Meditation on Both Sides of the Camera. Valerie K. Isenhower

Meditation on Both Sides of the Camera - Valerie K. Isenhower


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In addition, some photographs look overly busy when we include too much subject matter in the frame. The busyness and noise distract the eye from seeing the true subject matter with clarity. We experience the same problem in our lives. The noise of living on the circumference distracts us from seeing what is real.

      Spiritual practice moves us from the outer edges of our lives. The practices teach us how to move into the center where we come into relationship with God—the ground and source of our being. Living in the center leads us to a quieter, more focused life. The center provides awareness and mystery that allows us to see more deeply. The spiritual practice of centering enhances our ability to see the world in new ways. Our photographs become more meaningful when we write them from our centers rather than the circumference.

      However, centering is as difficult as finding an elusive presence. We cannot grab hold of it, nor can we “achieve” it. Change happened that day in Monterey Bay when I finally opened my heart and caught a glimpse of the power centering can bring into photography. A spiritual block shifted, and my eyes were opened. The process of centering moves us into a space where seagulls join us and we dare to open our souls to see into the interior of our being and the Divine mystery and presence. The core of our being, the place where we meet God, anchors our photography.

      Centering before and during a trip can take many forms. I find the following exercise useful:

      Find a comfortable position in a chair or on the floor. Begin by breathing deeply (breathe in to the count of five and breathe out to the count of seven). Each time you inhale, breathe in the creativity of the Holy Spirit and/or the wonder of God’s love and creation. Each time you exhale, let go of all the work you have to do when you get home, worries about what pictures you will record, concerns over weather and lighting; any preconceived notions of what you will return with and any thoughts that say you are not an artist or a creative being.

      Continue breathing deeply. Turn the day over to God. Ask for openness and a heightened sense of God’s presence through the photography journey. Imagine the creativity of the Spirit walking the path ahead of you. Sit in silence for a while (gradually increase the time of silence, aiming for twenty minutes). When thoughts of the day creep back into your mind, gently let them go and then return to a place of open communion with God. After a time of silence, write any thoughts in a journal, take another deep breath, and then head out on your adventure.

      Centering shifts our focus from the technical process to the spiritual process. This shift releases energy that allows us to center on God first. Praying our way into a trip serves as a reminder for our mind and soul. The day we are preparing to enter highlights time spent with God rather than finding pictures we can sell or share. Letting go of the product in order to experience the process truly helps us see and hear the Creator.

      Letting Go

      Madeleine L’Engle offers a visual image of letting go:

      I was running, tripped, and fell through a window. I picked myself up in a shower of glass, and did not have a scratch on me because I did not have time to draw back. If I had, I would have been cut, and badly.4

      We can move our photography into a space of “falling through” where we “return to the imaginative courage of the child.”5 Taking time to center before a photography foray reduces the noise. We remove the words and focus inward in order to photograph the world outside.

      A workshop on creativity embedded into my soul the concept of “falling through.” I attended the workshop because I came home from each trip frustrated with my photography. Why was I struggling? All the joy and fun of photography had disappeared. The spiritual practice of photography felt dry and lifeless. I centered before each trip; yet, my soul experienced a loss. An element was missing. The emptiness of photography led to my excitement about the workshop.

      The workshop leader asked us to think about creativity and what we require to be creative. While the other participants sat busily writing, I sat there with a blank canvas of paper and no clue how to answer her question. The thoughts rolling through my mind went something like this: Obviously, I am not creative, and I never was. I am not a photographer, and I never was. Who am I kidding? What am I doing here anyway? You get the picture and have probably experienced the same emotions yourself. Needless to say I felt frustrated.

      Finally, through the grace of God, I reached a point of letting go of all those questions. I flipped the questions over and asked, When was the last time I truly felt the creativity of the Spirit and God’s presence in my photography? Why was it different? What was going on in my life at that time?

      In my mind I rummaged through the files of past photo trips. A photo day in Albuquerque Old Town floated to the top. That excursion was fun! I distinctly remember being very aware of God’s presence and guidance. Time flew by as I let the day be my prayer. Why was this trip different? A light began to shine on my struggle as I examined the trip. The adventure came the day after a long business trip in which I led several workshops. My plate was empty, and my mind was clear when I left for Old Town. My immediate “to-do” list was blank.

      Realization of what had happened hit me: I am a list maker. All of my recent photo outings were clouded over with lists. Now as I sat in the circle with the leader and the other participants, the words to the following prayer spilled out onto the paper:

      The more I live with tasks and lists

      and

      lists of tasks

      the harder it is to feel the flow.

      The lists weigh me down so I don’t fly in the wind.

      Without the wind

      —the breath of God—

      the creativity stays on the ground, anchored in the lists.

      Let go of the lists;

      live into the moment.

      Let the flow happen.

      Let God guide my feet.

      Let God read and focus the camera.

      Let the moment be without the mind to lead. Amen.

      The tasks, agendas, and worries we carry into the field pull us back to the circumference. They weigh us down, as if we are toting another very heavy equipment bag. We release a huge weight from our souls when we hand the bag to God for safekeeping while we are gone. The bag will be there when we return and, who knows, perhaps some of the worries will have sorted themselves out.

      If you find yourself carrying a heavy bag of worries and to-do lists, try the following exercise that some have found helpful:

      Imagine a bag of some type—a backpack, extra camera bag, or even a trash bag. Open the bag, and begin placing into it all the tasks that must be done when you get home. Add your worries, both personal and those for the day—like weather, lighting, etc. Include any thoughts that stand in the way of hearing God such as, I do not know why I’m even trying; I’m not a photographer. Sit in silence for a few moments to see if you need to add anything else. When everything you can think of is in the bag, close it and put it somewhere safe for God to watch over while you are gone. Ask God to remind you to put your worries back into God’s keeping if you start unpacking the bag before returning home. Walk out the door with a lighter load.

      The exercise does not guarantee we will leave our lists of tasks at home when we head out with our cameras. However, it points us in the right direction. We begin our day with a lighter load, which leads to pictures with life breathed into them. Sometimes, though, we have to stop and add more concerns to the bag. Or we find that we have quietly pulled worries and lists out of the bag. If this happens, give yourself grace, place the items back in the bag, and pick up your camera again.

      From the Beginning

      I


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