The Stephen Crane Megapack. Stephen Crane
streets could not exceed for egotism the temper of a new man in the cab of a train like this one. This valkyric journey on the back of the vermilion engine, with the shouting of the wind, the deep, mighty panting of the steed, the gray blur at the track-side, the flowing quicksilver ribbon of the other rails, the sudden clash as a switch intersects, all the din and fury of this ride, was of a splendor that caused one to look abroad at the quiet, green landscape and believe that it was of a phlegm quiet beyond patience. It should have been dark, rain-shot, and windy; thunder should have rolled across its sky.
It seemed, somehow, that if the driver should for a moment take his hands from his engine, it might swerve from the track as a horse from the road. Once, indeed, as he stood wiping his fingers on a bit of waste, there must have been something ludicrous in the way the solitary passenger regarded him. Without those finely firm hands on the bridle, the engine might rear and bolt for the pleasant farms lying in the sunshine at either side.
This driver was worth contemplation. He was simply a quiet, middle-aged man, bearded, and with the little wrinkles of habitual geniality and kindliness spreading from the eyes toward the temple, who stood at his post always gazing out, through his round window, while, from time to time, his hands went from here to there over his levers. He seldom changed either attitude or expression. There surely is no engine-driver who does not feel the beauty of the business, but the emotion lies deep, and mainly inarticulate, as it does in the mind of a man who has experienced a good and beautiful wife for many years. This driver’s face displayed nothing but the cool sanity of a man whose thought was buried intelligently in his business. If there was any fierce drama in it, there was no sign upon him. He was so lost in dreams of speed and signals and steam, that one speculated if the wonder of his tempestuous charge and its career over England touched him, this impassive rider of a fiery thing.
It should be a well-known fact that, all over the world, the engine-driver is the finest type of man that is grown. He is the pick of the earth. He is altogether more worthy than the soldier, and better than the men who move on the sea in ships. He is not paid too much; nor do his glories weight his brow; but for outright performance, carried on constantly, coolly, and without elation, by a temperate, honest, clear-minded man, he is the further point. And so the lone human at his station in a cab, guarding money, lives, and the honor of the road, is a beautiful sight. The whole thing is aesthetic. The fireman presents the same charm, but in a less degree, in that he is bound to appear as an apprentice to the finished manhood of the driver. In his eyes, turned always in question and confidence toward his superior, one finds this quality; but his aspirations are so direct that one sees the same type in evolution.
There may be a popular idea that the fireman’s principal function is to hang his head out of the cab and sight interesting objects in the landscape. As a matter of fact, he is always at work. The dragon is insatiate. The fireman is continually swinging open the furnace-door, whereat a red shine flows out upon the floor of the cab, and shoveling in immense mouthfuls of coal to a fire that is almost diabolic in its madness. The feeding, feeding, feeding goes on until it appears as if it is the muscles of the fireman’s arms that are speeding the long train. An engine running over sixty-five miles an hour, with 500 tons to drag, has an appetite in proportion to this task.
View of the clear-shining English scenery is often interrupted between London and Crew by long and short tunnels. The first one was disconcerting. Suddenly one knew that the train was shooting toward a black mouth in the hills. It swiftly yawned wider, and then in a moment the engine dived into a place inhabitated by every demon of wind and noise. The speed had not been checked, and the uproar was so great that in effect one was simply standing at the center of a vast, black-walled sphere. The tubular construction which one’s reason proclaimed had no meaning at all. It was a black sphere, alive with shrieks. But then on the surface of it there was to be seen a little needle-point of light, and this widened to a detail of unreal landscape. It was the world; the train was going to escape from this cauldron, this abyss of howling darkness. If a man looks through the brilliant water of a tropical pool, he can sometimes see coloring the marvels at the bottom the blue that was on the sky and the green that was on the foliage of this detail. And the picture shimmered in the heat-rays of a new and remarkable sun. It was when the train bolted out into the open air that one knew that it was his own earth.
Once train met train in a tunnel. Upon the painting in the perfectly circular frame formed by the mouth there appeared a black square with sparks bursting from it. This square expanded until it hid everything, and a moment later came the crash of the passing. It was enough to make a man lose his sense of balance. It was a momentary inferno when the fireman opened the furnace door and was bathed in blood-red light as he fed the fires.
The effect of a tunnel varied when there was a curve in it. One was merely whirling then heels over head, apparently in the dark, echoing bowels of the earth. There was no needle-point of light to which one’s eyes clung as to a star.
From London to Crew, the stern arm of the semaphore never made the train pause even for an instant. There was always a clear track. It was great to see, far in the distance, a goods train whooping smokily for the north of England on one of the four tracks. The overtaking of such a train was a thing of magnificent nothing for the long-strided engine, and as the flying express passed its weaker brother, one heard one or two feeble and immature puffs from the other engine, saw the fireman wave his hand to his luckier fellow, saw a string of foolish, clanking flat-cars, their freights covered with tarpaulins, and then the train was lost to the rear.
The driver twisted his wheel and worked some levers, and the rhythmical chunking of the engine gradually ceased. Gliding at a speed that was still high, the train curved to the left, and swung down a sharp incline, to move with an imperial dignity through the railway yard at Rugby. There was a maze of switches, innumerable engines noisily pushing cars here and there, crowds of workmen who turned to look, a sinuous curve around the long train-shed, whose high wall resounded with the rumble of the passing express; and then, almost immediately, it seemed, came the open country again. Rugby had been a dream which one could properly doubt. At last the relaxed engine, with the same majesty of ease, swung into the high-roofed station at Crewe, and stopped on a platform lined with porters and citizens. There was instant bustle, and in the interest of the moment no one seemed particularly to notice the tired vermilion engine being led away.
There is a five-minute stop at Crewe. A tandem of engines slip up, and buckled fast to the train for the journey to Carlisle. In the meantime, all the regulation items of peace and comfort had happened on the train itself. The dining-car was in the center of the train. It was divided into two parts, the one being a dining-room for first-class passengers, and the other a dining-room for the third-class passengers. They were separated by the kitchens and the larder. The engine, with all its rioting and roaring, had dragged to Crewe a car in which numbers of passengers were lunching in a tranquility that was almost domestic, on an average menu of a chop and potatoes, a salad, cheese, and a bottle of beer. Betimes they watched through the windows the great chimney-marked towns of northern England. They were waited upon by a young man of London, who was supported by a lad who resembled an American bell-boy. The rather elaborate menu and service of the Pullman dining-car is not known in England or on the Continent. Warmed roast beef is the exact symbol of a European dinner, when one is traveling on a railway.
This express is named, both by the public and the company, the “Corridor Train,” because a coach with a corridor is an unusual thing in England, and so the title has a distinctive meaning. Of course, in America, where there is no car which has not what we call an aisle, it would define nothing. The corridors are all at one side of the car. Doors open thence to little compartments made to seat four, or perhaps six, persons. The first-class carriages are very comfortable indeed, being heavily upholstered in dark, hard-wearing stuffs, with a bulging rest for the head. The third-class accommodations on this train are almost as comfortable as the first-class, and attract a kind of people that are not usually seen traveling third-class in Europe. Many people sacrifice their habit, in the matter of this train, to the fine conditions of the lower fare.
One of the feats of the train is an electric button in each compartment. Commonly an electric button is placed high on the side of the carriage as an alarm signal, and it is unlawful to push it unless one is in serious need of assistance from the guard. But these bells also rang in