The Virginia Woolf Megapack. Virginia Woolf
huts where they could distinguish guns leaning in the corner, and bowls upon the floor, and stacks of rushes; in the dusk the solemn eyes of babies regarded them, and old women stared out too. As they sauntered about, the stare followed them, passing over their legs, their bodies, their heads, curiously not without hostility, like the crawl of a winter fly. As she drew apart her shawl and uncovered her breast to the lips of her baby, the eyes of a woman never left their faces, although they moved uneasily under her stare, and finally turned away, rather than stand there looking at her any longer. When sweetmeats were offered them, they put out great red hands to take them, and felt themselves treading cumbrously like tight-coated soldiers among these soft instinctive people. But soon the life of the village took no notice of them; they had become absorbed in it. The women’s hands became busy again with the straw; their eyes dropped. If they moved, it was to fetch something from the hut, or to catch a straying child, or to cross the space with a jar balanced on their heads; if they spoke, it was to cry some harsh unintelligible cry. Voices rose when a child was beaten, and fell again; voices rose in song, which slid up a little way and down a little way, and settled again upon the same low and melancholy note. Seeking each other, Terence and Rachel drew together under a tree. Peaceful, and even beautiful at first, the sight of the women, who had given up looking at them, made them now feel very cold and melancholy.
“Well,” Terence sighed at length, “it makes us seem insignificant, doesn’t it?”
Rachel agreed. So it would go on for ever and ever, she said, those women sitting under the trees, the trees and the river. They turned away and began to walk through the trees, leaning, without fear of discovery, upon each other’s arms. They had not gone far before they began to assure each other once more that they were in love, were happy, were content; but why was it so painful being in love, why was there so much pain in happiness?
The sight of the village indeed affected them all curiously though all differently. St. John had left the others and was walking slowly down to the river, absorbed in his own thoughts, which were bitter and unhappy, for he felt himself alone; and Helen, standing by herself in the sunny space among the native women, was exposed to presentiments of disaster. The cries of the senseless beasts rang in her ears high and low in the air, as they ran from tree-trunk to treetop. How small the little figures looked wandering through the trees! She became acutely conscious of the little limbs, the thin veins, the delicate flesh of men and women, which breaks so easily and lets the life escape compared with these great trees and deep waters. A falling branch, a foot that slips, and the earth has crushed them or the water drowned them. Thus thinking, she kept her eyes anxiously fixed upon the lovers, as if by doing so she could protect them from their fate. Turning, she found the Flushings by her side.
They were talking about the things they had bought and arguing whether they were really old, and whether there were not signs here and there of European influence. Helen was appealed to. She was made to look at a brooch, and then at a pair of ear-rings. But all the time she blamed them for having come on this expedition, for having ventured too far and exposed themselves. Then she roused herself and tried to talk, but in a few moments she caught herself seeing a picture of a boat upset on the river in England, at midday. It was morbid, she knew, to imagine such things; nevertheless she sought out the figures of the others between the trees, and whenever she saw them she kept her eyes fixed on them, so that she might be able to protect them from disaster.
But when the sun went down and the steamer turned and began to steam back towards civilisation, again her fears were calmed. In the semi-darkness the chairs on deck and the people sitting in them were angular shapes, the mouth being indicated by a tiny burning spot, and the arm by the same spot moving up or down as the cigar or cigarette was lifted to and from the lips. Words crossed the darkness, but, not knowing where they fell, seemed to lack energy and substance. Deep sights proceeded regularly, although with some attempt at suppression, from the large white mound which represented the person of Mrs. Flushing. The day had been long and very hot, and now that all the colours were blotted out the cool night air seemed to press soft fingers upon the eyelids, sealing them down. Some philosophical remark directed, apparently, at St. John Hirst missed its aim, and hung so long suspended in the air until it was engulfed by a yawn, that it was considered dead, and this gave the signal for stirring of legs and murmurs about sleep. The white mound moved, finally lengthened itself and disappeared, and after a few turns and paces St. John and Mr. Flushing withdrew, leaving the three chairs still occupied by three silent bodies. The light which came from a lamp high on the mast and a sky pale with stars left them with shapes but without features; but even in this darkness the withdrawal of the others made them feel each other very near, for they were all thinking of the same thing. For some time no one spoke, then Helen said with a sigh, “So you’re both very happy?”
As if washed by the air her voice sounded more spiritual and softer than usual. Voices at a little distance answered her, “Yes.”
Through the darkness she was looking at them both, and trying to distinguish him. What was there for her to say? Rachel had passed beyond her guardianship. A voice might reach her ears, but never again would it carry as far as it had carried twenty-four hours ago. Nevertheless, speech seemed to be due from her before she went to bed. She wished to speak, but she felt strangely old and depressed.
“D’you realise what you’re doing?” she demanded. “She’s young, you’re both young; and marriage—” Here she ceased. They begged her, however, to continue, with such earnestness in their voices, as if they only craved advice, that she was led to add:
“Marriage! well, it’s not easy.”
“That’s what we want to know,” they answered, and she guessed that now they were looking at each other.
“It depends on both of you,” she stated. Her face was turned towards Terence, and although he could hardly see her, he believed that her words really covered a genuine desire to know more about him. He raised himself from his semi-recumbent position and proceeded to tell her what she wanted to know. He spoke as lightly as he could in order to take away her depression.
“I’m twenty-seven, and I’ve about seven hundred a year,” he began. “My temper is good on the whole, and health excellent, though Hirst detects a gouty tendency. Well, then, I think I’m very intelligent.” He paused as if for confirmation.
Helen agreed.
“Though, unfortunately, rather lazy. I intend to allow Rachel to be a fool if she wants to, and—Do you find me on the whole satisfactory in other respects?” he asked shyly.
“Yes, I like what I know of you,” Helen replied.
“But then—one knows so little.”
“We shall live in London,” he continued, “and—” With one voice they suddenly enquired whether she did not think them the happiest people that she had ever known.
“Hush,” she checked them, “Mrs. Flushing, remember. She’s behind us.”
Then they fell silent, and Terence and Rachel felt instinctively that their happiness had made her sad, and, while they were anxious to go on talking about themselves, they did not like to.
“We’ve talked too much about ourselves,” Terence said. “Tell us—”
“Yes, tell us—” Rachel echoed. They were both in the mood to believe that every one was capable of saying something very profound.
“What can I tell you?” Helen reflected, speaking more to herself in a rambling style than as a prophetess delivering a message. She forced herself to speak.
“After all, though I scold Rachel, I’m not much wiser myself. I’m older, of course, I’m half-way through, and you’re just beginning. It’s puzzling—sometimes, I think, disappointing; the great things aren’t as great, perhaps, as one expects—but it’s interesting—Oh, yes, you’re certain to find it interesting—And so it goes on,” they became conscious here of the procession of dark trees into which, as far as they could see, Helen was now looking, “and there are pleasures where one doesn’t expect them (you must write to your father), and you’ll be very happy, I’ve no doubt. But I must go to bed, and