Better Angels. Howard V. Hendrix
spores that the Allesseh had designed, earlier versions of which had been falling between the stars for tens of millions of years previously, were this time successfully planted on the Earth, at last thickly enough to spawn and fruit, to spore again and again in hope of finding a proper host.
Glancing about her now, at the tepuians singing amid the great ring of quartz columns, on the floor of this underground space she had named the Cathedral Room, Jacinta realized that the program embedded within those spores was moving toward its long-awaited fulfillment. The floating quartz columns—pillars in an airy cathedral, flying buttresses to nowhere holding up a dark subterranean sky—had now begun to pulse rapidly with spiky haloes of light.
Jacinta felt herself and all the ghost people floating up into the air together in a ring of their own, a ring of living beings within the ring of columns flashing sunset glow about them, iridescent blues and salmon pinks. Sensitive flames—tiny lambent fractal universes—trembled over all their heads, holy fire flickering in time to the beat of a song of painful beauty and seductive lassitude, a music impelled by a visionary tension between urgency and dream. The song of the mushroom’s long wait for a partner of sufficient neurological complexity. The song of the endless killing wait, the devastating lingering through what Jacinta understood (dimly, through the myth-language of science) as unexpected levels of incident radiation, accelerated mutation rates, speeded-up speciation.
Around her the ghost people’s epic chantsong proclaimed that, throughout the world, even the spore-crash strain became denatured into fungi of ten thousand forms. The pure Allessan form survived at last only here, in the great cave-riddled marble intrusion inside Caracamuni tepui—the place where, thousands of years before Jacinta came to them, the ghost people had first found their sacred mushroom, eaten it, joined with it. Caracamuni was where they achieved the full myconeural symbiosis that allowed them to travel in mindtime, along the myriad branching parallel lines of their possible destinies.
The lines showed them their mission, generation after generation—even predicting Jacinta’s arrival and the role she would come to play in helping the ghost people sing their mountain to the stars. Inside this tepui a refugee people had settled for good. Why should they continue to travel through all the world, when their sacred mushroom showed them that all the world could travel through them? They had come home to go home for all humanity—to the home humans had never known and that had never known them.
Swept away in the otherworldly music of it, Jacinta sensed that the song was very close to completing itself now—conjuring at last a picture quite the opposite of the wild angelic contact ship’s arrival. Not an appearing in this universe but, this time, a disappearing out of it: the hole opening, the sky rippling and bending and funhousing with wave upon wave of light, a bubble bursting into heaven.
Awkwardly, distantly, Jacinta tried to translate what she was seeing into the varieties of theoretical faster-than-light travel methods she’d once encountered, in physics courses during her undergraduate days. Was what she was witnessing the creation of both sides of the particle/antiparticle pair in Bell’s Nonlocality Theorem? An Einstein bridge? Or some sort of super holographic wave function, disappearing here to reappear there?
Is the universe friendly, or not? That question—Einstein’s answer to a reporter’s query as to what was the most important question the great physicist could imagine—rose unbidden in Jacinta’s mind. In the closing of the ghost people’s chantsong, was she now looking at the future, instead of the past?
Around her the ghost people sang the long coda of what had been so long embedded in the genes of their particular cultural obsession: The code hidden in their totemic mushroom, the key for opening the transluminal door, the ticket-to-ride on the galactic rapid transit system. Fully aware at last that she would soon be leaving the world of her birth behind her, Jacinta felt herself reaching out toward her brother one last time.
Thinking made it so. She found herself looking out at the world through her brother’s eyes—and saw that time was passing much more rapidly in Paul’s world than in hers. With him she stumbled and careened up the long slantwise cave tunnel behind his flashlight’s madly bobbing beam, feet tangling in power cables leading to chambers where screens bled information from space into space. With him she tripped and fell and surged to his feet again, until brightness shone from around a corner and Paul found himself plunging headlong into evening light....
Snatching up his backpack and gear from where he’d left them at the entrance, Paul saw the sky above him shimmering—iridescent blues, salmon pinks. Panting hard, he hastily averted his eyes, focusing his attention on flat cloudforest green of the tepui’s deep central cleft, afraid to look into the tall strange chalice of that sky.
In the waning light Paul forded the flood that thundered away to falls at the southeastern end of the gorge. Making his way upward through the cleft now, through the drowned world of tepui cloudforest twilight, he surged at last onto the plateau’s barren, storm-swept top like a swimmer breaking surface after a long dive. Wandering only a short exhausted way through the maze, he shed his gear and radioed in to the local guide Garza and his men. Something in his voice must have confirmed the locals in their traditional fears and superstitions of Caracamuni, for their words seemed smug, condescending.
Collapsing beneath a ledge, Paul did not know whether he slept or not. The air around him thundered and the earth shook, and through it all he thought he heard the ghost people, singing and singing in the very rocks.
The next morning the hollow labyrinth on the tepui’s crown seemed a maze of inverted cave tunnels, or a brain and all its convolutions turned inside out by some topology-transforming supercomputer. After several hours of numbed walking, Paul strode free of the maze.
His guide Garza and his men, when Paul joined them, were full of horrified tales of apparitions and earth tremors and streams of lightning leaping up from the highest stones. They were overjoyed at Paul’s return—and the immediate prospect of their leaving. Their descent from the tepui’s top was swift, passing him in a blur. The weather co-operated, rains falling only lightly for a few hours, so that by mid-afternoon the men had descended the bulk of the tepui’s height. By evening they were on the lower ridge, making camp for the night, looking back at that mysterious height from which they had so recently descended.
Somehow, Jacinta realized, she and Paul were now in different timeflows, different relativistic frames of reference. A bifurcation had occurred, a cusp reached which made her think backward to the contact ship disaster and forward to a meeting with what had sent that ship so long ago. Despite the forking in time’s paths, however, her peculiar deep empathy with her brother persisted, even as it became more a strain to maintain it. In Paul’s frame—
—the sun had just set when it happened. The earth shook with such violence that the men were knocked from their feet and the forests below them seemed to toss like waves in a storm. The tremors calmed for a moment and, looking wildly around, Paul saw it: a great ring of dust about halfway up Caracamuni’s height. The tremors gradually stopped and from where he lay sprawled on the ground, Paul saw something that made him instinctively grab up his videocam and frame the scene in his viewfinder.
Caracamuni appeared to be growing taller. As its top continued to rise, though, he saw that it was not growing but separating, top half from bottom half, at that ring of thinning dust. In moments the top half had risen free and a space of clear sky intervened between the sundered halves of the ancient mountain.
Caracamuni was decoupling from the earth, rising smoothly as a mushroom in the night. Garza stood beside Paul, seeing it too, crossing himself and murmuring prayers he probably hadn’t said since he was a boy. After a time, seeing that framed in the viewfinder it looked like trick photography, cinematic special effect, Paul continued taping its ascent only out of habit, mostly watching it unframed, with his own eyes.
Jacinta too now sensed a shift in the ghost people’s singing. It had become less urgent and more dreamlike. In the waking dream the chantsong now induced, she saw Caracamuni tepui as the ghost people had always known it, skirted so persistently by clouds that it had long seemed an island of stone floating among them, one of that misty billowing company grown solid, wreathed in drifting fog and drizzle. Crowned by a forest of rainblack