The Essential George Meredith Collection. George Meredith
squint down the length of his penny-whistle, and, with a flourish correspondingly awry, he also marches into silence, hailed by supper. The woods are still. There is heard but the night-jar spinning on the pine-branch, circled by moonlight.
CHAPTER XX
Enchanted Islands have not yet rooted out their old brood of dragons. Wherever there is romance, these monsters come by inimical attraction. Because the heavens are certainly propitious to true lovers, the beasts of the abysses are banded to destroy them, stimulated by innumerable sad victories; and every love-tale is an Epic Par of the upper and lower powers. I wish good fairies were a little more active. They seem to be cajoled into security by the happiness of their favourites; whereas the wicked are always alert, and circumspect. They let the little ones shut their eyes to fancy they are not seen, and then commence.
These appointments and meetings, involving a start from the dinner-table at the hour of contemplative digestion and prime claret; the hour when the wise youth Adrian delighted to talk at his ease--to recline in dreamy consciousness that a work of good was going on inside him; these abstractions from his studies, excesses of gaiety, and glumness, heavings of the chest, and other odd signs, but mainly the disgusting behaviour of his pupil at the dinner-table, taught Adrian to understand, though the young gentleman was clever in excuses, that he had somehow learnt there was another half to the divided Apple of Creation, and had embarked upon the great voyage of discovery of the difference between the two halves. With his usual coolness Adrian debated whether he might be in the observatory or the practical stage of the voyage. For himself, as a man and a philosopher, Adrian had no objection to its being either; and he had only to consider which was temporarily most threatening to the ridiculous System he had to support. Richard's absence annoyed him. The youth was vivacious, and his enthusiasm good fun; and besides, when he left table, Adrian had to sit alone with Hippias and the Eighteenth Century, from both of whom he had extracted all the amusement that could be got, and he saw his digestion menaced by the society of two ruined stomachs, who bored him just when he loved himself most. Poor Hippias was now so reduced that he had profoundly to calculate whether a particular dish, or an extra-glass of wine, would have a bitter effect on him and be felt through the remainder of his years. He was in the habit of uttering his calculations half aloud, wherein the prophetic doubts of experience, and the succulent insinuations of appetite, contended hotly. It was horrible to hear him, so let us pardon Adrian for tempting him to a decision in favour of the moment.
"Happy to take wine with you," Adrian would say, and Hippias would regard the decanter with a pained forehead, and put up the doctor.
"Drink, nephew Hippy, and think of the doctor to-morrow!" the Eighteenth Century cheerily ruffles her cap at him, and recommends her own practice.
"It's this literary work!" interjects Hippias, handling his glass of remorse. "I don't know what else it can be. You have no idea how anxious I feel. I have frightful dreams. I'm perpetually anxious."
"No wonder," says Adrian, who enjoys the childish simplicity to which an absorbed study of his sensational existence has brought poor Hippias. "No wonder. Ten years of Fairy Mythology! Could anyone hope to sleep in peace after that? As to your digestion, no one has a digestion who is in the doctor's hands. They prescribe from dogmas, and don't count on the system. They have cut you down from two bottles to two glasses. It's absurd. You can't sleep, because your system is crying out for what it's accustomed to."
Hippias sips his Madeira with a niggerdly confidence, but assures Adrian that he really should not like to venture on a bottle now: it would be rank madness to venture on a bottle now, he thinks. Last night only, after partaking, under protest, of that rich French dish, or was it the duck?--Adrian advised him to throw the blame on that vulgar bird.--Say the duck, then. Last night, he was no sooner stretched in bed, than he seemed to be of an enormous size all his limbs--his nose, his mouth, his toes--were elephantine! An elephant was a pigmy to him. And his hugeousness seemed to increase the instant he shut his eyes. He turned on this side; he turned on that. He lay on his back; he tried putting his face to the pillow; and he continued to swell. He wondered the room could hold him--he thought he must burst it--and absolutely lit a candle, and went to the looking-glass to see whether he was bearable.
By this time Adrian and Richard were laughing uncontrollably. He had, however, a genial auditor in the Eighteenth Century, who declared it to be a new disease, not known in her day, and deserving investigation. She was happy to compare sensations with him, but hers were not of the complex order, and a potion soon righted her. In fact, her system appeared to be a debatable ground for aliment and medicine, on which the battle was fought, and, when over, she was none the worse, as she joyfully told Hippias. Never looked ploughman on prince, or village belle on Court Beauty, with half the envy poor nineteenth-century Hippias expended in his gaze on the Eighteenth. He was too serious to note much the laughter of the young men.
This 'Tragedy of a Cooking-Apparatus,' as Adrian designated the malady of Hippias, was repeated regularly ever evening. It was natural for any youth to escape as quick as he could from such a table of stomachs.
Adrian bore with his conduct considerately, until a letter from the baronet, describing the house and maternal System of a Mrs. Caroline Grandison, and the rough grain of hopefulness in her youngest daughter, spurred him to think of his duties, and see what was going on. He gave Richard half-an-hour's start, and then put on his hat to follow his own keen scent, leaving Hippias and the Eighteenth Century to piquet.
In the lane near Belthorpe he met a maid of the farm not unknown to him, one Molly Davenport by name, a buxom lass, who, on seeing him, invoked her Good Gracious, the generic maid's familiar, and was instructed by reminiscences vivid, if ancient, to giggle.
"Are you looking for your young gentleman?" Molly presently asked.
Adrian glanced about the lane like a cool brigand, to see if the coast was clear, and replied to her, "I am, miss. I want you to tell me about him."
"Dear!" said the buxom lass, "was you coming for me to-night to know?"
Adrian rebuked her: for her bad grammar, apparently.
"'Cause I can't stop out long to-night," Molly explained, taking the rebuke to refer altogether to her bad grammar.
"You may go in when you please, miss. Is that any one coming? Come here in the shade."
"Now, get along!" said Miss Molly.
Adrian spoke with resolution. "Listen to me, Molly Davenport!" He put a coin in her hand, which had a medical effect in calming her to attention. "I want to know whether you have seen him at all?"
"Who? Your young gentleman? I sh'd think I did. I seen him to-night only. Ain't he grooved handsome. He's al'ays about Beltharp now. It ain't to fire no more ricks. He's afire 'unself. Ain't you seen 'em together? He's after the missis"--
Adrian requested Miss Davenport to be respectful, and confine herself to particulars. This buxom lass then told him that her young missis and Adrian's young gentleman were a pretty couple, and met one another every night. The girl swore for their innocence.
"As for Miss Lucy, she haven't a bit of art in her, nor have he."
"They're all nature, I suppose," said Adrian. "How is it I don't see her at church?"
"She's Catholic, or some think," said Molly. "Her father was, and a leftenant. She've a Cross in her bedroom. She don't go to church. I see you there last Sunday a-lookin' so solemn," and Molly stroked her hand down her chin to give it length.
Adrian insisted on her keeping to facts. It was dark, and in the dark he was indifferent to the striking contrasts suggested by the lass, but he wanted to hear facts, and he again bribed her to impart nothing but facts. Upon which she told him further, that her young lady was an innocent artless creature who had been to school upwards of three years with the nuns, and had a little money of her own, and was beautiful enough to be a lord's lady, and had been in love with Master Richard ever since she was a little girl. Molly had got from a friend of hers up at the Abbey,