The Essential James Branch Cabell Collection. James Branch Cabell
dwindles, the wit grows."
"Oh, yes, with age we take a slackening hold upon events; we let all happenings go by more lightly; and we even concede the universe not to be under any actual bond to be intelligible. Yes, that is true. But is it gain, my poet? for I had thought it to be loss."
"With age we gain the priceless certainty that sorrow and injustice are ephemeral. Solvitur ambulando, my dear. I have attested this merely by living long enough. I, like any other man of my years, have in my day known more or less every grief which the world breeds; and each maddened me in turn, as each was duly salved by time; so that to-day their ravages vex me no more than do the bee-stings I got when I was an urchin. To-day I grant the world to be composed of muck and sunshine intermingled; but, upon the whole, I find the sunshine more pleasant to look at, and--greedily, because my time for sightseeing is not very long--I stare at it. And I hold Judith's creed to be the best of all imaginable creeds--that if we do nothing very wrong, all human imbroglios, in some irrational and quite incomprehensible fashion, will be straightened to our satisfaction. Meanwhile, you also voice a tonic truth--this universe of ours, and, reverently speaking, the Maker of this universe as well, is under no actual bond to be intelligible in dealing with us." He laughed at this season and fell into a lighter tone. "Do I preach like a little conventicle-attending tradesman? Faith, you must remember that when I talk gravely Judith listens as if it were an oracle discoursing. For Judith loves me as the wisest and the best of men. I protest her adoration frightens me. What if she were to find me out?"
"I loved what was divine in you," the woman answered.
"Oddly enough, that is the perfect truth! And when what was divine in me had burned a sufficiency of incense to your vanity, your vanity's owner drove off in a fine coach and left me to die in a garret. Then Judith came. Then Judith nursed and tended and caressed me--and Judith only in all the world!--as once you did that boy you spoke of. Ah, madam, and does not sorrow sometimes lie awake o' nights in the low cradle of that child? and sometimes walk with you by day and clasp your hand--much as his tiny hand did once, so trustingly, so like the clutching of a vine--and beg you never to be friends with anything save sorrow? And do you wholeheartedly love those other women's boys--who did not die? Yes, I remember. Judith, too, remembered. I was her father, for all that I had forsaken my family to dance Jack-pudding attendance on a fine Court lady. So Judith came. And Judith, who sees in play-writing just a very uncertain way of making money--Judith, who cannot tell a B from a bull's foot,--why, Judith, madam, did not ask, but gave, what was divine."
"You are unfair," she cried. "Oh, you are cruel, you juggle words, make knives of them. . . . You" and she spoke as with difficulty--"you have no right to know just how I loved my boy! You should be either man or woman!"
He said pensively: "Yes, I am cruel. But you had mirth and beauty once, and I had only love and a vocabulary. Who then more flagrantly abused the gifts God gave? And why should I not be cruel to you, who made a master-poet of me for your recreation? Lord, what a deal of ruined life it takes to make a little art! Yes, yes, I know. Under old oaks lovers will mouth my verses, and the acorns are not yet shaped from which those oaks will spring. My adoration and your perfidy, all that I have suffered, all that I have failed in even, has gone toward the building of an enduring monument. All these will be immortal, because youth is immortal, and youth delights in demanding explanations of infinity. And only to this end I have suffered and have catalogued the ravings of a perverse disease which has robbed my life of all the normal privileges of life as flame shrivels hair from the arm--that young fools such as I was once might be pleased to murder my rhetoric, and scribblers parody me in their fictions, and schoolboys guess at the date of my death!" This he said with more than ordinary animation; and then he shook his head. "There is a leaven," he said--"there is a leaven even in your smuggest and most inconsiderable tradesman."
She answered, with a wistful smile: "I, too, regret my poet. And just now you are more like him----"
"Faith, but he was really a poet--or, at least, at times----?"
"Not marble, nor the gilded monuments of princes shall outlive this powerful rhyme----'"
"Dear, dear!" he said, in petulant vexation; "how horribly emotion botches verse. That clash of sibilants is both harsh and ungrammatical. _Shall_ should be changed to _will_." And at that the woman sighed, because, in common with all persons who never essayed creative verbal composition, she was quite certain perdurable writing must spring from a surcharged heart, rather than from a rearrangement of phrases. And so,
"Very unfeignedly I regret my poet," she said, "my poet, who was unhappy and unreasonable, because I was not always wise or kind, or even just. And I did not know until to-day how much I loved my poet. . . . Yes, I know now I loved him. I must go now. I would I had not come."
Then, standing face to face, he cried, "Eh, madam, and what if I also have lied to you--in part? Our work is done; what more is there to say?"
"Nothing," she answered--"nothing. Not even for you, who are a master-smith of words to-day and nothing more."
"I?" he replied. "Do you so little emulate a higher example that even for a moment you consider me?"
She did not answer.
When she had gone, the playmaker sat for a long while in meditation; and then smilingly he took up his pen. He was bound for "an uninhabited island" where all disasters ended in a happy climax.
"So, so!" he was declaiming, later on: "_We, too, are kin To dreams and visions; and our little life Is gilded by such faint and cloud-wrapped suns_--Only, that needs a homelier touch. Rather, let us say, _We are such stuff As dreams are made on_--Oh, good, good!--Now to pad out the line. . . . In any event, the Bermudas are a seasonable topic. Now here, instead of _thickly-templed India_, suppose we write _the still-vexed Bermoothes_--Good, good! It fits in well enough. . . ."
And so in clerkly fashion he sat about the accomplishment of his stint of labor in time for dinner. A competent workman is not disastrously upset by interruption; and, indeed, he found the notion of surprising Judith with an unlooked-for trinket or so to be at first a very efficacious spur to composition.
And presently the strong joy of creating kindled in him, and phrase flowed abreast with thought, and the playmaker wrote fluently and surely to an accompaniment of contented ejaculations. He regretted nothing, he would not now have laid aside his pen to take up a scepter. For surely--he would have said--to live untroubled, and weave beautiful and winsome dreams is the most desirable of human fates. But he did not consciously think of this, because he was midcourse in the evoking of a mimic tempest which, having purged its victims of unkindliness and error, aimed (in the end) only to sink into an amiable calm.
CONCERNING CORINNA
"_Dr. Herrick told me that, in common with all the Enlightened or Illuminated Brothers, of which prying sect the age breeds so many, he trusted the great lines of Nature, not in the whole, but in part, as they believed Nature was in certain senses not true, and a betrayer, and that she was not wholly the benevolent power to endow, as accorded with the prevailing deceived notion of the vulgar. But he wished not to discuss more particularly than thus, as he had drawn up to himself a certain frontier of reticence; and so fell to petting a great black pig, of which he made an unseemly companion, and to talking idly._"
A Gyges ring they bear about them still, To be, and not, seen when and where they will;
They tread on clouds, and though they sometimes fall, They fall like dew, and make no noise at all:
So silently they one to th' other come As colors steal into the pear or plum;
And air-like, leave no pression to be seen Where'er they met, or parting place has been.
ROBERT HERRICK.--_My Lovers how They Come and Part_.
CONCERNING