The Bram Stoker MEGAPACK ®. Bram Stoker
And as yet it was only a warning of evil, not the evil accomplished; the ground began to look bare whenever some passing sound temporarily frightened the birds.
Edgar Caswall tortured his brain for a long time unavailingly, to think of some means of getting rid of what he, as well as his neighbours, had come to regard as a plague of birds. At last he recalled a circumstance which promised a solution of the difficulty. The experience was of some years ago in China, far up-country, towards the head-waters of the Yang-tze-kiang, where the smaller tributaries spread out in a sort of natural irrigation scheme to supply the wilderness of paddy-fields. It was at the time of the ripening rice, and the myriads of birds which came to feed on the coming crop was a serious menace, not only to the district, but to the country at large. The farmers, who were more or less afflicted with the same trouble every season, knew how to deal with it. They made a vast kite, which they caused to be flown over the centre spot of the incursion. The kite was shaped like a great hawk; and the moment it rose into the air the birds began to cower and seek protection—and then to disappear. So long as that kite was flying overhead the birds lay low and the crop was saved. Accordingly Caswall ordered his men to construct an immense kite, adhering as well as they could to the lines of a hawk. Then he and his men, with a sufficiency of cord, began to fly it high overhead. The experience of China was repeated. The moment the kite rose, the birds hid or sought shelter. The following morning, the kite was still flying high, no bird was to be seen as far as the eye could reach from Castra Regis. But there followed in turn what proved even a worse evil. All the birds were cowed; their sounds stopped. Neither song nor chirp was heard—silence seemed to have taken the place of the normal voices of bird life. But that was not all. The silence spread to all animals.
The fear and restraint which brooded amongst the denizens of the air began to affect all life. Not only did the birds cease song or chirp, but the lowing of the cattle ceased in the fields and the varied sounds of life died away. In place of these things was only a soundless gloom, more dreadful, more disheartening, more soul-killing than any concourse of sounds, no matter how full of fear and dread. Pious individuals put up constant prayers for relief from the intolerable solitude. After a little there were signs of universal depression which those who ran might read. One and all, the faces of men and women seemed bereft of vitality, of interest, of thought, and, most of all, of hope. Men seemed to have lost the power of expression of their thoughts. The soundless air seemed to have the same effect as the universal darkness when men gnawed their tongues with pain.
From this infliction of silence there was no relief. Everything was affected; gloom was the predominant note. Joy appeared to have passed away as a factor of life, and this creative impulse had nothing to take its place. That giant spot in high air was a plague of evil influence. It seemed like a new misanthropic belief which had fallen on human beings, carrying with it the negation of all hope.
After a few days, men began to grow desperate; their very words as well as their senses seemed to be in chains. Edgar Caswall again tortured his brain to find any antidote or palliative of this greater evil than before. He would gladly have destroyed the kite, or caused its flying to cease; but the instant it was pulled down, the birds rose up in even greater numbers; all those who depended in any way on agriculture sent pitiful protests to Castra Regis.
It was strange indeed what influence that weird kite seemed to exercise. Even human beings were affected by it, as if both it and they were realities. As for the people at Mercy Farm, it was like a taste of actual death. Lilla felt it most. If she had been indeed a real dove, with a real kite hanging over her in the air, she could not have been more frightened or more affected by the terror this created.
Of course, some of those already drawn into the vortex noticed the effect on individuals. Those who were interested took care to compare their information. Strangely enough, as it seemed to the others, the person who took the ghastly silence least to heart was the negro. By nature he was not sensitive to, or afflicted by, nerves. This alone would not have produced the seeming indifference, so they set their minds to discover the real cause. Adam came quickly to the conclusion that there was for him some compensation that the others did not share; and he soon believed that that compensation was in one form or another the enjoyment of the sufferings of others. Thus the black had a never-failing source of amusement.
Lady Arabella’s cold nature rendered her immune to anything in the way of pain or trouble concerning others. Edgar Caswall was far too haughty a person, and too stern of nature, to concern himself about poor or helpless people, much less the lower order of mere animals. Mr. Watford, Mr. Salton, and Sir Nathaniel were all concerned in the issue, partly from kindness of heart—for none of them could see suffering, even of wild birds, unmoved—and partly on account of their property, which had to be protected, or ruin would stare them in the face before long.
Lilla suffered acutely. As time went on, her face became pinched, and her eyes dull with watching and crying. Mimi suffered too on account of her cousin’s suffering. But as she could do nothing, she resolutely made up her mind to self-restraint and patience. Adam’s frequent visits comforted her.
CHAPTER XI—MESMER’S CHEST
After a couple of weeks had passed, the kite seemed to give Edgar Caswall a new zest for life. He was never tired of looking at its movements. He had a comfortable armchair put out on the tower, wherein he sat sometimes all day long, watching as though the kite was a new toy and he a child lately come into possession of it. He did not seem to have lost interest in Lilla, for he still paid an occasional visit at Mercy Farm.
Indeed, his feeling towards her, whatever it had been at first, had now so far changed that it had become a distinct affection of a purely animal kind. Indeed, it seemed as though the man’s nature had become corrupted, and that all the baser and more selfish and more reckless qualities had become more conspicuous. There was not so much sternness apparent in his nature, because there was less self-restraint. Determination had become indifference.
The visible change in Edgar was that he grew morbid, sad, silent; the neighbours thought he was going mad. He became absorbed in the kite, and watched it not only by day, but often all night long. It became an obsession to him.
Caswall took a personal interest in the keeping of the great kite flying. He had a vast coil of cord efficient for the purpose, which worked on a roller fixed on the parapet of the tower. There was a winch for the pulling in of the slack; the outgoing line being controlled by a racket. There was invariably one man at least, day and night, on the tower to attend to it. At such an elevation there was always a strong wind, and at times the kite rose to an enormous height, as well as travelling for great distances laterally. In fact, the kite became, in a short time, one of the curiosities of Castra Regis and all around it. Edgar began to attribute to it, in his own mind, almost human qualities. It became to him a separate entity, with a mind and a soul of its own. Being idle-handed all day, he began to apply to what he considered the service of the kite some of his spare time, and found a new pleasure—a new object in life—in the old schoolboy game of sending up “runners” to the kite. The way this is done is to get round pieces of paper so cut that there is a hole in the centre, through which the string of the kite passes. The natural action of the wind-pressure takes the paper along the string, and so up to the kite itself, no matter how high or how far it may have gone.
In the early days of this amusement Edgar Caswall spent hours. Hundreds of such messengers flew along the string, until soon he bethought him of writing messages on these papers so that he could make known his ideas to the kite. It may be that his brain gave way under the opportunities given by his illusion of the entity of the toy and its power of separate thought. From sending messages he came to making direct speech to the kite—without, however, ceasing to send the runners. Doubtless, the height of the tower, seated as it was on the hill-top, the rushing of the ceaseless wind, the hypnotic effect of the lofty altitude of the speck in the sky at which he gazed, and the rushing of the paper messengers up the string till sight of them was lost in distance, all helped to further affect his brain, undoubtedly giving way under the strain of beliefs and circumstances which were at once stimulating to the imagination, occupative of his mind, and absorbing.
The next step of intellectual decline was to bring to bear on the main idea of the conscious identity of the kite all sorts of subjects which had imaginative force or