Dancing With the Virgins. Stephen Booth
the Farmers Weekly wearily and rubbed his face. ‘I’m sorry. It’s just –’ He shrugged. ‘There’s no end to it, is there?’
The brothers didn’t need to say any more to each other. It had all been said before, many times.
Kate looked in from the sitting room, releasing a burst of cartoon noise as she opened the door. Matt picked up his magazine again. Cooper had a book on the shelf that he was halfway through reading – Captain Corelli’s Mandolin. He always seemed to be years behind what everybody else was talking about. There was so little time to read. And often, like now, he couldn’t concentrate on what was in front of him.
‘Matt, do you know a farmer called Warren Leach?’
‘Leach? Leach … Where does he farm?’
‘Ringham Edge.’
Matt frowned over his pages. ‘I’ve heard of him. I don’t think I’ve ever met him to speak to. Dark-haired bloke, miserable sort?’
‘That sounds like him.’
‘What’s he done?’
‘Nothing that I know of. I just came across him on an enquiry.’
‘Ringham Edge. Small dairy herd, is it? And a lot of marginal land?’
‘Yes.’
Matt nodded and went back to his magazine. He turned a page, but found nothing he liked any better.
‘You know, some of them are in deep trouble,’ he said.
‘Who?’
‘Farmers like Leach at Ringham Edge. Small-scale livestock farmers, with no chance of diversification. But he’s only one of many, of course.’
‘Things looked pretty depressing up there, I must admit.’
‘It’s all pretty depressing. All of it.’
‘Come on, Matt. It’s not that bad.’
‘Yes, it is. It’s all gone to hell. I can’t see the time when farming will ever be the same again. Not around here, anyway. All the small farmers are going out of business. It’s too much for them. Far too much.’
‘Have you heard anything specific about Leach?’
Matt shook his head firmly. ‘I said I’ve seen him, that’s all. I don’t actually know him.’
‘But I expect you might know people who do.’
‘I expect I might,’ said Matt.
‘There could be rumours about him. Farmers talk to each other, don’t they? Down at the mart.’
Matt’s face set into stubborn lines. ‘Are you asking me to find out things about this bloke Leach?’
‘Just … I wondered if you might hear anything, you know. If you did …’
‘Sorry, Ben.’
‘What?’
‘I mean, no, I won’t do it. I don’t much like being asked to be some sort of secret policeman. I don’t like being asked to be a policeman at all, come to that. You’re welcome to that job.’
Kate stood in the doorway. She frowned at Ben and shook her head, scenting an argument between the brothers. She said arguments upset the children. And she was right to be protective – there had been enough disruption in their young lives.
So Ben Cooper said nothing, just nursed his thoughts to himself. He and Matt had never talked about their father properly. Not ever, in the whole of their lives. And when he died, it was too late to start. Yet Cooper longed to know what his brother felt; he wanted to be able to tell him what his own feelings were, how much he had come to resent the memory of their father, and how much that resentment hurt because it was such a contradiction to the way he had viewed him when he was alive. He felt as though he was trampling a fallen idol.
But he suspected that their father still was an idol, of a kind, for Matt. And it was the police that Matt blamed for their father’s death.
Matt could have found out about Warren Leach, if he wanted to. He was right, of course – there were many farmers in trouble. There were farms left standing empty all around the Peak District now. At first, they had been snapped up by wealthy incomers, people who boasted of having ‘a country house with a big garden’, and thought it was a huge joke. Worst of all were the people who played at farming, filling a paddock with rare breeds of sheep, a Vietnamese pot-bellied pig, a donkey and a goat. They drove the real farmers to apoplexy.
And already buyers were getting choosier. Some of the older, more run-down farms that were coming on the market stayed unsold for many months. New owners could no longer rely on selling the land that went with them to provide the capital for work on the house. Neighbouring farmers didn’t want the land – they couldn’t afford it. And if it was difficult land, the high hill land, it was useless to them anyway. All they could keep on it were a few sheep, which themselves were worth next to nothing.
Cooper went upstairs and looked in at his mother’s bedroom. She was sleeping, and her face was peaceful. He could always tell from her face the state of her mind; the turmoil in her brain was reflected in the contortions of her expression, even in her sleep.
Satisfied, he got washed and changed and went back down to the kitchen. The girls, Amy and Josie, had joined their parents at the table, and the room was full of noise and life. Cooper waved goodbye and walked down the passage to the back door.
For a moment, he stood and looked at the farm. The outline of the buildings became clear as his eyes adjusted to the darkness. He could hear the cattle moving quietly, one of the dogs snuffling in the yard, a pheasant cackling, startled by some predator perhaps. Beyond the barn, the dark bulk of the hill came slowly into focus, its crown bare against the sky, but its middle faintly ragged, where the tree line followed the contours of the valley.
Most of the fields down here at Bridge End were good, rich land. They had inherited the farm from their maternal grandfather, who had died at some vast age, still tottering about the place in his ancient shiny black suit and his army boots, with baling twine tied round his trouser bottoms. Officially, the farm had passed to their mother, and still belonged to her. But Matt had been the one to run it, right from the beginning, when he was barely a year or two out of agricultural college and working as a cowman on a big tenanted farm at Rowsley.
Their father, Joe Cooper, had never been interested in the farm. He had been happy to let Matt take charge, though occasionally rolling up his sleeves on his off-duty days to help stack bales of hay or round up the sheep. Joe had been a big, powerful man. It ought to have been Ben Cooper’s abiding memory of him – tall and strong, with heavily muscled forearms and his huge hands wielding a pitchfork, his shirt open at his neck instead of buttoned up with a service tie at his throat, maybe laughing and at ease with his sons. But that wasn’t Ben’s lasting memory. Nothing like it.
Cooper wondered what the future of the farm would be. So many farmers were getting out – going bankrupt or just clearing out of the industry while they could. Pastures had been left to grow weeds and bracken encroached rapidly on to the higher fields, until some farms were like sores on the Peak. It was the farmers, after all, who had looked after the landscape of the national park. Within a generation or two, their absence would change the appearance of the countryside altogether.
A family that lost their farm would join the drift away from the Peak District into the soulless housing estates of the big cities, signing on to the list of unemployed in Sheffield or Manchester while their old homes were taken over by affluent city dwellers, their farmland converted into golf courses or pony trekking centres. To Ben Cooper, it was a neglected tragedy, a kind of surreptitious ethnic cleansing that would never trouble the United Nations.
He felt a familiar object bump his foot by the door. This strangely shaped lump of stone had stood by the back door of the farmhouse for decades, maybe for centuries. It was roughly rounded, with a broader base and