The Walt Whitman MEGAPACK ®. Walt Whitman

The Walt Whitman MEGAPACK ® - Walt Whitman


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outlaw’d deeds?

      If you carouse at the table I carouse at the opposite side of the table,

      If you meet some stranger in the streets and love him or her, why I often meet strangers in the street and love them.

      Why what have you thought of yourself?

      Is it you then that thought yourself less?

      Is it you that thought the President greater than you?

      Or the rich better off than you? or the educated wiser than you?

      (Because you are greasy or pimpled, or were once drunk, or a thief,

      Or that you are diseas’d, or rheumatic, or a prostitute,

      Or from frivolity or impotence, or that you are no scholar and never saw your name in print,

      Do you give in that you are any less immortal?)

      2

      Souls of men and women! it is not you I call unseen, unheard, untouchable and untouching,

      It is not you I go argue pro and con about, and to settle whether you are alive or no,

      I own publicly who you are, if nobody else owns.

      Grown, half-grown and babe, of this country and every country, in-doors and out-doors, one just as much as the other, I see,

      And all else behind or through them.

      The wife, and she is not one jot less than the husband,

      The daughter, and she is just as good as the son,

      The mother, and she is every bit as much as the father.

      Offspring of ignorant and poor, boys apprenticed to trades,

      Young fellows working on farms and old fellows working on farms,

      Sailor-men, merchant-men, coasters, immigrants,

      All these I see, but nigher and farther the same I see,

      None shall escape me and none shall wish to escape me.

      I bring what you much need yet always have,

      Not money, amours, dress, eating, erudition, but as good,

      I send no agent or medium, offer no representative of value, but offer the value itself.

      There is something that comes to one now and perpetually,

      It is not what is printed, preach’d, discussed, it eludes discussion and print,

      It is not to be put in a book, it is not in this book,

      It is for you whoever you are, it is no farther from you than your hearing and sight are from you,

      It is hinted by nearest, commonest, readiest, it is ever provoked by them.

      You may read in many languages, yet read nothing about it,

      You may read the President’s message and read nothing about it there,

      Nothing in the reports from the State department or Treasury department, or in the daily papers or weekly papers,

      Or in the census or revenue returns, prices current, or any accounts of stock.

      3

      The sun and stars that float in the open air,

      The apple-shaped earth and we upon it, surely the drift of them is something grand,

      I do not know what it is except that it is grand, and that it is happiness,

      And that the enclosing purport of us here is not a speculation or bon-mot or reconnoissance,

      And that it is not something which by luck may turn out well for us, and without luck must be a failure for us,

      And not something which may yet be retracted in a certain contingency.

      The light and shade, the curious sense of body and identity, the greed that with perfect complaisance devours all things,

      The endless pride and outstretching of man, unspeakable joys and sorrows,

      The wonder every one sees in every one else he sees, and the wonders that fill each minute of time forever,

      What have you reckon’d them for, camerado?

      Have you reckon’d them for your trade or farm-work? or for the profits of your store?

      Or to achieve yourself a position? or to fill a gentleman’s leisure, or a lady’s leisure?

      Have you reckon’d that the landscape took substance and form that it might be painted in a picture?

      Or men and women that they might be written of, and songs sung?

      Or the attraction of gravity, and the great laws and harmonious combinations and the fluids of the air, as subjects for the savans?

      Or the brown land and the blue sea for maps and charts?

      Or the stars to be put in constellations and named fancy names?

      Or that the growth of seeds is for agricultural tables, or agriculture itself?

      Old institutions, these arts, libraries, legends, collections, and the practice handed along in manufactures, will we rate them so high?

      Will we rate our cash and business high? I have no objection,

      I rate them as high as the highest—then a child born of a woman and man I rate beyond all rate.

      We thought our Union grand, and our Constitution grand,

      I do not say they are not grand and good, for they are,

      I am this day just as much in love with them as you,

      Then I am in love with You, and with all my fellows upon the earth.

      We consider bibles and religions divine—I do not say they are not divine,

      I say they have all grown out of you, and may grow out of you still,

      It is not they who give the life, it is you who give the life,

      Leaves are not more shed from the trees, or trees from the earth, than they are shed out of you.

      4

      The sum of all known reverence I add up in you whoever you are,

      The President is there in the White House for you, it is not you who are here for him,

      The Secretaries act in their bureaus for you, not you here for them,

      The Congress convenes every Twelfth-month for you,

      Laws, courts, the forming of States, the charters of cities, the going and coming of commerce and malls, are all for you.

      List close my scholars dear,

      Doctrines, politics and civilization exurge from you,

      Sculpture and monuments and any thing inscribed anywhere are tallied in you,

      The gist of histories and statistics as far back as the records reach is in you this hour, and myths and tales the same,

      If you were not breathing and walking here, where would they all be?

      The most renown’d poems would be ashes, orations and plays would be vacuums.

      All architecture is what you do to it when you look upon it,

      (Did you think it was in the white or gray stone? or the lines of the arches and cornices?)

      All music is what awakes from you when you are reminded by the instruments,

      It is not the violins and the cornets, it is not the oboe nor the beating drums, nor the score of the baritone singer singing his sweet romanza, nor that of the men’s chorus, nor that of the women’s chorus,

      It is nearer and farther than they.

      5


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