’s done is done. What’s the point of photographs—your eyes never change. You’re not going to love a woman made of paper. But the one resting her head on his shoulder, that’s something else entirely—warm, full-figured, lightly snoring. Very quietly. Andrejs knows she’s asleep. Because in prison you learn to tell by the sound of someone’s breathing whether or not they’re asleep. The rhythm is completely different. Especially the exhale.
And what says they’ll even get around to talking? He could just ask her straight out about the accounting. But what if he suddenly wants to go home? Or tomorrow morning, even—bail while she’s still sleeping? You can’t force your heart to feel something. Visiting is great, but being home is even better. And if being home is better, then conversation is definitely not mandatory. Burden yourself with excess information. She already managed to talk about a few things while she was seasoning the meat. Show him the photo album. And ask questions. He won’t say anything. What for? For more heartache? It’s pointless and disloyal.
So she’s sleeping. Let her. It’s a nice moment. A couch under him. A woman beside him. The strips of light cast from the wall lamps long and muted. To the right a window, and beyond it darkness and cold. A TV in front of him with the volume turned down. Warmth all around him—not the abrasive, dry heat of a stove, but the soothing blanket of centralized heating.
It’s his, Andrejs’s moment. A moment of existence. He’s gotten so good at capturing these moments over the past years. He sniffs them out like a bloodhound, extracts them like a pearl diver and brings them to the surface of his consciousness, breaks and grinds them down like a nutcracker. He’s almost happy, dammit—happy!
He doesn’t need much anymore. The waves that used to crash over him have thinned out. Soon the sky will be visible through them. He’s almost convinced that its dark corners no longer hide any threatening shadows that could bring him suffering. It’s his fate—to spend his entire life as a toy in the rolling waves of life. To do something and only realize it after the fact. Life brings nothing but pain to people who live like that. He’s had enough. It’s nice here, in the shallows. And his memories are within reach if he ever wants to feel something.
He was also happy back when Ieva still came to see him. But it was a tormented happiness. Kind of like what he feels now, when he replays the scenes of his life over and over, even though he should relax and enjoy the warmth, this moment of existence. Why let yourself sink in the past when you can’t change or undo it? To feel that troubled happiness? Life is life, it has everything; the contents in that pot are so thick that, in the moment something happens, you can’t tell if you’re still happy or not. But only the good things remain in your memory.
Back when Ieva still came to see him, he would start waiting for her three months in advance. Once you’d shown you were hardworking and could behave, you’d get an extended visit. One visit per season. He’d carefully fill out the request form, put down Ieva’s passport information, and write “wife” in block letters on the line above “relationship.” Back then he had a wife.
They usually brought Ieva in first. The prison’s hotel room was a long, narrow bedroom with a window at the end of it looking out onto the inner prison wall. Two beds against opposite walls. Two bare, ugly nightstands. No frills.
She was always sitting on the bed when the guards brought Andrejs in. He liked to think that she sat because her trembling knees would give away her excitement. But maybe she sat so she’d resemble a painting. Because she knew full well—in this empire of ugliness she looked so unnaturally beautiful. Who the hell knows. He was never able to fully understand Ieva.
He already had the feeling back then that she was slowly pulling away from him, that she was already associating with people who stayed out of trouble. And it was only the prison with the clanking of its hundreds of doors, the jangling of keys, narrow hallways, the spots of light on the guards’ uniforms, Andrejs’s shaved head and large eyes in his gaunt, dark face that fused them together—the way only prison can do.
When she stopped coming, he spent the next four years entertaining the thought of killing her once he got out. But that lasted only four years, not longer. No emotion lasts longer than four years without support from God. It was around that time he found that book by the stove in the prison boiler room, read it and calmed