The Woman in White. Уилки Коллинз
of the morning so unnerved me already that I was at the mercy of any delusion which common chances and common coincidences might suggest to my imagination? Impossible to say. I could only feel that what had passed between Miss Halcombe and myself, on our way from the summer-house, had affected me very strangely. The foreboding of some undiscoverable danger lying hid from us all in the darkness of the future was strong on me. The doubt whether I was not linked already to a chain of events which even my approaching departure from Cumberland would be powerless to snap asunder—the doubt whether we any of us saw the end as the end would really be—gathered more and more darkly over my mind. Poignant as it was, the sense of suffering caused by the miserable end of my brief, presumptuous love seemed to be blunted and deadened by the still stronger sense of something obscurely impending, something invisibly threatening, that Time was holding over our heads.
I had been engaged with the drawings little more than half an hour, when there was a knock at the door. It opened, on my answering; and, to my surprise, Miss Halcombe entered the room.
Her manner was angry and agitated. She caught up a chair for herself before I could give her one, and sat down in it, close at my side.
“Mr. Hartright,” she said, “I had hoped that all painful subjects of conversation were exhausted between us, for to-day at least. But it is not to be so. There is some underhand villainy at work to frighten my sister about her approaching marriage. You saw me send the gardener on to the house, with a letter addressed, in a strange handwriting, to Miss Fairlie?”
“Certainly.”
“The letter is an anonymous letter—a vile attempt to injure Sir Percival Glyde in my sister’s estimation. It has so agitated and alarmed her that I have had the greatest possible difficulty in composing her spirits sufficiently to allow me to leave her room and come here. I know this is a family matter on which I ought not to consult you, and in which you can feel no concern or interest—”
“I beg your pardon, Miss Halcombe. I feel the strongest possible concern and interest in anything that affects Miss Fairlie’s happiness or yours.”
“I am glad to hear you say so. You are the only person in the house, or out of it, who can advise me. Mr. Fairlie, in his state of health and with his horror of difficulties and mysteries of all kinds, is not to be thought of. The clergyman is a good, weak man, who knows nothing out of the routine of his duties; and our neighbours are just the sort of comfortable, jog-trot acquaintances whom one cannot disturb in times of trouble and danger. What I want to know is this: ought I at once to take such steps as I can to discover the writer of the letter? or ought I to wait, and apply to Mr. Fairlie’s legal adviser to-morrow? It is a question—perhaps a very important one—of gaining or losing a day. Tell me what you think, Mr. Hartright. If necessity had not already obliged me to take you into my confidence under very delicate circumstances, even my helpless situation would, perhaps, be no excuse for me. But as things are I cannot surely be wrong, after all that has passed between us, in forgetting that you are a friend of only three months’ standing.”
She gave me the letter. It began abruptly, without any preliminary form of address, as follows—
“Do you believe in dreams? I hope, for your own sake, that you do. See what Scripture says about dreams and their fulfilment (Genesis xl. 8, xli. 25; Daniel iv. 18–25), and take the warning I send you before it is too late.
“Last night I dreamed about you, Miss Fairlie. I dreamed that I was standing inside the communion rails of a church—I on one side of the altar-table, and the clergyman, with his surplice and his prayer-book, on the other.
“After a time there walked towards us, down the aisle of the church, a man and a woman, coming to be married. You were the woman. You looked so pretty and innocent in your beautiful white silk dress, and your long white lace veil, that my heart felt for you, and the tears came into my eyes.
“They were tears of pity, young lady, that heaven blesses and instead of falling from my eyes like the everyday tears that we all of us shed, they turned into two rays of light which slanted nearer and nearer to the man standing at the altar with you, till they touched his breast. The two rays sprang ill arches like two rainbows between me and him. I looked along them, and I saw down into his inmost heart.
“The outside of the man you were marrying was fair enough to see. He was neither tall nor short—he was a little below the middle size. A light, active, high-spirited man—about five-and-forty years old, to look at. He had a pale face, and was bald over the forehead, but had dark hair on the rest of his head. His beard was shaven on his chin, but was let to grow, of a fine rich brown, on his cheeks and his upper lip. His eyes were brown too, and very bright; his nose straight and handsome and delicate enough to have done for a woman’s. His hands the same. He was troubled from time to time with a dry hacking cough, and when he put up his white right hand to his mouth, he showed the red scar of an old wound across the back of it. Have I dreamt of the right man? You know best, Miss Fairlie and you can say if I was deceived or not. Read next, what I saw beneath the outside—I entreat you, read, and profit.
“I looked along the two rays of light, and I saw down into his inmost heart. It was black as night, and on it were written, in the red flaming letters which are the handwriting of the fallen angel, ‘Without pity and without remorse. He has strewn with misery the paths of others, and he will live to strew with misery the path of this woman by his side.’ I read that, and then the rays of light shifted and pointed over his shoulder; and there, behind him, stood a fiend laughing. And the rays of light shifted once more, and pointed over your shoulder; and there behind you, stood an angel weeping. And the rays of light shifted for the third time, and pointed straight between you and that man. They widened and widened, thrusting you both asunder, one from the other. And the clergyman looked for the marriage-service in vain: it was gone out of the book, and he shut up the leaves, and put it from him in despair. And I woke with my eyes full of tears and my heart beating—for I believe in dreams.
“Believe too, Miss Fairlie—I beg of you, for your own sake, believe as I do. Joseph and Daniel, and others in Scripture, believed in dreams. Inquire into the past life of that man with the scar on his hand, before you say the words that make you his miserable wife. I don’t give you this warning on my account, but on yours. I have an interest in your well-being that will live as long as I draw breath. Your mother’s daughter has a tender place in my heart—for your mother was my first, my best, my only friend.”
There the extraordinary letter ended, without signature of any sort.
The handwriting afforded no prospect of a clue. It was traced on ruled lines, in the cramped, conventional, copy-book character technically termed “small hand.” It was feeble and faint, and defaced by blots, but had otherwise nothing to distinguish it.
“That is not an illiterate letter,” said Miss Halcombe, “and at the same time, it is surely too incoherent to be the letter of an educated person in the higher ranks of life. The reference to the bridal dress and veil, and other little expressions, seem to point to it as the production of some woman. What do you think, Mr. Hartright?”
“I think so too. It seems to me to be not only the letter of a woman, but of a woman whose mind must be—”
“Deranged?” suggested Miss Halcombe. “It struck me in that light too.”
I did not answer. While I was speaking, my eyes rested on the last sentence of the letter: “Your mother’s daughter has a tender place in my heart—for your mother was my first, my best, my only friend.” Those words and the doubt which had just escaped me as to the sanity of the writer of the letter, acting together on my mind, suggested an idea, which I was literally afraid to express openly, or even to encourage secretly. I began to doubt whether my own faculties were not in danger of losing their balance. It seemed almost like a monomania to be tracing back everything strange that happened, everything unexpected that was said, always to the same hidden source and the same sinister influence. I resolved, this time, in defence of my own courage and my own sense, to come to no decision that plain fact did not warrant, and to turn my back resolutely on everything that tempted me in the shape of surmise.
“If