Other Voices, Other Towns: The Traveler's Story. Caleb Pirtle III
“But none of them is quite like yours.”
“How do you know?”
“Word gets around.”
Bea Hensley smiled. A lot of good folks came to see his anvil. It had been back in 1938 when the self-styled blacksmith from the mountains stumbled across an old anvil in a New York junkyard.
It was old then: battered, scarred, blurred with rust, worn down, and thrown away amongst the weeds and scrap metal of broken down automobiles. It was where things of the past, no longer wanted or needed, were sent to die.
He bought the anvil with the last two dollars and fifty cents he had lodged in his pocket. Bea Hensley knew the anvil was different. He had no idea the anvil was magical.
It had never been his intention to become an artist. Being a blacksmith was good enough for him.
But that was before Bea Hensley picked up hammer and tongs and began to beat out odd little rhythms on the anvil.
After awhile, it seemed to just about everyone who dropped by that the rhythms sounded like some faint melody tucked away within the recesses of their minds. At three o’clock in the morning, while Gillespie Gap lay sleeping and no one was around to disrupt his one-sided conversation, Bea Hensley learned to turn those haunting melodies into art.
“What songs do you play on the anvil?” one of the musicologists asked.
“Don’t know.”
“Do you create your own songs?”
“Not me.”
“Why not?”
“Can’t carry a tune.”
The gentleman thought about chuckling, then frowned again. He still did not know whether Bea Hensley was serious or not.
The caravan of musicologists folded their arms, stood back in the dark corner of the blacksmith shop, wiped the sweat from their faces as the furnace roared behind them, and listened intently as Hensley turned molten metal into the shape of leaves falling from the hardwood trees outside. He ran the hammer from one end of the anvil to the other. High tones. Low tones. Soft tones. Tones right out of the 1812 Overture. Bea Hensley had it all. The volley of cannon fire, the ringing of the chimes. Tchaikovsky would have been proud.
For two weeks, the high brow musical team examined the battered old anvil that sat on a stump in the middle of a blacksmith shop in the middle of the woodlands in the middle of the mountains.
They handled it as though the anvil was a rare gem taken from the rock bottom of an ancient sea bed. They pounded on it. They asked Bea Hensley to pound on it. They tapped the anvil with high-dollar strips of cold steel from one end to the other. They recorded the high pitches and the low.
They scientifically measured the range of tones with learned ears and complex equipment. They captured it all: the timbre, the wavelengths, the sound waves, and the duration of the vibrations.
Among themselves, they talked about auriel illusion, tritone paradoxes, and the harmonic frequency spectra that came pouring out of the anvil.
The musicologists ran old tests. They made up new tests. On their final day, the learned doctors of music all gathered together and came to one dead solid, unmistakable, and undeniable conclusion. There was no doubt about it.
The distinguished gentleman with the ashen face glanced at the anvil one last time. He had never seen anything quite like it in his life.
It should never be condemned to bear the brunt of molten metal and a blacksmith’s hammer.
It wasn’t an anvil, not this one.
It was a musical instrument with a pitch as pure as any ever heard within the revered confines of Carnegie Hall.
Bea Hensley’s old anvil, the derelict from a New York junkyard that made the only sounds heard along the early morning streets of Gillespie Gap, was tuned perfectly to the key of F. It was an accident of nature, they said.
Bea Hensley smiled. Accidents of nature were not uncommon at all for men who crawled out of bed at three o’clock every morning for a one-sided conversation with God.
The Blessing of Bessie
Somewhere on the outskirts of
Asheville, North Carolina
Pop: 76,636
The Scene: Asheville is the crown jewel of the Blue Ridge Parkway, a scenic ribbon of pavement that twists and turns its way through the glorious highlands of North Carolina. The little city, rising up from a timbered bowl in the mountains, even has its own American-styled castle, the imposing Biltmore House and Gardens – a 250-room French Chateau that George Washington Vanderbilt completed in 1895. With its size and necessities of invention, the estate staggers the imagination.
The Sights: Wedged on the western facing slope of Sunset Mountain is the Grove Park Inn, fashioned with great wooden beams and an even greater assortment of rock walls. Down its hallways have walked such noted dignitaries as Thomas Edison, Henry Ford, Woodrow Wilson, William Howard Taft, Franklin D. Roosevelt, Dwight David Eisenhower, Harry Houdini, F. Scott Fitzgerald, Enrico Caruso, and William Jennings Bryan. The riches necessary to build the stunning inn were earned through the sales of Grove’s Chill Tonic, which fought malaria, had quite a kick, would have probably been outlawed during prohibition, and outsold the country’s leading cola.
The Setting: Within Ashville and the surrounding high country rest the quaint Southern homes of such literary giants as Carl Sandburg and Thomas Wolfe, and hidden away in the back country resides the dignity of mankind.
The Story: Aunt Bessie Whisenhunt, tucked away like an antique quilt in a little cabin on the backside of civilization, was a wrinkled reflection of Southern womanhood. She was tough, but mostly gentle. Everyone who knew her loved her, and for eighty-six years she had been the matriarch of the mountains, a woman alone and undaunted, whose cabin nestled at the far end of a one-lane road somewhere beyond the last bend in a dirt road from Asheville.
Aunt Bessie was hard and lean. She never went hungry as long as her rifle was loaded and the Good Lord allowed rain to touch her garden. She ate the vegetables she could and gave away the ones she couldn’t.
She was small, shrunken with age, and her bones ached when a winter chill found its way to the hollow. But she chopped her own wood and let the heat from a fireplace chase the dull ache from her joints.
Aunt Bessie did not depend on anyone else for her meager existence. Not even the Great Depression had bothered her. She had been practicing for hard times long before they ever climbed down to her little corner of the earth, or so she said.
She laughed a lot, especially when there was nothing else to do, and there was seldom anything else to do in the deep and lingering shadows of Appalachia, where self-reliance was a religion and every day was the Sabbath.
A bitter winter, in the eighty-sixth year of her life, descended without mercy upon the mountainsides and worked its way into the hollow like bad news on the poison tongue of the town gossip.
The snow kept falling for days, then weeks. A wet, heavy sheeting of ice paralyzed the mountains and crippled the roads.
Everyone who knew Aunt Bessie worried about her. She was so alone and so isolated. Surely she would freeze or starve before the spring thaw. She was too old to cut wood. It was too cold to cut wood. And Aunt Bessie, after all, didn’t get around the way she used to. She could count on arthritis showing up even when no one or nothing else bothered to come to her home.
Frantically, the Red Cross in Asheville hauled out a bulldozer, and a work crew, armed with groceries, began slowly