Postern of Fate. Агата Кристи
don’t think there were any hospitals to go to then. Wasn’t any Welfare in those days. Somebody told me it was some silly mistake the cook made. Brought foxglove leaves into the house by mistake for spinach—or for lettuce, perhaps. No, I think that was someone else. Someone told me it was Deadly Nightshade but I don’t believe that for a moment because, I mean, everyone knows about Deadly Nightshade, don’t they, and anyway that’s berries. Well, I think this was foxglove leaves brought in from the garden by mistake. Foxglove is Digoxo or some name like Digit—something that sounds like fingers. It’s got something very deadly in it—the doctor came and he did what he could, but I think it was too late.’
‘Were there many people in the house when it happened?’
‘Oh, there was quite a lot I should think—yes, because there were always people staying, so I’ve heard, and children, you know, and weekenders and a nursery maid and a governess, I think, and parties. Mind you, I’m not knowing all about this myself. It’s only what Granny used to tell me. And old Mr Bodlicott talks now and then. You know, the old gardener chap as works here now and then. He was gardener there, and they blamed him at first for sending the wrong leaves, but it wasn’t him as did it. It was somebody who came out of the house, and wanted to help and picked the vegetables in the garden, and took them in to the cook. You know, spinach and lettuce and things like that and—er—I suppose they just made a mistake not knowing much about growing vegetables. I think they said at the inquest or whatever they had afterwards that it was a mistake that anyone could make because the spinach or the sorrel leaves were growing near the Digi—Digit-what-not, you see, so I suppose they just took a great handful of both leaves, possibly in a bunch together. Anyway, it was very sad because Granny said she was a very good-looking girl with golden hair and all that, you know.’
‘And she used to go up to London every week? Naturally she’d have to have a day off.’
‘Yes. Said she had friends there. Foreigner, she was—Granny says there was some as said she was actually a German spy.’
‘And was she?’
‘I shouldn’t think so. The gentlemen liked her all right, apparently. You know, the naval officers and the ones up at Shelton Military Camp too. She had one or two friends there, you know. The military camp it was.’
‘Was she really a spy?’
‘Shouldn’t think so. I mean, my grandmother said that was what people said. It wasn’t in the last war. It was ages before that.’
‘Funny,’ said Tuppence, ‘how easy it is to get mixed up over the wars. I knew an old man who had a friend in the Battle of Waterloo.’
‘Oh, fancy that. Years before 1914. People did have foreign nurses—what were called Mamoselles as well as Frowlines, whatever a Frowline is. Very nice with children she was, Granny said. Everyone was very pleased with her and always liked her.’
‘That was when she was living here, living at The Laurels?’
‘Wasn’t called that then—at least I don’t think so. She was living with the Parkinsons or the Perkins, some name like that,’ said Gwenda. ‘What we call nowadays an au pair girl. She came from that place where the patty comes from, you know, Fortnum & Mason keep it—expensive patty for parties. Half German, half French, so someone told me.’
‘Strasbourg?’ suggested Tuppence.
‘Yes, that was the name. She used to paint pictures. Did one of an old great-aunt of mine. It made her look too old, Aunt Fanny always said. Did one of one of the Parkinson boys. Old Mrs Griffin’s got it still. The Parkinson boy found out something about her, I believe—the one she painted the picture of, I mean. Godson of Mrs Griffin, I believe he was.’
‘Would that have been Alexander Parkinson?’
‘Yes, that’s the one. The one who’s buried near the church.’
Introduction to Mathilde, Truelove and KK
Tuppence, on the following morning, went in search of that well-known public character in the village known usually as Old Isaac, or, on formal occasions if one could remember, Mr Bodlicott. Isaac Bodlicott was one of the local ‘characters’. He was a character because of his age—he claimed to be ninety (not generally believed)—and he was able to do repairs of many curious kinds. If your efforts to ring up the plumber met with no response, you went to old Isaac Bodlicott. Mr Bodlicott, whether or not he was in any way qualified for the repairs he did, had been well acquainted for many of the years of his long life with every type of sanitation problem, bath-water problems, difficulties with geysers, and sundry electrical problems on the side. His charges compared favourably with a real live qualified plumber, and his repairs were often surprisingly successful. He could do carpentering, he could attend to locks, he could hang pictures—rather crookedly sometimes—he understood about the springs of derelict armchairs. The main disadvantage of Mr Bodlicott’s attentions was his garrulous habit of incessant conversation slightly hampered by a difficulty in adjusting his false teeth in such a way as to make what he said intelligible in his pronunciation. His memories of past inhabitants of the neighbourhood seemed to be unlimited. It was difficult, on the whole, to know how reliable they might be. Mr Bodlicott was not one to shirk giving himself the pleasure of retailing some really good story of past days. These flights of fancy, claimed usually as flights of memory, were usually ushered in with the same type of statement.
‘You’d be surprised, you would, if I could tell you what I knew about that one. Yes indeed. Well, you know, everybody thought they knew all about it, but they were wrong. Absolutely wrong. It was the elder sister, you know. Yes, it was. Such a nice girl, she seemed. It was the butcher’s dog that gave them all the clue. Followed her home, he did. Yes. Only it wasn’t her own home, as you might say. Ah well, I could tell you a lot more about that. Then there was old Mrs Atkins. Nobody knew as she kept a revolver in the house, but I knew. I knew when I was sent for to mend her tallboy—that’s what they call those high chests, isn’t it? Yes. Tallboys. Well, that’s right. Well, there she was, seventy-five, and in that drawer, the drawer of the tallboy as I went, you know, to mend—the hinges had gone, the lock too—that’s where the revolver was. Wrapped up, it was, with a pair of women’s shoes. No. 3 size. Or, I’m not sure as it wasn’t No. 2. White satin. Tiny little foot. Her great-grandmother’s wedding shoes, she said. Maybe. But somebody said she bought them at a curiosity shop once but I don’t know about that. And there was the revolver wrapped up too. Yes. Well, they said as her son had brought it back. Brought it back from East Africa, he did. He’d been out there shooting elephants or something of that kind. And when he come home he brought this revolver. And do you know what that old lady used to do? Her son had taught her to shoot. She’d sit by her drawing-room window looking out and when people came up the drive she’d have her revolver with her and she’d shoot either side of them. Yes. Got them frightened to death and they ran away. She said she wouldn’t have anyone coming in and disturbing the birds. Very keen on the birds, she was. Mind you, she never shot a bird. No, she didn’t want to do that. Then there was all the stories about Mrs Letherby. Nearly had up, she was. Yes, shoplifting. Very clever at it, so they say. And yet as rich as they make them.’
Having persuaded Mr Bodlicott to replace the skylight in the bathroom, Tuppence wondered if she could direct his conversation to any memory of the past which would be useful to Tommy and herself in solving the mystery of the concealment in their house of some treasure or interesting secret of whose nature they had no knowledge whatever.
Old Isaac Bodlicott made no difficulties about coming to do repairs for the new tenants of the place. It was one of his pleasures in life to meet as many newcomers as possible. It was in his life one of the main events to be able to come across people who had not so far heard of his splendid memories and reminiscences. Those who were well