Kisses of Death. Henry Kane

Kisses of Death - Henry Kane


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apartment, but charmingly furnished. Three rooms. Ritchie now had a slew of new clothes, new jewelry and stuff, and lots of pocket money—all donated by my lady fair.”

      “And how did you get educated?”

      “By studying my lessons—from the tapes. But that first visit, all I did was give the place a gander, and take down the number of the unlisted phone.”

      “And then?”

      “We used Mike Rommel, Elsie Axelrod, and Artie Stouffer. Know them?”

      “Very well. Aces.”

      “We used them to rotate as tails on her. We supplied them with his phone number. When the loving couple went out, I went in. When the loving couple would give up on one of the watering places, one of the tails would wag by calling that phone number, and I would move right out.”

      “Like that you set up the bugs for the tapes?”

      “Correct. Then I had Manhattan Photo, Inc. set up automatic cameras for the pictures—”

      “Manhattan Photo is top price.”

      “We could afford. Our fee was ten thousand, in case you forgot.”

      “I remember. How long did the deal take?”

      “In six weeks we removed the equipment. The husband got the tape and one set of pictures on March 1.”

      Marla shrugged. Her thronged blouse shrugged with her. “After that we expected a quick call from a lawyer arranging a raid, but the call never came. Yesterday another call came.”

      “The husband,” Willie said.

      “Yesterday at four,” Marla said. “Urgent, could I see him at four-thirty. That’s when he came and that’s when he registered as a weirdo.”

      “Like how?” My turn for a cigarette. I lit up.

      “He wanted me to call his home at nine-fifteen this morning.”

      “Why nine-fifteen, did he say?”

      “Yes. Because he wouldn’t be there then. I was to call her and he didn’t want to be there for her to ask him any questions. I was to ask her to come here at eleven.”

      “And you were to show her the photos.”

      “I was to give them to her.”

      I tapped ashes to the carpet. “Marla, would you mind if I broke this to her alone? Rough, this kind of deal—”

      “Mind? It’ll be a favor. You don’t think I like this, do you? Willie, where in hell are those photos?” Willie took the photos from the portfolio and transferred them to a large yellow string-clasp envelope. “The husband laid a thousand bucks on the desk for this little deal,” Marla said. “And he also laid this on the desk.” She opened a drawer. “Together with the pictures, I was to give her this.”

      It was an ordinary envelope, letter-sized, white.

      It had no writing on it and it was sealed.

       SIX

      SHE WAS seated at a corner of the long library table. A magazine was open before her but she was not turning any pages. When I sat down beside her she did not look at me. She said, “Bad?”

      “They have intimate pictures of you and Richard Robinson Jackson.”

      She said, “Oh my God.”

      I said nothing.

      She closed the magazine and opened her pocketbook.

      “I have three hundred dollars—”

      “They’re not selling.”

      “Then it’s for you, your fee.”

      “Not now. Not yet.”

      She closed the pocketbook. She spoke quite calmly but she bit on each word as though it had a bad taste. “How much and I hope I can afford it but you must make certain—”

      “They’re not selling. They’re giving.”

      That brought her face to me. She was perspiring and her brows were contracted. “What’s this all about?”

      “They’ve been instructed to give you those photos.”

      “Who’s the they?”

      “Miss Trent has an associate, a Mr. Winkle.”

      “Who instructed them?”

      “Your husband.”

      She stood up. I stood up. For a moment she leaned against me. Then she straightened. “I want to know exactly what this is all about, if you please.”

      “This way,” I said and took her to the office.

      Wee Willie, legs crossed, was submerged in an armchair out of the way. Marla was standing. She had on a loose black jacket now, buttoned, which, hanging over the prominent ledge of her breasts, made her look pregnant. Pregnant or no, loose jacket or no, she was a tax upon the libido, a surtax. She smiled gently at Valerie Kiss.

      “Mrs. Kiss—my partner, Mr. Winkle.”

      Willie nodded. Valerie nodded.

      Marla said, “Mr. Chambers has acquainted you with the facts?”

      “I don’t understand any of this.”

      “I shall try to be brief.”

      “I’d appreciate that.”

      “There’s nothing personal involved, Mrs. Kiss.”

      “Would you come to the point, please.”

      Put two attractive women together and it is like putting two fighting cocks into a pit: at once their wattles are up. Kiss’s voice was like ice and her nostrils were tight. Marla’s jacket was heaving, which did me no good.

      “Your husband retained us in January to obtain evidence of your adultery. We did. On March 1, we turned over a tape-recording to him which we obtained by devices installed at an apartment at 222 East Sixty-second Street. We also turned over a series of photographs obtained by other devices at that apartment. Under instruction, we kept no duplicate of the tape-recording. Under instruction, we did keep one set of duplicates of the photographs. They are in that big yellow envelope on my desk. You may examine them if you wish.”

      Valerie went to the desk. Willie studied the ceiling. I turned my back on Valerie Kiss and went to Marla Trent who had turned her back on Valerie Kiss. Embarrassment is the enemy of diplomacy. I heard myself say in a low confidential voice, “Marla, the Saturday morning miasma has dissipated. I think you’re a beautiful woman and I’ve had a yen for you so long it’s criminal. Saturday night is the night for squares but how’s about you and me—”

      In a low confidential voice she said, “I have a date for tonight.”

      In a low confidential voice I said, “There are other nights, like tomorrow night. As long as I’ve shot off my big fat mouth—”

      “Thank you,” said Valerie Kiss. She tied the strings to the clasp of the yellow container and laid it on the desk. “Now just what is it you want of me?”

      Marla went to her. “I don’t want a thing.”

      “Then why have you sent for me?”

      “I was instructed to send for you. I’m in a business where I follow the instructions of my client.”

      “And just what were the instructions of your client?”

      “That I give you the photographs, and that I give you this.” She took up the sealed letter and handed it across without flourish. “That finishes my business with you, Mrs. Kiss.”

      Valerie Kiss held it as though it were contaminated. At arm’s length she


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