The Second Mystery Megapack. Mack Reynolds

The Second Mystery Megapack - Mack  Reynolds


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Achmed Abdullah Megapack

      The H. Bedford-Jones Pulp Fiction Megapack

      The Edward Bellamy Megapack

      The B.M. Bower Megapack

      The E.F. Benson Megapack

      The Second E.F. Benson Megapack

      The Bjørnstjerne Bjørnson Megapack

      The Algernon Blackwood Megapack

      The Second Algernon Blackwood Megapack

      The Max Brand Megapack

      The First Reginald Bretnor Megapack

      The Fredric Brown Megapack

      The Second Fredric Brown Megapack

      The Frances Hodgson Burnett Megapack

      The Wilkie Collins Megapack

      The Ray Cummings Megapack

      The Guy de Maupassant Megapack

      The Philip K. Dick Megapack

      The Erckmann-Chatrian Megapack

      The First R. Austin Freeman Megapack

      The Second R. Austin Freeman Megapack*

      The Jacques Futrelle Megapack

      The Randall Garrett Megapack

      The Second Randall Garrett Megapack

      The Anna Katharine Green Megapack

      The Zane Grey Megapack

      The Edmond Hamilton Megapack

      The Dashiell Hammett Megapack

      The C.J. Henderson Megapack

      The M.R. James Megapack

      The Selma Lagerlof Megapack

      The Murray Leinster Megapack***

      The Second Murray Leinster Megapack***

      The Jonas Lie Megapack

      The Arthur Machen Megapack**

      The George Barr McCutcheon Megapack

      The Talbot Mundy Megapack

      The E. Nesbit Megapack

      The Andre Norton Megapack

      The H. Beam Piper Megapack

      The Mack Reynolds Megapack

      The Rafael Sabatini Megapack

      The Saki Megapack

      The Darrell Schweitzer Megapack

      The Robert Sheckley Megapack

      The Bram Stoker Megapack

      The Lon Williams Weird Western Megapack

      * Not available in the United States

      ** Not available in the European Union

      ***Out of print.

      OTHER COLLECTIONS YOU MAY ENJOY

      The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)

      The Wildside Book of Fantasy

      The Wildside Book of Science Fiction

      Yondering: The First Borgo Press Book of Science Fiction Stories

      To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories

      Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories

      Whodunit?—The First Borgo Press Book of Crime and Mystery Stories

      More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories

      X is for Xmas: Christmas Mysteries

      FUNNY STUFF, by Ron Goulart

      Somebody else had died.

      Seemed like lately we were discussing the obituary of one of our colleagues or contemporaries at just about every one of our weekly lunches. On this particular autumn afternoon, Zarley was the first one to bring up the death of Ben Segal.

      “I absolutely loved Lucky Duck,” he added, bouncing enthusiastically in his chair. “I don’t mean the animated cartoons, which were okay, but the funny books. Segal wrote and drew most of those, and he was a blooming genius, just like Walt Kelly and Carl Barks.”

      “The Times obit,” said Heinz, “said that Segal died a multi-millionaire. It was good to see that Lon Destry Productions didn’t screw him out of every penny.”

      “He was a partner in Destry, wasn’t he?” I said.

      “Segal owned forty percent of the whole damn studio,” said Mert Younger. He’s semi-retired and is usually the oldest member at our Monday gathering of cartoonists at the Inkwell restaurant in Westport.

      Today, though, he’d brought a friend of his. Fellow of seventy or so named Mac Myers. Myers was lean and sunburned and had the sort of bright blue eyes Sinatra is supposed to.

      “Fifty percent,” Myers corrected.

      “Mac used to work at Destry,” explained Mert.

      “Doing what?” Zarley wanted to know.

      “After Ben Segal became a vice president,” answered Myers, “I took over the comic book and comic strip department.”

      “Then you must’ve had a hand in Maxie Mouse Comics and Veronica Vulture and Bix Bunnyrabbit and all.”

      “I did,” admitted Myers with a quiet smile.

      Zarley said, “What I’d like to—”

      “What I’d like to know,” cut in Heinz, “is how Segal, who started as a bullpen cartoonist, ended up owning half the Destry empire.”

      Ty Banner hadn’t said anything for a while. He’d been watching the Saugatuck River out the window and poking at the olive in his second martini. “I could tell you about that,” he said to us, glancing over at Myers. “Destry’s been dead for years, and now that Segal’s gone, too, I guess there’s no reason why not.”

      Myers smiled. “That’s right, Ty, you worked for us out there. Back over thirty years ago, wasn’t it?”

      “I was a mere lad at the time.” Banner ran a hand over his handsome, though slightly puffy, cheek. “After I got out of the service, I headed for Los Angeles. I had two things I was interested in, acting and drawing, and L.A. seemed like a good place to try both.”

      “Three interests,” said Heinz. “You forgot to mention ladies.”

      “I did a little of that in Hollywood, too.” Banner sipped his drink. “At any rate, despite my charm and natural good looks I never managed to get more than a few days of work as an extra. My entire acting career consisted of three days in a B-movie called Pago Pago Princess.”

      “I bet you looked terrific in a sarong,” said Heinz.

      “I did for a fact. Even so, I decided I’d better start pursuing my art career. I was multitalented, but so far I was just multi-starving. I managed to land a job at Destry Studios, working in their comic book department. That’s where I met Ben Segal.”

      Zarley, sitting far forward in his chair, asked, “Do you know some backstage scuttlebutt, Ty? Some dark secrets that’ve been buried in the dim past for—”

      “I know how come Segal’s career made a great leap ahead,” he said.

      “So tell us,” urged Zarley.

      “You grew up, being the youth of the bunch, reading Segal’s comic books, Lucky Duck and all that crap,” said Banner. “You have an idealized version of the guy, based on his work. And he was a damn good cartoonist, nobody did better funny


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