The Essential James Branch Cabell Collection. James Branch Cabell
of me because I sat upon the floor by preference, and drolly exaggerated what I really thought, it became a sort of public duty to do these things. So I did, and found it astonishingly pleasant.
4
And meanwhile too, John Charteris could never see enough of me, whom, as I to-day suspect, Charteris was studying conscientiously, to the end that I should be converted into "copy." For me, I was waiting cannily until he should actually ask to see those manuscripts I had brought to Willoughby Hall, and should help me to get them published. So there were two of us.... In any event, it was just three weeks after Stella's marriage that Charteris coaxed me into Fairhaven's Opera House to witness a performance of _Romeo and Juliet_, by the Imperial Dramatic Company.
I went under protest; I had witnessed the butchery of so many dramas within these walls during my college days, that I knew what I must anticipate, I said. I had, as a matter of fact, always enjoyed the Opera House "shows," but I did not wish to acknowledge the harboring of such crude tastes to Charteris. In any event, at the conclusion of the second act,--
"By Jove!" said I, in a voice that shook a little. "She's a stunner!" I jolted out, as I proceeded to applaud, vigorously, with both hands and feet. "And who would have thought it! Good Lord, who would have thought it!"
Charteris smiled, in that infernally patronizing way he had sometimes. "A beautiful woman, my dear boy,--an inordinately beautiful woman, in fact, but entirely lacking in temperament."
"Temperament!" I scoffed; "what's temperament to two eyes like those? Why, they're as big as golf-balls! And her voice--why, a violin--a very superior violin--if it could talk, would have just such a voice as that woman has! Temperament! Oh, you make me ill! Why, man, just look at her!" I said, conclusively.
Charteris looked, I presume. In any event, the Juliet of the evening stood before the curtain, smiling, bowing to right and left. The citizens of Fairhaven were applauding her with a certain conscientious industry, for they really found Romeo and Juliet a rather dull couple. The general opinion, however, was that Miss Montmorenci seemed an elegant actress, and in some interesting play, like _The Two Orphans_ or _Lady Audley's Secret_, would be well worth seeing. Upon those who had witnessed her initial performance, she had made a most favorable impression in _The Lady of Lyons_; while at the Tuesday matinee, as Lady Isabel in _East Lynne_, she had wrung the souls of her hearers, and had brought forth every handkerchief in the house. Moreover, she was very good-looking,--quite the lady, some said; and, after all, one cannot expect everything for twenty-five cents; considering which circumstances, Fairhaven applauded with temperate ardor, and made due allowance for Shakespeare as being a classic, and, therefore, of course, commendable, but not necessarily interesting.
5
"Well?" I queried, when she had vanished. I was speaking under cover of the orchestra,--a courtesy title accorded a very ancient and very feeble piano. "Well, and what do you think of her--of her looks, I means? Who cares for temperament in a woman!"
Charteris assumed a virtuous expression. "I don't dare tell you," said he; "you forget I am a married man."
Then I frowned a little. I often resented Charteris's flippant allusion to a wife whom I considered, with some reason, to be vastly too good for her husband. And I considered how near I had come to remaining with the others at Willoughby Hall--for that new game they called bridge-whist! And I decided I would never care for bridge. How on earth could presumably sensible people be content to coop themselves in a drawing-room on a warm May evening, when hardly a mile away was a woman with perfectly unfathomable eyes and a voice which was a love-song? Of course, she couldn't act, but, then, who wanted her to act? I indignantly demanded of my soul.
One simply wanted to look at her, and hear her speak. Charteris, with his prattle about temperament, was an ass; when a woman is born with such eyes and with a voice like that, she has done her full duty by the world, and has prodigally accomplished all one has the tiniest right to expect of her.
It was impossible she was in reality as beautiful as she seemed, because no woman was quite so beautiful as that; most of it was undoubtedly due to rouge and rice-powder and the footlights; but one could not be mistaken about the voice. And if her speech was that, what must her singing be! I thought; and in the outcome I remembered this reflection best of all.
I consulted my programme. It informed me, in large type at the end, that Juliet was "old Capulet's daughter," and that the part was played by Miss Annabelle Alys Montmorenci.
And I sighed. I admitted to myself that from a woman who wilfully assumed such a name little could be hoped. Still, I would like to see her off the stage...without all those gaudy fripperies and gewgaws...merely from curiosity.... Then too, they said those actresses were pretty gay....
6
"A most enjoyable performance," said Mr. Charteris, as we came out of the Opera House. "I have always had a sneaking liking for burlesque."
Thereupon he paused to shake hands with Mrs. Adrian Rabbet, wife to the rector of Fairhaven.
"Such a sad play," she chirped, "and, do you know, I am afraid it is rather demoralizing in its effects on young people. No, of course, I didn't think of bringing the children, Mr. Charteris--Shakespeare's language is not always sufficiently obscure, you know, to make that safe. And besides, as I so often say to Mr. Rabbet, it is sad to think of our greatest dramatist having been a drinking man. It quite depressed me all through the play to think of him hobnobbing with Dr. Johnson at the Tabard Inn, and making such irregular marriages, and stealing sheep--or was it sheep, now?"
I said that, as I remembered, it was a fox, which he hid under his cloak until the beast bit him.
"Well, at any rate, it was something extremely deplorable and characteristic of genius, and I quite feel for his wife." Mrs. Rabbet sighed, and endeavored, I think, to recollect whether it was _Ingomar_ or _Spartacus_ that Shakespeare wrote. "However," she concluded, "they play _Ten Nights in a Barroom_ on Thursday, and I shall certainly bring the children then, for I am always glad for them to see a really moral and instructive drama. That reminds me! I absolutely must tell you what Tom said about actors the other day--"
And she did. This led naturally to Matilda's recent and blasphemous comments on George Washington, and her observations as to the rector's dog, and little Adey's personal opinion of Elisha. And so on, in a manner not unfamiliar to fond parents. Mrs. Rabbet said toward the end that it was a most enjoyable chat, although to me it appeared to partake rather of the nature of a monologue. It consumed perhaps a half-hour; and when we two at last relinquished Mrs. Rabbet to her husband's charge, it was with a feeling not altogether unakin to relief.
7
We walked slowly down Fairhaven's one real street, which extends due east from the College for as much as a mile, to end inconsequently in those carefully preserved foundations, which are now the only remnant of a building wherein a number of important matters were settled in Colonial days. There Cambridge Street divides like a Y, one branch of which leads to Willoughby Hall.
Our route from the Opera House thus led through the major part of Fairhaven, which, after an evening of unwonted dissipation, was now largely employed in discussing the play, and turning the cat out for the night. The houses were mostly dark, and the moon, nearing its full, silvered row after row of blank windows. There was an odour of growing things about, for in Fairhaven the gardens are many.
Then it befell that I made a sudden exclamation.
"Eh?" said Charteris.
"Why, nothing," I explained, lucidly.
It may be mentioned, however, that we were, at this moment, passing a tall hedge of box, set about a large garden. The hedge was perhaps five feet six in height; Charteris