The School for Good and Evil 2 book collection: The School for Good and Evil. Soman Chainani
with the line into a sunken anteroom, where three black crooked staircases twisted up in a perfect row. One carved with monsters said MALICE along the banister, the second, etched with spiders, said MISCHIEF, and the third with snakes read VICE. Around the three staircases, Sophie noticed the walls covered with different-colored frames. In each frame there was a portrait of a child, next to a storybook painting of what the student became upon graduation. A gold frame had a portrait of an elfish little girl, and beside it, a magnificent drawing of her as a revolting witch, standing over a comatose maiden. A gold plaque stretched under the two illustrations:
In the next gold frame there was a portrait of a smirking boy with a thick unibrow, alongside a painting of him all grown up, brandishing a knife to a woman’s throat:
Beneath Drogan there was a silver frame of a skinny boy with shock blond hair, turned into one of a dozen ogres savaging a village:
Then Sophie noticed a decayed bronze frame near the bottom with a tiny, bald boy, eyes scared wide. A boy she knew. Bane was his name. He used to bite all the pretty girls in Gavaldon until he was kidnapped four years before. But there was no drawing next to Bane. Just a rusted plaque that read:
Sophie looked at Bane’s terrified face and felt her stomach churn. What happened to him? She gazed up at thousands of gold, silver, and bronze frames cramming every inch of the hall: witches slaying princes, giants devouring men, demons igniting children, heinous ogres, grotesque gorgons, headless horsemen, merciless sea monsters. Once awkward adolescents. Now portraits of absolute evil. Even the villains that had died gruesome deaths—Rumpelstiltskin, the Beanstalk Giant, the Wolf from Red Riding Hood—were drawn in their greatest moments, as if they had emerged triumphant from their tales. Sophie’s gut took another twist when she noticed the other children gazing up at the portraits in awed worship. It hit her with sick clarity. She was in line with future murderers and monsters.
Her face broke out in a cold sweat. She needed to find a faculty member. Someone who could search the list of enrolled students and see she was in the wrong school. But so far, all she could find were wolves that couldn’t speak, let alone read a list.
Turning the corner into a wider corridor, Sophie saw a red-skinned, horned dwarf ahead on a towering stepladder, hammering more portraits into a bare wall. Her teeth clenched with hope as she inched towards him in line. As she plotted to get his attention, Sophie suddenly noticed the frames on this wall held familiar faces. There was the hoggish dough boy she had seen earlier, labeled BRONE OF ROCH BRIAR. Next to him was a painting of the one-eyed, wispy-haired girl: ARACHNE OF FOXWOOD. Sophie scanned the portraits of her classmates, awaiting their villainous transformations. Her eyes stopped on Weasel Boy’s. HORT OF BLOODBROOK. Hort. Sounds like a disease. She moved ahead in line, ready to cry to the dwarf—
Then she saw the frame under his hammer.
Her own face smiled back at her.
With a shriek, Sophie bolted out of line, fumbled up the ladder, and snatched the portrait from the stunned dwarf’s fingers. “No! I’m in Good!” she shouted, but the dwarf snatched it back and the two tussled over the portrait, kicking and clawing until Sophie had enough and gave him a slap. The dwarf screamed like a little girl and swung at her with his hammer. Sophie dodged it but lost her balance, and the stepladder teetered and crashed between the walls. Splayed out on rungs in midair, she looked down at snarling wolves and goggling students—“I need the School Master!”—then lost her grip, slid across the ladder, and landed in a heap at the front of the line.
A dark-skinned hag with a massive boil on her cheek thrust a sheet of parchment into her hands.
Sophie looked up, dumbstruck. “See you in class, Witch of Woods Beyond,” the hag croaked. Before Sophie could respond, an ogre dumped a ribbon-tied stack of books in her hands.
Best Villainous Monologues, 2nd ed.
Spells for Suffering, Year 1
The Novice’s Guide to Kidnapping & Murder
Embracing Ugliness Inside & Out
How to Cook Children (with New Recipes!)
The books were bad enough, but then Sophie saw the ribbon tying them was a live eel. She screamed and dropped the books, before a spotted satyr foisted musty black fabric at her. Unfurling it, Sophie shrank from a dumpy, tattered tunic that sagged like shredded curtains.
She gaped at the other girls, gleefully putting on the putrid uniform, combing through their books, comparing schedules. Sophie slowly looked down at her own foul black robes. Then at her eel-slimed books and schedule. Then at her smiling, sweet portrait, back on the wall.
She ran for her life.
Agatha knew she was in the wrong place because even the faculty gave her confused looks. Together they lined the four spiral staircases of the cavernous glass foyer, two of them pink, two blue, showering confetti upon the new students. The female professors wore different-colored versions of the same slim, high-necked dress, with a glittering silver swan crest over the heart. Each had added a personal touch to the dress, whether inlaid crystals, beaded flowers, or even a tulle bow. The male professors, meanwhile, all wore bright slim suits in a rainbow of hues, paired with matching vests, narrow ties, and colorful kerchiefs tucked into pockets embroidered with the same silver swan.
Agatha noticed immediately they were all more attractive than any adults she had ever seen. Even the older faculty was elegant to the point of intimidation. Agatha had always tried to convince herself beauty was pointless because it was temporary. Here was proof it lasted forever.
The teachers tried to disguise their nudges and whispers upon seeing the dripping-wet, misplaced student, but Agatha was used to catching these things. Then she noticed one who wasn’t like the rest. Haloed against a stained glass window with a shamrock green suit, silver hair, and shiny hazel eyes, he beamed down at her as if she completely belonged. Agatha reddened. Anyone who thought she belonged here was a loon. Turning away, she took comfort in the glowering girls around her, who clearly hadn’t forgiven her for the incident in the hall.
“Where are the boys?” Agatha heard one ask another, as the girls filed in in front of three enormous, floating nymphs with neon hair and lips, who handed out their schedules, books, and robes.
As Agatha followed the line behind them, she had a better look at the majestic stair room. The wall opposite her had an enormous pink-painted E, with lovingly drawn angels and sylphs fluttering around its edges. The other three walls had painted letters too, spelling out the word E-V-E-R in pink and blue. The four spiral staircases were arranged symmetrically at the corners of each wall, lit by high stained glass windows. One of the two blue flights had HONOR tattooed upon its baluster, along with glass etchings of knights and kings, while the other read VALOR, decorated with blue reliefs of hunters and archers. The two pink glass staircases had PURITY and CHARITY emblazoned in gold, along with delicate friezes of sculpted maidens, princesses, and kindly animals.
In the center of the room, alumni portraits blanketed a soaring crystal obelisk that reached from milky marble floor to domed sunroof. Higher up on the obelisk were gold-framed portraits of students who became princes and queens after graduation. In the middle were silver frames, for those who found lesser fates as jaunty sidekicks, dutiful housewives, and fairy godmothers. And near the bottom of the pillar, flecked with dust, were bronze-framed underachievers who had ended up footmen and servants. But regardless of whether they became a Snow Queen or a chimney sweep, Agatha saw the students shared the same beautiful faces, kind smiles, and soulful eyes. Here in a glass palace in the middle of the woods, the best of life had