Sons of Angels. Rachel Green
see you at five then.”
* * * *
Harold watched her almost run down the passage and through the door to the gallery. He turned to the creature in the sink. “That was odd. She saw you.”
“She thought I was a rat.” Devious climbed out onto the counter top, his hooves clattering on the marble work surface. “How stupid is that? Anyone can see I’m an imp.”
“Not anyone,” Harold said, tapping his chin in thought. “Only people with the Sight.”
“You think she’s one of the Changed?” Devious sniffed and picked his nose. “She never was before.”
“She wasn’t yesterday.” Harold turned to avoid seeing Devious eat the freshly mined contents of his snout. “The question is, what happened to her last night, and how Changed is she?”
“And–” Devious paused to wipe his fingers on his stomach. “–are we going to have to put her down?”
* * * *
Felicia unlocked the gallery doors and picked up the mail from the mat. A bill and two small packets of speculative exhibition queries–one in traditional slide format and the other a CD loaded with a complete presentation. She would look at those later.
Despite Harold’s optimism, no queue waited but she propped the door open in the hope it would attract passing trade and put the advertizing board on the pavement.
In the office, she picked up the card from yesterday’s buyer, definitely the same man who had visited her mother. What was he up to? After talking to her mother about Julie it was unlikely he wanted to buy Gillian du Point’s paintings at all.
She sat at her desk and pulled up a search engine, typed Raffles into the box and pressed go.
A list of possible sites scrolled down the screen. All seemed to deal with either hotels, a series of stories about a gentleman thief or the television series based on the stories. She didn't feel they had anything to do with her query.
She scrolled to the bottom of the page where an alternative search was displayed.
Did you mean Raphael?
Felicia followed the link which led her to several pages of the sixteenth-century artist which she knew well from her degree in art history, and a page about an archangel.
She read further.
Raphael appears disguised in human form as the traveling companion of the younger Tobias, calling himself “Azarias, the son of the great Ananias”. During the journey the angel’s protective influence is shown in many ways, including the binding of the demon in the desert of Upper Egypt. After the healing of the blindness of the elder Tobias, Azarias makes himself known as “the angel Raphael, one of the seven, who stand before the Lord” cf Tobit, xii, 15.
Felicia laughed at herself. There was no such thing as an angel.
She checked whether anyone was in the gallery and went back upstairs. Harold was in the shop, selling a binder of old comics to a customer.
“I can’t believe it,” the man said. “These are my comics from when I was a child.” He flipped through the pages. “Look! I colored that page in. It was a rainy Sunday afternoon at my gran’s. I would have been about nine.”
Harold smiled and nodded as the man flicked through the pages. Only Felicia noticed him look at his watch. After several minutes he took the book from the customer. “Would you like to make the purchase or not, sir?”
“By George, yes.” The man took out his wallet. “I never thought I’d see these again. How much? Ten pounds? Twenty?”
“Four hundred, sir.” Harold gave him a special smile, one Felicia recognized meant he’d got the customer over a barrel.
“Four hundred? You’re pulling my leg.”
“I wish I was, sir.” Harold put the binder on the re-shelving cart. “I’m rather fond of the sound of bells.”
“That’s daylight robbery. The comics aren’t even in perfect condition.”
“What price can you put on childhood?” Harold asked. “It is not beyond value?”
“I bet it was a lot cheaper before I told you they were the very ones I used to own as a child.”
“You paint me unfairly, sir.” Harold picked up the folder again and showed him the sticker on the back. Four hundred pounds was clearly labeled.
“Oh.” The man’s bluster deflated. “I still can’t afford it.”
“Never mind, sir.” Harold walked him to the door. “Perhaps you could find facsimiles online.”
He turned to Felicia. “Two visits in one day? I’m honored.”
“That did seem to be a lot for old sixpenny comics.”
“He’ll be back. I can feel it.” Harold led the way into the kitchen.
“It was incredible that you had his own comics. What are the chances of that?”
Harold raised his eyebrows. “You’d be surprised. What can I do for you this time?”
“Does the name Raffles mean anything to you?”
Harold shrugged. “My mum used to watch the television program. She was rather fond of Bunny, his sidekick. I think she wanted to mother him, which is more than she ever did for me.”
Felicia laughed. “I meant in real life.” She showed him the card Raffles had left.
Harold looked at it, flipped it over and passed it back.
“Sorry, it means nothing to me. Why?”
“He bought some paintings off me yesterday but today I found out he’s been round to my mum’s to ask about my sister.”
“You have a mother?”
Felicia gave him a mock punch.
“Of course. Dad died five years ago, so she’s on her own now. My sister’s been in hospital since she was sixteen.”
“I’m sorry to hear that. What’s wrong with her?”
“She’s blind.”
Harold raised his eyebrows. “She shouldn’t have to be in a hospital for that.”
“And she hears voices. She’s a regular Joan of Arc.”
“Oh.” Harold nodded. “Pity’s psychiatric ward?”
“That’s right. So why is this Raffles asking about her? She’s been there for years.”
They reached the kitchen and Harold picked up a mug. “You’ll have to ask him when he picks up those paintings. Dratted customer! My tea went cold.” He emptied the drink down the sink. “Which ones did you sell?”
“The Gillian du Points.”
“Gillian’s? Really? She will be pleased.”
“You know her?”
“She’s my partner.” Harold took out his wallet and showed her a picture. Curiously, it was a photograph of a painting of the woman rather than of the artist herself. “I never told you because I wanted you to hang the paintings on their own merits, not because she’s the landlord’s...companion.”
Felicia shook her head. “There was no nepotism involved. They’re beautiful paintings. Can I meet her?”
“I don’t think that’s advisable.” Harold placed his hand on the small of her back and began to usher her out. “She’s a very busy woman.”
Felicia glanced at the kettle and spotted the pointed face of the rat peering out at her. “There’s