Chimera. Deborah Stein
McGinn – Production Stage Manager
Recent credits include Chimera and The Wholehearted (Stein Holum Projects, ArtsEmerson); The Object Lesson (BAM, Philly Fringe Festival, LCT3); Jacuzzi, Eager to Lose and Game Play (Ars Nova); How to Build a Forest (PearlDamour + Shawn Hall); The Perfect Play (Banana Bag and Bodice); Forbidden Creative Virgin Whore and From the Spot Where We/ You/I Stand (Stood) (Miller Rothlein Dance); You, My Mother (Theatre of a Two-Headed Calf); Baby Screams Miracle (Clubbed Thumb); PRELUDE Festival 2011 and 2012; The Seagull and Ivanov (Chekhov at Lake Lucille); Temporal Powers and Donogoo (Mint Theater Company); The Peripherals and Hot Lunch Apostles (Talking Band), Richard II…on Trapeze! (Matchbook Productions/Sonnet Rep); PRELUDE Festival 2011 and 2012. Regional credits include: Trinity Repertory Company, Two River Theatre Company, George Street Playhouse, Passage Theatre.
Paul Piekarz – Sound Associate
Paul is a live audio-visual specialist and video designer from Brooklyn, NY. Recent work includes: Loneliness of the Long Distance Runner (Atlantic Theater Company); Facing our Truth (National Black Theater); Asymptote to Zero Gravity and Perchance to Dream (Mich-Mash Productions).
Deborah Stein – Writer/Co-Director
Deborah is a playwright, director, and producer originally from New York. As Co-Artistic Director of Stein | Holum Projects, she has written and co-directed Chimera (created in residence at HERE, where it premiered in the 2012 Under the Radar Festival; subsequently nominated for a Drama Desk Award) and The Wholehearted (premiere at ArtsEmerson in April 2014; upcoming at the Kelly Strayhorn in Pittsburgh). Stein | Holum Projects has workshopped new works at Philadelphia FringeArts, Kelly Strayhorn, Playwrights’ Horizons, Clubbed Thumb, the Playwrights’ Center in Minneapolis, and at Perry-Mansfield. Other plays include: Heist! (Actors’ Theatre of Louisville Humana Festival commission); God Save Gertrude (Workhaus Collective, Theatre @ Boston Court); Wallflower (Stages Repertory Theatre); and Bone Portraits (Stillpoint Productions). Deborah has created collaborative original work with artists such as Joseph Chaikin, Dominique Serrand, Lear deBessonet, and most frequently the Pig Iron Theatre Company, with whom she collaborated since 2000 on six original works, for which she received three Barrymore Award nominations. Her work has been developed nationally at Actors’ Theatre of Louisville, the Guthrie, Seattle Rep, the Women’s Project, and the Wilma Theatre, among others; and internationally in Poland, Ireland, Edinburgh (the Traverse) and Prague. Her writing has been published in Theatre Forum, Play: A Journal of Plays, and The Best American Poetry of 1996. Deborah has taught writing and theatrical collaboration at Yale School of Drama, NYU/Tisch, Princeton, Northeastern, St. Olaf, Parsons and received her MFA from Brown University, where she studied with Paula Vogel. She has received the NYSCA, the Bush Artist Fellowship, two Jerome Fellowships and a McKnight Advancement Grant at the Playwrights’ Center, and is a proud alumna of New Dramatists. She is currently an Assistant Professor of Playwriting at the University of California – San Diego.
James Sugg – Sound Designer
James is a member of Pig Iron Theatre Company with whom he has created 18 original pieces. He has also worked with Actors Theater of Louisville, Milwaukee Rep, Arena Stage, Seattle Rep, The Wilma, Woolly Mammoth Theater, The Arden Theater, Folger Theater, Headlong Dance Theater, Rainpan 43, Stein | Holum Projects and Lucidity Suitcase Intercontinental. Composer credits include: A Murder, A Mystery And A Marriage (book and lyrics by Aaron Posner); James Joyce is Dead and So Is Paris (Pig Iron), The Sea (a one-man electric chamber opera); Cherry Bomb (book and lyrics by Jen Childs). Awards include: two Obies, four Barrymores for Outstanding Sound Design, the F. Otto Haas Award for Emerging Theater Artist and a Pew Fellowship.
David Tennant – Video Designer
David creates interactive video installations, custom theatrical software, and projections designs for theater. Off-Broadway and Downtown: Love Machine (Incubator Arts Project); La Ruta (Working Theater); P.S. Jones and the Frozen City (New Ohio); Bullet For Adolf (New World Stages); How to Break (HERE); The Language Archive (Fordham); Chimera (HERE, Under The Radar 2012). Regional: Interior Designs (NJPAC, Jersey Moves); Pinkolandia (Two River Theater); Twelfth Night (Aquila Theatre); The Clean House (Syracuse Stage); Holiday Review (Oregon Ballet Theater). Associate Projections: Sweet Bird of Youth (Goodman Theater, Chicago); Crowns (Goodman Theater, Chicago). David is a founding member of Imaginary Media.
Tara Webb – Costume Designer
Tara is a Swarthmore college alum and a theatre artist specializing in costume design. She is especially interested in the nodes where technology and performance intersect as well as sustainability in the arts. She has collaborated with companies in New York and Philadelphia on productions that include substantial multimedia components. She worked with the Wooster Group in New York from 1998 to 2004 on both costume and video for the productions of House/Lights, North Atlantic, Hairy Ape, To You The Birdie! and the restaging of Brace Up! (2003). She also joined the Collapsable Giraffe from 1999 to 2007 as a performer, costumer, and video artist. More examples of her costuming in New York include: Chimera, with Stein | Holum Projects and Cynthia Hopkins’ internationally toured trilogy of Accidental Nostalgia, Must Don’t Whip ‘Em, and Failure of Success. Current design work in the Philadelphia area includes: costumes for the Swarthmore College Dance Program and Theater Department, costumes for Drexel University Dance Program, props and costumes for Midway Avenue, The Garden and Return, Return Departure for Nichole Canuso Dance Company, and costumes for New Paradise Laboratories’ 27. In 2013, she helped construct a series of community driven garden sculpture installations with designer Heidi Barr and the East Park Revitalization Alliance at Woodford Mansion. She is currently an artist-in-residence at the Hacktory for 2014.
Jeremy Wilhelm – Set Design
Jeremy is a Minneapolis-based theatre artist. He is the recipient of a MAP Fund grant for Clandestino with Wilhelm Bros & Co. and has created and performed with Thaddeus Phillips’ Lucidity Suitcase Intercontinental, currently touring Red Eye to Havre de Grace (premiered off-Broadway at New York Theatre Workshop in May). Wilhelm Bros. & Co. has been commissioned by Tectonic Theatre Project to write and perform music for its new project about Autism Spectrum Disorder which begins touring in July of 2015. Other theatre credits include: directed/designed/developed new plays by Carson Kretizer, Sylvan Oswald, Lisa D’amour, Jackie Reingold, Victoria Stewart and Cory Hinkle, and has designed and collaborated with choreographers Karen Sherman, Morgan Thorson and Emily Johnson.
Julia R. Gallego – Artist in Residence
Julia is a Spanish artist based in London. She studied MA printmaking at Camberwell College of Arts, were she started experimenting with performance. Her practice explores the representation of the opening of the body, and looks at how gender, religion and anatomy intersect when the skin is trespassed. She draws inspiration from medieval anatomical and religious illustrations and bodyart, drawing connections between the dissector’s cut, the wound in Christian iconography and the female reproductive organs. She proposes to look at accesses to the interior of the body taking the vagina as a central analogy and exploring menstrual and birthing symbolism. She is currently a PhD candidate at Central Saint Martins and has published ‘The Dissector’s Cut, the Wound and the Orifice: Looking at Ron Athey’s performances through a cultural anatomy of the vagina’ for Performance Research journal.
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