Perfect Prey: The twisty new crime thriller that will keep you up all night. Helen Fields

Perfect Prey: The twisty new crime thriller that will keep you up all night - Helen  Fields


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and more meaty as she got closer. Something else, too, when Ava pushed open the door to the main bedroom. A rotten smell. Human faeces.

      In the bedroom, she turned on the light to allow a detailed view, taking an involuntary step back from the carnage on the floor. The body was difficult to see at first, hidden as it was by a wooden chest of drawers. Clothes had tumbled out everywhere, hiding all but the woman’s right foot and right arm. Ava tiptoed across and peeled the corner of a jumper away from the face. Blood had erupted from her mouth, nose and ears. The vomit was already crusting on the carpet and in the wrinkles and folds of her skin. The victim’s eyes, a vivid and unusual shade of blue, bulged in their sockets, and stared somewhere over Ava’s shoulder as if watching, terrified, for her attacker to return. There was very little white remaining in her eyes, the haemorrhaging like crazing on an antique vase. Her neck and face were swollen solid, a deep shade of purple. It was as if she had been painted from the neck up by an angry toddler in all the colours of fury.

      The chest of drawers, a broad, weighty piece, lay across her body. Its position there was no accident. Ava looked carefully at the damage. The chest’s back panel, which now faced the ceiling, had been smashed in, the sides caving inwards. Faint bootprints marred the floral pastel bed linen. The attacker had jumped from the mattress onto the chest, adding to the murderous crushing pressure that had squeezed the breath from the victim’s lungs as she’d lain terrified beneath it. Helen Lott’s visible leg was twisted to an unnatural angle, and the nails of her free hand were bloodied and hanging. Ava folded the hand upwards to where the nails would have made contact with the chest of drawers. Sure enough, corresponding scratch marks ran down the polished surface. The poor woman would have been conscious then, enough to have done all she could in those last desperate minutes to fight her way out. Death would have been the only kindness, Ava thought. Mrs Lott would have been grateful when the darkness finally swallowed her.

      ‘Oh, my dear,’ a small voice came from the doorway, ‘what on earth is this, now? I was just saying to Luc earlier how I was missing you. I certainly didn’t mean to see you under these circumstances.’

      ‘I need as much as you can tell me about the killer. Single assailant or a gang, was there a weapon? Just give me enough to get started, Ailsa,’ Ava said.

      The pathologist, covered head to foot in a white suit, making her appear smaller than ever, opened her bag and withdrew a thermometer and a variety of swabs.

      ‘It’s a difficult scene, not much room. Keep your squad out until I’m done. Get me some decent lighting and I’ll need the photographer immediately.’

      ‘That’s fine,’ Ava said, as Ailsa knelt next to the body.

      ‘She’s still quite warm, so the attacker, singular or plural I can’t say, hasn’t gone terribly far yet,’ Ailsa said, photographing with her own tiny camera as she went, shining a light in Helen Lott’s eyes, ears and mouth. ‘Death was within the last forty-five minutes, that’s the best I can do for now. I’d put money on the perpetrator – if it was one person acting alone – being male and very large. This took an absolutely extraordinary amount of strength and overwhelming rage. No weapon other than this furniture was required to cause these injuries. Whoever it is must be covered in blood though. They’ll be keeping out of sight until they’ve cleaned up. This blow to the face, you see the swelling and discoloration here,’ Ailsa pointed to the side of Helen Lott’s head, ‘probably fractured the cheekbone, maybe the jaw too, and would have put her on the floor so that the furniture could be pushed on top of her. The weight of the furniture forcing the air from her lungs, combined with the fractured jaw would have prevented her from screaming. That might have been incidental or planned, no way of knowing. It’s an unusual crime scene. Very personal. I’ve never seen a crushing death outside of a car or industrial accident before. And these blood spatters here and here,’ Ava followed Ailsa’s eyeline outwards from the chest of drawers along the carpets to the walls and wardrobe, ‘suggest to me that the crushing wasn’t a single continuous force.’

      ‘Meaning what?’ Ava asked.

      ‘Meaning, I’m afraid, that whoever did this jumped again and again, causing individual injuries and almost explosive bleeds each time they landed. When we’ve moved the furniture and the body, we’ll see a star shape coming out around her.’

      ‘Bastards,’ Ava said, hands on hips, hanging her head.

      ‘I bet you don’t let your mother hear you speak like that,’ Ailsa said, smiling gently. ‘Now let me take care of Mrs Lott.’

      Ava went back down the stairs, turning each light on as she went, issuing orders through her radio. Technicians were carrying lights and sheets in before she’d even reached the kitchen door. Ava walked out onto the street and looked around. It was a quiet residential area, devoid of CCTV and not wealthy enough for any of the residents to have invested in their own surveillance systems. It would have been obvious that the house was occupied, so late at night with a car on the driveway. The burglar – if it was a burglary gone wrong – would have been cautious about the residents.

      ‘Officer,’ Ava called to the uniform she’d spoken to on the way in. ‘Is there anything obvious missing or any sign of ransacking?’

      ‘Handbag with purse in it still on the kitchen table, ma’am. Other than that we didn’t want to disturb too much.’

      She went back to her car and dialled Begbie’s number.

      ‘Turner here. It’s a bad one, Chief. Female victim, living alone. Crushed to death with a piece of her own furniture.’

      ‘You’ve got to be bloody kidding me,’ Begbie sighed. Ava could almost see him scratching his head as he tapped his pen on the desk. He sounded exhausted. ‘Sexual assault?’

      ‘No idea. And we won’t have confirmation until Mrs Lott has been taken in for a full autopsy. The torso and two limbs have been pretty comprehensively flattened.’

      ‘Suspects?’

      ‘Nothing yet. Pathologist’s still with her. Everyone was over at The Meadows so it’s taken a bit longer than usual to get going. Almost certainly a male attacker. Not sure if there’s more than one. It’s brutal, a lot of force. We have a bootprint. Officers are with the neighbour taking a statement. After the incident at The Meadows, the press will—’

      ‘I know, I know,’ Begbie said. ‘But they’ll have to be told. They’ll find out soon enough anyway. Better from us.’ Ava could hear the Chief’s heavy breathing down the phone. His chest sounded as if it was chugging between words.

      ‘Sir, nothing else will happen tonight. Maybe you should just go home. Callanach and I are both available to take calls.’

      ‘Don’t you start too, Turner. If I wanted another woman nagging me, I’d have committed bigamy long ago. Just seal off the scene and bring back some useful bloody info. The very least I expect is one hundred per cent more than Callanach’s turned up from The Meadows. Not that that’s setting the bar very high, mind you.’

       Chapter Four

      Callanach sat with an expressionless video editor, and tried to avoid the pile of newspapers that some helpful person had left on his desk. What he needed to do was sift through the footage from four different cameras and see if anything recorded might resemble a lead. Thankfully the timelines were such that the job, initially at least, was a limited one.

      The first two tapes were from static cameras, no operators. They both covered the front areas of the crowd, and the place where Sim Thorburn had been standing was a distant blur. The remaining footage was more difficult to navigate. One camera operator had been moving around on the stage, intermittently filming the band and looking out at the crowd. The second camera operator had been on a cherry picker crane to give more dynamic angles. It was painfully slow to sit through, but finally the first glimpse of the thankfully tall Niek De Vries emerged amidst the masses.

      ‘Stop


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