Ghost Stories and Mysteries. Ernest Favenc
faces of the Di Medici and Brinvilliers is visible. She has deposited the secret (still asleep) on a chair, and she abides her time.
He comes. The door opens, and Squire Hardpuller is announced. She greets him with a winning smile that makes his heart bound again; poor man, he little thinks that she is bent upon making him accessory to her deed of death. Skillfully she backs him on to the chair of doom. Blandly she bids him be seated. Cordially she welcomes him. Will he look behind him? Will he apologise, and remove the innocent secret slumbering upon the seat of the chair?
No, Ermetta, your eyes have him spell bound. What man could look away when you smilingly desired him to take a seat? You have—alas! for beauty, for youth, for guileless innocence, and sweet simplicity—you have made a murderer of him. He is a heavy man, and he sits down on the secret. It is done, and fiends may chuckle ha! ha! Now to keep him there.
Squire Hardpuller was a sporting character; he had been introduced into a great many novels, and was always looked upon as a great bore by the other characters, on account of his endless stories of horses, dogs, runs, and other sporting anecdotes. In the present case nobody could have answered Ermetta’s purpose better; once fairly started upon his favorite and only topics, he prosed on contentedly for over two hours; then, blushing to find that his visit had trespassed on her time to such a length, he rose and made his adieux. She beamed on him to the last with her siren-like smile, and then, when he had gone, the re-action set in, and she who had listened unmoved for two mortal hours to a lot of sporting anecdotes, quailed before a dead secret. But such is human nature. She went to the chair in which he had sat; she lifted up the tissue paper containing the secret; with one white hand she held it to her ear, and with the other held her breath.
Not a sound, not the faintest suspicion of sound was to be heard. For nearly ten minutes did that high-bred resolute girl strain every nerve tighter than wire in a sheep-fence, but all was still. The secret, then, was dead. For a moment the rush of feeling overpowered her, then curiosity came to her aid; she would open the paper and see the secret. She had never seen a secret; she had often heard one. Nay, she had read a book called the “Dead Secret;” now she held one in her hand, she would see it.
She was about to unfold the covering of tissue paper, when a shadow fell across her, and somebody knocked at the window. She looked up startled. The car of a balloon was dangling in front of the glass, and seated in it was her father. She went to the window and opened it
“Come, my child,” he said, “the third chapter is at hand, and we must be at the appointed place. Step in.” Putting her hand on the sill, Ermetta sprang lightly into the car of the balloon, which immediately commenced to ascend. She at once communicated the important event that had just taken place to her father, and carrying them with it the balloon soon became a mere speck in the blue regions of the infinite.
But a close observer, one of unequalled vision, might have detected a small minute object come fluttering down from the empyreal vastness. Down it descended, gyrating hither and thither, the sport of every wandering zephyr. They tossed it mockingly about, played with it, then let it fall lower and lower, until the broad bosom of the pitying earth received and sheltered it. It was the corpse of the poor murdered secret. And the shadow of the rock, on the sands of Plimlivon, is darker, and deeper than ever.
Chapter III. BARON GADZOOKS
Baron Gadzooks was walking up and down on the sands of Plimlivon. He looked out to sea, and tapped his teeth with the top of his pencil; in his hand he held a note-book. He was composing a poem. Presently he commenced to read it over.
Exsuffolating memory, get thee hence,
Nor seek to melodise the scathful past;
When rampant Ruin, drunk at my expense,
Rose, and the empty bottle at me cast.
“That’s rather good,” he said, thoughtfully; “the simile in the last line particularly, the empty bottle, stands for the dregs of life.”
That rounded throat, that wealth of tumbled hair:
That mouth so rose-like, kissable, and tender,
She’d glue to mine, as if she didn’t care
If suffocation should ensue and end her.
“Hem! that ought to fetch her,” he went on; “quite in the modern style; now for some thing hot and strong.”
Must I forget all these; if so, then let me
Be chained within a sea of fire volcanic.
“What will rhyme with ‘let me’? Let’s see. Wet me, pet me, bet me, get me, net me”; and the Baron cast his eyes upwards, for inspiration, and caught sight of a speck in the canopy of heaven overhead that made him shout “Ball-o-o-n!” Then suddenly remembering that he was one of the principal characters in a novel, and as such bound to act with propriety, he blushed, sat down, and commenced to pick his teeth with one of his gilt spurs. On second thought, however, he started up again, frowned fiercely, and in deep tragedy tones said:— “Ha! ha! they come.” Then he picked up a telescope that had been left behind by a party of excursionists, because they knew that it would be wanted for my plot, and, applying it to his eye, gazed at the rapidly increasing speck.
“Ah!” he muttered, “I see her, there—now she winks; now—yes, she’s about to blow her nose. Angelic being! But hold! What’s this?”
The noise of horses galloping at top speed had struck upon his listening ear. Nearer they came, and two horsemen appeared tearing along the level sand. And hark! the beat of paddles. Over the surface of the hitherto tenantless deep glided a mighty steamer, with crowded decks, the captain standing on the bridge, and shouting, “Full speed ahead! full speed astern!” alternately. A shrill whistle drew the Baron’s attention again inland. A traction engine, dragging a long string of carriages, appeared, full of characters out of all sorts of novels, who had got in for the sake of a ride. Amazement held the Baron dumb, so he said nothing. Nearer and nearer everything came, everybody cheering and waving another man’s hat. At once the occupants of the balloon stepped upon terra firma; the two horsemen, one being Squire Hardpuller, alighted from their panting steeds; the train disgorged its occupants, and the people from the steamer sprang into the sea and waded on shore.
They all approached and surrounded the Baron; they waited for him to speak, but he was silent.
“Read the will,” said a tall man who looked like a lawyer.
“I have no will,” said the Baron, “or I should not be here.”
“Then reveal the secret,” said another.
“Unfold the plot,” exclaimed a third.
“Open the red box,” said a fourth.
“Produce the real heir,” said a fifth.
“Bless you, my children,” said a sixth.
“Last dying speech and confession,” said a seventh.
Then spake the Lady Ermetta: “Baron, papa has consented; the Bishop is ready, and here are the witnesses.”
“Hurrah for the witnesses!” shouted everybody.
“Good heavens!” said the astounded Baron, “I know now what you mean. I was only introduced in this chapter; how the deuce am I to know what’s been done in the other two chapters?”
“He jibs!” said the Lady Ermetta, “and I have sinned in vain.” She would have fainted, but nobody seemed inclined to catch her, so she didn’t.
The Marquis then advanced, and in his usual dignified tone said, “Are there any bad characters present?”
Nobody was fool enough to answer yes.
“Then,” said the Marquis, turning to the Baron, “I am afraid that you must be the bad character of this story, and if so, Poetical Justice demands that you must be punished.”
“This is hard,” said the Baron, whose high bred composure did not desert him under these trying