Diana Wynne Jones’s Magic and Myths Collection. Diana Wynne Jones
know how is shoes. What is fancy bits?”
“I’ll show you,” Hayley said.
The shoe shop was quite a long way down the road from The Star, where the musician was playing as usual. Hayley waved to him across the street, but she was not sure he saw her. When they reached the shoe shop, Hayley led Martya in front of the window and pointed to the various different shoes inside it. “Look – those pink ones with cowboy fringes have the fancy bits, and so do those with a flower on front. Do you see?”
While Martya pulled her hair aside in order to bend down and stare at the shoes, and then did her usual nodding and smiling, Hayley suddenly began hearing sweet distant snatches of music. It was not violin music. She was not sure what instrument it was, but it flowed and stopped and flowed again, in some of the loveliest sounds she had ever heard. “It’s his brother,” she said to Martya. Martya just nodded and smiled and looked at shoes. Hayley said, “I’ll be back in a minute,” and walked sideways away along the fronts of the shops, tracking the music. “Like the Pied Piper or something,” she said aloud, as the sounds led her on, and on, and then round a corner into a small side street.
The musician was there, standing in blazing sunlight and, to Hayley’s delight, he was actually playing a pipe, the kind you held sideways out along one shoulder to play. Hayley dimly thought it might be a flute. She had never heard such lovely sounds as those that came pouring out of it, although she did wish that he would keep to one tune, instead of playing in snatches. One moment he would be playing something wild and jolly. Then he would break off and start another tune, this one melting and sad. Then it would be music you could march to. She stood and surveyed him and rejoiced.
He had hair like Martya’s, quite long, but not as long as Martya’s, that blew around his head in fine white strands, and he was as tall and thin as the violin-player, though nothing like so neat. His clothes were green and baggy, and a green, green scarf fluttered from his neck. A baggy green hat lay on the ground by his bare feet, waiting for money.
He was watching Hayley watching him while he played. His eyes were the same green as his scarf. Hayley had never seen eyes that colour before, nor had she ever looked into eyes that were so direct and interested and kind. It was as if he and Hayley knew one another already.
“I’m sorry I haven’t any money,” she said.
You couldn’t play a flute and talk. He took the flute away from his mouth to smile and say, “That doesn’t matter.”
“Are you the violin man’s brother?” she asked.
“That’s right,” he said. “Who are you?”
“I’m Hayley Foss,” Hayley said. “What are you called?”
He grinned, the same sort of youthful grin as his brother’s, and asked, “What do you want to call me?”
All sorts of names flooded through Hayley’s mind, so many that she was surprised into taking a deep, gasping breath. “Flute,” she said, in the end.
He laughed. “That’ll do. And I suppose that makes my brother’s name Fiddle. One of us had better warn him. What can I do for you?”
“Are you a magician?” Hayley asked.
“In many ways, yes,” he said. “I don’t live by the usual rules.”
“I have to live by rules all the time,” Hayley said wistfully. “Can you show me some magic?”
Flute looked at her consideringly – and quite sympathetically, she thought. He seemed to be going to agree, but then he looked up over Hayley’s head and said, “Some other time, perhaps.”
Martya was rushing up the small street, waving a pair of large pink shoes with cowboy fringes, and a lady from the shoe shop was rushing after her. Martya was so agitated at losing Hayley that she forgot to speak English at all and shouted a torrent of her own language, while the shop lady kept saying, “I don’t care where you come from. You haven’t paid for those shoes.”
Flute twisted up one side of his face, so that half of it seemed to be smiling at Hayley and the other half looking seriously at the shop lady, and said, “I think I’d better sort this out for you.” He said to the lady, “It’s all right. She thought this little girl had gone missing, you see.” Then he spoke to Martya in what was clearly her own language.
Martya replied with a gush of Darkest Russian, clapping the pink shoes together in front of her bosom, as a substitute for wringing her hands. They were very big shoes, much more Martya’s size than Hayley’s. Flute spoke to her soothingly while he collected his hat and shut his flute into a long case. By the time they were all walking back to the shoe shop, he was wearing rather battered green boots that Hayley had certainly not seen him put on.
He did do some magic! Hayley thought. Quite a lot of it! she added to herself, as she watched Flute calming everyone in the shop down and making sure that Martya counted out enough of Grandma’s money to pay for the large pink shoes. Then he smiled at Hayley, said, “I’ll see you,” and left.
Martya and Hayley went home, where Grandma was far from pleased. Hayley said repeatedly, “It wasn’t her fault, or Flute’s, Grandma. They both thought you meant the shoes were for her.” While Martya nodded and smiled and hugged the shoes happily.
“Be quiet, Hayley,” Grandma snapped. “Martya, I have had enough of this nodding and smiling. It’s just an excuse for laziness and dishonesty. You’ll have to leave. Now.”
Martya’s ugly face contorted inside her beautiful hair. “Laziness I am?” she said to Grandma. “Then of you, what? You do nothing all day but give orders and make rules! I go and pack now – and take my shoes!” She went stumping up the stairs, scowling. “Your baba is a monster!” she said as she stamped past Hayley. “You I pity from the depths of my chest!”
It startled Hayley. She had not thought of Grandma as a monster – she had just thought life was like that: long and boring and full of rules and things you mustn’t do. Now here was Martya actually pitying her for it. She wondered if it made sense.
But there were no more walks, to the shops or out on the common, for a while after that. Until a new maid was found to clean things and take Hayley out in the afternoons, Hayley was sent into the back garden instead. There she wandered about among the dark, crowding laurel bushes, thinking about her parents, longing for the mythosphere and wondering if Grandma really was a monster. Sometimes, when she was right in the midst of the laurels and knew she could not be seen from any of the windows, she crouched down – careful not to get her knees dirty – and secretly built bowers out of twigs, castles made of pebbles and gardens from anything she could find. “Mythosphere things,” she called them to herself.
She was building a particularly elaborate rock garden about a week later, made of carefully piled gravel and ferns, when she looked up to see Flute standing among the laurels with his hands in his pockets. He was staring up at the house as if he was wondering about it. Hayley could not think how Flute had got in. There was a high brick wall round the garden and no way in except through the house.
“Hallo,” she said. “What are you doing here?”
Flute had obviously not known she was there. He whirled round, thoroughly startled, and his green scarf blew tastefully out among his hair. “Oh,” he said. “I didn’t see you. I was wondering what went on in this house.”
“Nothing much does,” Hayley told him, rather dryly. “Grandpa works and Grandma makes rules.”
Flute frowned and shook his head slightly. The green scarf fluttered. His eyes stared into Hayley’s, green and steady. “I know you,” he said. “You were with the Russian lady and the shoes.”
“Martya. She left,” Hayley said.
“That doesn’t surprise me,” Flute said. “This house isn’t for the likes of her. Why are you in it?”
“I’m an orphan,” Hayley explained.