The Essential Rafael Sabatini Collection. Rafael Sabatini
now, their swords out; but after them again came Polichinelle, Rhodomont, Harlequin, Pierrot, Pasquariel, and Basque the artist, armed with such implements as they could hastily snatch up, and intent upon saving the man with whom they sympathized in spite of all, and in whom now all their hopes were centred.
Well ahead rolled Binet, moving faster than any had ever seen him move, and swinging the long cane from which Pantaloon is inseparable.
"Infamous scoundrel!" he roared. "You have ruined me! But, name of a name, you shall pay!"
Andre-Louis turned to face him. "You confuse cause with effect," said he. But he got no farther... Binet's cane, viciously driven, descended and broke upon his shoulder. Had he not moved swiftly aside as the blow fell it must have taken him across the head, and possibly stunned him. As he moved, he dropped his hand to his pocket, and swift upon the cracking of Binet's breaking cane came the crack of the pistol with which Andre-Louis replied.
"You had your warning, you filthy pander!" he cried. And on the word he shot him through the body.
Binet went down screaming, whilst the fierce Polichinelle, fiercer than ever in that moment of fierce reality, spoke quickly into Andre-Louis' ear:
"Fool! So much was not necessary! Away with you now, or you'll leave your skin here! Away with you!"
Andre-Louis thought it good advice, and took it. The gentlemen who had followed Binet in that punitive rush upon the stage, partly held in check by the improvised weapons of the players, partly intimidated by the second pistol that Scaramouche presented, let him go. He gained the wings, and here found himself faced by a couple of sergeants of the watch, part of the police that was already invading the theatre with a view to restoring order. The sight of them reminded him unpleasantly of how he must stand towards the law for this night's work, and more particularly for that bullet lodged somewhere in Binet's obese body. He flourished his pistol.
"Make way, or I'll burn your brains!" he threatened them, and intimidated, themselves without firearms, they fell back and let him pass. He slipped by the door of the green-room, where the ladies of the company had shut themselves in until the storm should be over, and so gained the street behind the theatre. It was deserted. Down this he went at a run, intent on reaching the inn for clothes and money, since it was impossible that he should take the road in the garb of Scaramouche.
BOOK III: THE SWORD
CHAPTER I. TRANSITION
"You may agree," wrote Andre-Louis from Paris to Le Chapelier, in a letter which survives, "that it is to be regretted I should definitely have discarded the livery of Scaramouche, since clearly there could be no livery fitter for my wear. It seems to be my part always to stir up strife and then to slip away before I am caught in the crash of the warring elements I have aroused. It is a humiliating reflection. I seek consolation in the reminder of Epictetus (do you ever read Epictetus?) that we are but actors in a play of such a part as it may please the Director to assign us. It does not, however, console me to have been cast for a part so contemptible, to find myself excelling ever in the art of running away. But if I am not brave, at least I am prudent; so that where I lack one virtue I may lay claim to possessing another almost to excess. On a previous occasion they wanted to hang me for sedition. Should I have stayed to be hanged? This time they may want to hang me for several things, including murder; for I do not know whether that scoundrel Binet be alive or dead from the dose of lead I pumped into his fat paunch. Nor can I say that I very greatly care. If I have a hope at all in the matter it is that he is dead--and damned. But I am really indifferent. My own concerns are troubling me enough. I have all but spent the little money that I contrived to conceal about me before I fled from Nantes on that dreadful night; and both of the only two professions of which I can claim to know anything--the law and the stage--are closed to me, since I cannot find employment in either without revealing myself as a fellow who is urgently wanted by the hangman. As things are it is very possible that I may die of hunger, especially considering the present price of victuals in this ravenous city. Again I have recourse to Epictetus for comfort. 'It is better,' he says, 'to die of hunger having lived without grief and fear, than to live with a troubled spirit amid abundance.' I seem likely to perish in the estate that he accounts so enviable. That it does not seem exactly enviable to me merely proves that as a Stoic I am not a success."
There is also another letter of his written at about the same time to the Marquis de La Tour d'Azyr--a letter since published by M. Emile Quersac in his "Undercurrents of the Revolution in Brittany," unearthed by him from the archives of Rennes, to which it had been consigned by M. de Lesdiguieres, who had received it for justiciary purposes from the Marquis.
"The Paris newspapers," he writes in this, "which have reported in considerable detail the fracas at the Theatre Feydau and disclosed the true identity of the Scaramouche who provoked it, inform me also that you have escaped the fate I had intended for you when I raised that storm of public opinion and public indignation. I would not have you take satisfaction in the thought that I regret your escape. I do not. I rejoice in it. To deal justice by death has this disadvantage that the victim has no knowledge that justice has overtaken him. Had you died, had you been torn limb from limb that night, I should now repine in the thought of your eternal and untroubled slumber. Not in euthanasia, but in torment of mind should the guilty atone. You see, I am not sure that hell hereafter is a certainty, whilst I am quite sure that it can be a certainty in this life; and I desire you to continue to live yet awhile that you may taste something of its bitterness.
"You murdered Philippe de Vilmorin because you feared what you described as his very dangerous gift of eloquence, I took an oath that day that your evil deed should be fruitless; that I would render it so; that the voice you had done murder to stifle should in spite of that ring like a trumpet through the land. That was my conception of revenge. Do you realize how I have been fulfilling it, how I shall continue to fulfil it as occasion offers? In the speech with which I fired the people of Rennes on the very morrow of that deed, did you not hear the voice of Philippe de Vilmorin uttering the ideas that were his with a fire and a passion greater than he could have commanded because Nemesis lent me her inflaming aid? In the voice of Omnes Omnibus at Nantes my voice again--demanding the petition that sounded the knell of your hopes of coercing the Third Estate, did you not hear again the voice of Philippe de Vilmorin? Did you not reflect that it was the mind of the man you had murdered, resurrected in me his surviving friend, which made necessary your futile attempt under arms last January, wherein your order, finally beaten, was driven to seek sanctuary in the Cordelier Convent? And that night when from the stage of the Feydau you were denounced to the people, did you not hear yet again, in the voice of Scaramouche, the voice of Philippe de Vilmorin, using that dangerous gift of eloquence which you so foolishly imagined you could silence with a sword-thrust? It is becoming a persecution--is it not?--this voice from the grave that insists upon making itself heard, that will not rest until you have been cast into the pit. You will be regretting by now that you did not kill me too, as I invited you on that occasion. I can picture to myself the bitterness of this regret, and I contemplate it with satisfaction. Regret of neglected opportunity is the worst hell that a living soul can inhabit, particularly such a soul as yours. It is because of this that I am glad to know that you survived the riot at the Feydau, although at the time it was no part of my intention that you should. Because of this I am content that you should live to enrage and suffer in the shadow of your evil deed, knowing at last--since you had not hitherto the wit to discern it for yourself--that the voice of Philippe de Vilmorin will follow you to denounce you ever more loudly, ever more insistently, until having lived in dread you shall go down in blood under the just rage which your victim's dangerous gift of eloquence is kindling against you."
I find it odd that he should have omitted from this letter all mention of Mlle. Binet, and I am disposed to account it at least a partial insincerity that he should have assigned entirely to his self-imposed mission, and not at all to his lacerated feelings in the matter of Climene, the action which he had taken at the Feydau.
Those two letters, both written in April of that year 1789, had for only immediate effect to increase the activity with which Andre-Louis Moreau was being sought.
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