The Third Ghost Story Megapack. Мэри Элизабет Брэддон
floors, and, strangely, when he had in a couple of minutes become aware of this, it counted somehow for help. He couldn’t have spoken, the tone of his voice would have scared him, and the common conceit or resource of “whistling in the dark” (whether literally or figuratively) have appeared basely vulgar; yet he liked none the less to hear himself go, and when he had reached his first landing—taking it all with no rush, but quite steadily—that stage of success drew from him a gasp of relief.
The house, withal, seemed immense, the scale of space again inordinate; the open rooms, to no one of which his eyes deflected, gloomed in their shuttered state like mouths of caverns; only the high skylight that formed the crown of the deep well created for him a medium in which he could advance, but which might have been, for queerness of colour, some watery under-world. He tried to think of something noble, as that his property was really grand, a splendid possession; but this nobleness took the form too of the clear delight with which he was finally to sacrifice it. They might come in now, the builders, the destroyers—they might come as soon as they would. At the end of two flights he had dropped to another zone, and from the middle of the third, with only one more left, he recognised the influence of the lower windows, of half-drawn blinds, of the occasional gleam of street-lamps, of the glazed spaces of the vestibule. This was the bottom of the sea, which showed an illumination of its own and which he even saw paved—when at a given moment he drew up to sink a long look over the banisters—with the marble squares of his childhood. By that time indubitably he felt, as he might have said in a commoner cause, better; it had allowed him to stop and draw breath, and the case increased with the sight of the old black-and-white slabs. But what he most felt was that now surely, with the element of impunity pulling him as by hard firm hands, the case was settled for what he might have seen above had he dared that last look. The closed door, blessedly remote now, was still closed—and he had only in short to reach that of the house.
He came down further, he crossed the passage forming the access to the last flight and if here again he stopped an instant it was almost for the sharpness of the thrill of assured escape. It made him shut his eyes—which opened again to the straight slope of the remainder of the stairs. Here was impunity still, but impunity almost excessive; inasmuch as the side-lights and the high fantracery of the entrance were glimmering straight into the hall; an appearance produced, he the next instant saw, by the fact that the vestibule gaped wide, that the hinged halves of the inner door had been thrown far back. Out of that again the question sprang at him, making his eyes, as he felt, half-start from his head, as they had done, at the top of the house, before the sign of the other door. If he had left that one open, hadn’t he left this one closed, and wasn’t he now in most immediate presence of some inconceivable occult activity? It was as sharp, the question, as a knife in his side, but the answer hung fire still and seemed to lose itself in the vague darkness to which the thin admitted dawn, glimmering archwise over the whole outer door, made a semicircular margin, a cold silvery nimbus that seemed to play a little as he looked—to shift and expand and contract.
It was as if there had been something within it, protected by indistinctness and corresponding in extent with the opaque surface behind, the painted panels of the last barrier to his escape, of which the key was in his pocket. The indistinctness mocked him even while he stared, affected him as somehow shrouding or challenging certitude, so that after faltering an instant on his step he let himself go with the sense that here was at last something to meet, to touch, to take, to know—something all unnatural and dreadful, but to advance upon which was the condition for him either of liberation or of supreme defeat. The penumbra, dense and dark, was the virtual screen of a figure which stood in it as still as some image erect in a niche or as some black-vizored sentinel guarding a treasure. Brydon was to know afterwards, was to recall and make out, the particular thing he had believed during the rest of his descent. He saw, in its great grey glimmering margin, the central vagueness diminish, and he felt it to be taking the very form toward which, for so many days, the passion of his curiosity had yearned. It gloomed, it loomed, it was something, it was somebody, the prodigy of a personal presence.
Rigid and conscious, spectral yet human, a man of his own substance and stature waited there to measure himself with his power to dismay. This only could it be—this only till he recognised, with his advance, that what made the face dim was the pair of raised hands that covered it and in which, so far from being offered in defiance, it was buried, as for dark deprecation. So Brydon, before him, took him in; with every fact of him now, in the higher light, hard and acute—his planted stillness, his vivid truth, his grizzled bent head and white masking hands, his queer actuality of evening-dress, of dangling double eye-glass, of gleaming silk lappet and white linen, of pearl button and gold watch-guard and polished shoe. No portrait by a great modern master could have presented him with more intensity, thrust him out of his frame with more art, as if there had been “treatment,” of the consummate sort, in his every shade and salience. The revulsion, for our friend, had become, before he knew it, immense—this drop, in the act of apprehension, to the sense of his adversary’s inscrutable manoeuvre. That meaning at least, while he gaped, it offered him; for he could but gape at his other self in this other anguish, gape as a proof that he, standing there for the achieved, the enjoyed, the triumphant life, couldn’t be faced in his triumph. Wasn’t the proof in the splendid covering hands, strong and completely spread?—so spread and so intentional that, in spite of a special verity that surpassed every other, the fact that one of these hands had lost two fingers, which were reduced to stumps, as if accidentally shot away, the face was effectually guarded and saved.
“Saved,” though, would it be?—Brydon breathed his wonder till the very impunity of his attitude and the very insistence of his eyes produced, as he felt, a sudden stir which showed the next instant as a deeper portent, while the head raised itself, the betrayal of a braver purpose. The hands, as he looked, began to move, to open; then, as if deciding in a flash, dropped from the face and left it uncovered and presented. Horror, with the sight, had leaped into Brydon’s throat, gasping there in a sound he couldn’t utter; for the bared identity was too hideous as his, and his glare was the passion of his protest. The face, that face, Spencer Brydon’s?—he searched it still, but looking away from it in dismay and denial, falling straight from his height of sublimity. It was unknown, inconceivable, awful, disconnected from any possibility!—He had been “sold,” he inwardly moaned, stalking such game as this: the presence before him was a presence, the horror within him a horror, but the waste of his nights had been only grotesque and the success of his adventure an irony. Such an identity fitted his at no point, made its alternative monstrous. A thousand times yes, as it came upon him nearer now, the face was the face of a stranger. It came upon him nearer now, quite as one of those expanding fantastic images projected by the magic lantern of childhood; for the stranger, whoever he might be, evil, odious, blatant, vulgar, had advanced as for aggression, and he knew himself give ground. Then harder pressed still, sick with the force of his shock, and falling back as under the hot breath and the roused passion of a life larger than his own, a rage of personality before which his own collapsed, he felt the whole vision turn to darkness and his very feet give way. His head went round; he was going; he had gone.
CHAPTER III
What had next brought him back, clearly—though after how long?—was Mrs. Muldoon’s voice, coming to him from quite near, from so near that he seemed presently to see her as kneeling on the ground before him while he lay looking up at her; himself not wholly on the ground, but half-raised and upheld—conscious, yes, of tenderness of support and, more particularly, of a head pillowed in extraordinary softness and faintly refreshing fragrance. He considered, he wondered, his wit but half at his service; then another face intervened, bending more directly over him, and he finally knew that Alice Staverton had made her lap an ample and perfect cushion to him, and that she had to this end seated herself on the lowest degree of the staircase, the rest of his long person remaining stretched on his old black-and-white slabs. They were cold, these marble squares of his youth; but he somehow was not, in this rich return of consciousness—the most wonderful hour, little by little, that he had ever known, leaving him, as it did, so gratefully, so abysmally passive, and yet as with a treasure of intelligence waiting all round him for quiet appropriation; dissolved, he might call it, in the air of the place and producing the golden glow of a late autumn afternoon. He had come back, yes—come back from further away than any man but himself had ever