Four Novels by James Joyce. James Joyce
metal, poisonous foggy waters. Brimstone they called it raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead names. A dead sea in a dead land, grey and old. Old now. It bore the oldest, the first race. A bent hag crossed from Cassidy's, clutching a naggin bottle by the neck. The oldest people. Wandered far away over all the earth, captivity to captivity, multiplying, dying, being born everywhere. It lay there now. Now it could bear no more. Dead: an old woman's: the grey sunken cunt of the world.
Desolation.
Grey horror seared his flesh. Folding the page into his pocket he turned into Eccles street, hurrying homeward. Cold oils slid along his veins, chilling his blood: age crusting him with a salt cloak. Well, I am here now. Yes, I am here now. Morning mouth bad images. Got up wrong side of the bed. Must begin again those Sandow's exercises. On the hands down. Blotchy brown brick houses. Number eighty still unlet. Why is that? Valuation is only twenty-eight. Towers, Battersby, North, MacArthur: parlour windows plastered with bills. Plasters on a sore eye. To smell the gentle smoke of tea, fume of the pan, sizzling butter. Be near her ample bedwarmed flesh. Yes, yes.
Quick warm sunlight came running from Berkeley road, swiftly, in slim sandals, along the brightening footpath. Runs, she runs to meet me, a girl with gold hair on the wind.
Two letters and a card lay on the hallfloor. He stooped and gathered them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand. Mrs Marion.
--Poldy!
Entering the bedroom he halfclosed his eyes and walked through warm yellow twilight towards her tousled head.
--Who are the letters for?
He looked at them. Mullingar. Milly.
--A letter for me from Milly, he said carefully, and a card to you. And a letter for you.
He laid her card and letter on the twill bedspread near the curve of her knees.
--Do you want the blind up?
Letting the blind up by gentle tugs halfway his backward eye saw her glance at the letter and tuck it under her pillow.
--That do? he asked, turning.
She was reading the card, propped on her elbow.
--She got the things, she said.
He waited till she had laid the card aside and curled herself back slowly with a snug sigh.
--Hurry up with that tea, she said. I'm parched.
--The kettle is boiling, he said.
But he delayed to clear the chair: her striped petticoat, tossed soiled linen: and lifted all in an armful on to the foot of the bed.
As he went down the kitchen stairs she called:
--Poldy!
--What?
--Scald the teapot.
On the boil sure enough: a plume of steam from the spout. He scalded and rinsed out the teapot and put in four full spoons of tea, tilting the kettle then to let the water flow in. Having set it to draw he took off the kettle, crushed the pan flat on the live coals and watched the lump of butter slide and melt. While he unwrapped the kidney the cat mewed hungrily against him. Give her too much meat she won't mouse. Say they won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to her and dropped the kidney amid the sizzling butter sauce. Pepper. He sprinkled it through his fingers ringwise from the chipped eggcup.
Then he slit open his letter, glancing down the page and over. Thanks: new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan's seaside girls.
The tea was drawn. He filled his own moustachecup, sham crown
Derby, smiling. Silly Milly's birthday gift. Only five she was then. No, wait: four. I gave her the amberoid necklace she broke. Putting pieces of folded brown paper in the letterbox for her. He smiled, pouring.
O, MILLY BLOOM, YOU ARE MY DARLING. YOU ARE MY LOOKINGGLASS FROM NIGHT TO MORNING. I'D RATHER HAVE YOU WITHOUT A FARTHING THAN KATEY KEOGH WITH HER ASS AND GARDEN.
Poor old professor Goodwin. Dreadful old case. Still he was a courteous old chap. Oldfashioned way he used to bow Molly off the platform. And the little mirror in his silk hat. The night Milly brought it into the parlour. O, look what I found in professor Goodwin's hat! All we laughed. Sex breaking out even then. Pert little piece she was.
He prodded a fork into the kidney and slapped it over: then fitted the teapot on the tray. Its hump bumped as he took it up. Everything on it? Bread and butter, four, sugar, spoon, her cream. Yes. He carried it upstairs, his thumb hooked in the teapot handle.
Nudging the door open with his knee he carried the tray in and set it on the chair by the bedhead.
--What a time you were! she said.
She set the brasses jingling as she raised herself briskly, an elbow on the pillow. He looked calmly down on her bulk and between her large soft bubs, sloping within her nightdress like a shegoat's udder. The warmth of her couched body rose on the air, mingling with the fragrance of the tea she poured.
A strip of torn envelope peeped from under the dimpled pillow. In the act of going he stayed to straighten the bedspread.
--Who was the letter from? he asked.
Bold hand. Marion.
--O, Boylan, she said. He's bringing the programme.
--What are you singing?
--LA CI DAREM with J. C. Doyle, she said, and LOVE'S OLD SWEET SONG.
Her full lips, drinking, smiled. Rather stale smell that incense leaves next day. Like foul flowerwater.
--Would you like the window open a little?
She doubled a slice of bread into her mouth, asking:
--What time is the funeral?
--Eleven, I think, he answered. I didn't see the paper.
Following the pointing of her finger he took up a leg of her soiled drawers from the bed. No? Then, a twisted grey garter looped round a stocking: rumpled, shiny sole.
--No: that book.
Other stocking. Her petticoat.
--It must have fell down, she said.
He felt here and there. VOGLIO E NON VORREI. Wonder if she pronounces that right: VOGLIO. Not in the bed. Must have slid down. He stooped and lifted the valance. The book, fallen, sprawled against the bulge of the orangekeyed chamberpot.
--Show here, she said. I put a mark in it. There's a word I wanted to ask you.
She swallowed a draught of tea from her cup held by nothandle and, having wiped her fingertips smartly on the blanket, began to search the text with the hairpin till she reached the word.
--Met him what? he asked.
--Here, she said. What does that mean?
He leaned downward and read near her polished thumbnail.
--Metempsychosis?
--Yes. Who's he when he's at home?
--Metempsychosis, he said, frowning. It's Greek: from the Greek. That means the transmigration of souls.
--O, rocks! she said. Tell us in plain words.
He smiled, glancing askance at her mocking eyes. The same young eyes. The first night after the charades. Dolphin's Barn. He turned over the smudged pages. RUBY: THE PRIDE OF THE RING. Hello. Illustration. Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor naked. Sheet kindly lent. THE MONSTER MAFFEI DESISTED AND FLUNG HIS VICTIM FROM HIM WITH AN OATH. Cruelty behind it all. Doped animals. Trapeze at Hengler's. Had