The Second E.F. Benson Megapack. E.F. Benson
sun, and these she passed on to her husband, whose power of putting them into narrative was as unrivalled as his wife’s in conceiving them.
Picture him, then, with his plump, amiable face bent over Phoebe’s imaginings, a perennial pipe in his mouth, and, invariably, two or three little tufts of cotton-wool struck on to his cheek or chin, where he had cut himself shaving that morning. Occasionally, but very rarely, he had to go into the drawing-room to ask the elucidation of some situation: how, for instance, was Algernon Montmorency to leap lightly out of the window, and so regain his motor-car, when Phoebe had laid the scene in the top room of the moated tower of Eagles Castle? But Phoebe could always suggest a remedy which cost the minimum of readjustment, and ten minutes afterwards Algernon would be thundering along the road with the lurid Semitic moneylender in close pursuit. But for such occasional interruption and the periodical lighting of his pipe he would not pause for a second till the morning’s work was over. He never hesitated for a word, for he had at his command the entire vocabulary of English cliches, and he often got through two instalments before lunch. At one precisely the parlourmaid came in, and groping through the fog of tobacco-smoke, opened all the windows and began to lay the table. Upon which Philip washed off his tufts of cottonwool, snatched Phoebe from her imaginative visions, and strolled in the garden with her till the gong summoned them to the recuperative spell of a mutton chop and a glass of blood-making Australian Burgundy.
After lunch they drove in the motor-car, returning for tea, and from tea till dinner they read over aloud and discussed their morning’s work. In this way Philip made acquaintance with the subjectmatter he would be employed on next morning, and Phoebe learned how that which she had written yesterday had turned out. Philip had never any criticism to make: his wife’s imagination seemed to him one of the most glorious instruments ever devised for the delectation of the literary, and she often said that of all contemporary novelists her husband was the only man capable of handling the situations she poured out in this unending flood. After dinner they played patience, went early to bed, and awoke with an unquenchable zest for the labour and rewards of another day.
It is impossible to figure a happier or a more harmonious existence. In imagination they roamed over the entire world without the expense or inconvenience of foreign travel: their spirits ranged through the whole gamut of human emotion, and whatever adversities the Algernon and Eva of the moment went through, their creators and interpreters knew in their heart of hearts that all was going to end well, for otherwise they would speedily have lost their pinnacled eminence as writers of serial stories in the daily press. It is true that Philip’s voice often shook as he read, and that Phoebe’s eyes were dim as she listened to the written tale of the remarkable disasters and misunderstandings through which the children of her brain had to pass; but these were but luxurious and sterile sorrows. In fact, the greatest trial that ever came to them during these halcyon years was when the editor of one of the papers in which the tale was running wrote to say that it was so popular that he insisted on having at least another fortnight of it, instead of bringing it to an end in two more instalments.
That entailed a vast deal of work, for Phoebe had to search the file to find out by what constructive carpentering she could engineer an episode that would be of the requisite length; for the last instalment of all, when the severed were reunited, must naturally be left for the end. But she never failed to manage it somehow, and even when tribulation was great, and for the moment she could not conceive how to spin the story out, her cloud had a silver lining, for all this difficult work was due to the story’s amazing popularity. Or sometimes some ill-mannered reader would write to the newspaper office to point out that St. Peter’s Church at Rome did not stand on a “commanding eminence,” or ask more information about the “glittering spires” on the Acropolis at Athens, or demur to the “pellucid waters of the Nile in flood, as it rolled down in blue cataracts studded with milk-white foam.” But otherwise their life flowed on in an unbroken succession of literary triumphs and domestic happiness.
Then suddenly without any warning whatever the curtain was rung up on a psychological tragedy; for Philip, by some species of spiritual infection from his wife, began to develop an imagination. It did not at first threaten to attack what Phoebe in a Gallic moment had once called their “vie interieure,” by which she meant their literary labours, but was directly concerned only with the present of a safety razor which she had made him on his birthday, in order to save cotton-wool and his life-blood. This safety razor consisted of a neat little sort of a rake into which razor blades were fitted. Each of these, when blunted by use, was to be thrown away and a fresh one inserted, and that morning, Philip, finding that his blade had begun to lose its edge, tossed it lightly and airily out of his dressing-room window, from which it fell into a herbaceous border which ran along the house. The new blade gave the utmost satisfaction, and precisely at nine-thirty he lit his first pipe and began his work for the day on Phoebe’s scenario.
The dining-room was just below his dressingroom, and at that moment there came a rustle from the herbaceous bed, and Phoebe’s adorable Persian cat leaped on to the window-sill from outside, and proceeded to make its toilet in the warm May sunshine. And at that precise and fatal moment Philip Partington’s imagination began to work. It stirred within him like the first faint pang of a toothache. For some quarter of an hour he refused to recognize its existence, and proceeded to clothe in suitable language the flight of Eva up the frozen Thames in an ice-ship. Not knowing exactly what an ice-ship was, and being aware that his readers would be similarly ignorant, he evolved a beautiful one out of his inner consciousness that “skimmed along” on a single runner like a skate. It was not, he reflected, any less likely that it should keep its balance than that a bicycle should.…
Suddenly he laid down his pen. His imagination was beginning to hurt him. It would be a terrible thing if Phoebe’s cat, while it prowled though the herbaceous bed, stepped on the blade of the safety razor. Blunt though it was for shaving purposes, it would easily inflict a cruel wound on Tommy’s paw. When his work was done, he must really hunt for the blade, and bestow it in some safer place.
He took up his pen again and wrote, “Ever faster through the deepening winter twilight sped the iceship, and Eva controlling the tiller in her long taper fingers, watched the dusky banks fly past her. ‘Oh, God,’ she murmured, ‘grant that I may be in time!’ The woods of Richmond…”
The cat had finished its toilet and jumped down again into the herbaceous bed. Philip heard a faint mew, and his awaking imagination told him that Tommy had cut his foot already. With a spasm of remorse he ran out into the garden and began a frenzied search for the razorblade which with such culpable carelessness he had thrown away. A quarter of an hour’s search was rewarded by its discovery, and as there was no blood on the edge of it he thankfully assumed that he had not been punished (nor Tommy either) for his thoughtlessness. He unfortunately stepped on a fine calceolaria, and regained the gravel path with the blade in his hand.
He locked it up in the drawer of his knee-hole table, where he kept his will and his pass-book and his cheque book, and with a free mind returned to Eva, perilously voyaging on the ice past the woods of Richmond, and praying that she should be “in time.” But suddenly, and for the first time in their dual and prosperous career as feuilleton writers, Philip found himself finding a certain want of actuality in Phoebe’s imaginings. They lacked the bite of such realism as he had found illustrated in the poignancy of his own search for the discarded razorblade in the herbaceous border. There was emotion, real human emotion, though only concerned with the paws of a cat and a razor, whereas Eva’s taper ringers on the tiller of this remarkable craft seemed to want the solidity of mortal experience. But it would never do to lose faith in Phoebe’s inventions, for it was his faith in them that lent him his unique skill as interpreter and chronicler of them. And, anyhow, the razor-blade was safely inaccessible now to any cat on its pleasure excursions, and he turned his mind back to the woods of Richmond.
With the unexpectedness of a clock loudly chiming, his imagination began to work again. What if he should suddenly die even as he sat there at his table! Phoebe alone knew where his will was kept, and he saw her, blind with tears, unlocking the drawer and groping with trembling hand among its contents. Suddenly she would start back with a cry of pain, and withdraw her hand, on which the fastflowing blood denoted that she had severed an artery or two, and would bleed to death in a few reconds, as had happened