The Thirteen Problems. Агата Кристи
Young people never do, I notice. It is better to say nothing.’
‘Nonsense, Aunt Jane; out with it.’
‘Well, dear Raymond,’ said Miss Marple, laying down her knitting and looking across at her nephew. ‘I do think you should be more careful how you choose your friends. You are so credulous, dear, so easily gulled. I suppose it is being a writer and having so much imagination. All that story about a Spanish galleon! If you were older and had more experience of life you would have been on your guard at once. A man you had known only a few weeks, too!’
Sir Henry suddenly gave vent to a great roar of laughter and slapped his knee.
‘Got you this time, Raymond,’ he said. ‘Miss Marple, you are wonderful. Your friend Newman, my boy, has another name—several other names in fact. At the present moment he is not in Cornwall but in Devonshire—Dartmoor, to be exact—a convict in Princetown prison. We didn’t catch him over the stolen bullion business, but over the rifling of the strongroom of one of the London banks. Then we looked up his past record and we found a good portion of the gold stolen buried in the garden at Pol House. It was rather a neat idea. All along that Cornish coast there are stories of wrecked galleons full of gold. It accounted for the diver and it would account later for the gold. But a scapegoat was needed, and Kelvin was ideal for the purpose. Newman played his little comedy very well, and our friend Raymond, with his celebrity as a writer, made an unimpeachable witness.’
‘But the tyre mark?’ objected Joyce.
‘Oh, I saw that at once, dear, although I know nothing about motors,’ said Miss Marple. ‘People change a wheel, you know—I have often seen them doing it—and, of course, they could take a wheel off Kelvin’s lorry and take it out through the small door into the alley and put it on to Mr Newman’s lorry and take the lorry out of one gate down to the beach, fill it up with the gold and bring it up through the other gate, and then they must have taken the wheel back and put it back on Mr Kelvin’s lorry while, I suppose, someone else was tying up Mr Newman in a ditch. Very uncomfortable for him and probably longer before he was found than he expected. I suppose the man who called himself the gardener attended to that side of the business.’
‘Why do you say, “called himself the gardener,” Aunt Jane?’ asked Raymond curiously.
‘Well, he can’t have been a real gardener, can he?’ said Miss Marple. ‘Gardeners don’t work on Whit Monday. Everybody knows that.’
She smiled and folded up her knitting.
‘It was really that little fact that put me on the right scent,’ she said. She looked across at Raymond.
‘When you are a householder, dear, and have a garden of your own, you will know these little things.’
‘It’s curious,’ said Joyce Lemprière, ‘but I hardly like telling you my story. It happened a long time ago—five years ago to be exact—but it’s sort of haunted me ever since. The smiling, bright, top part of it—and the hidden gruesomeness underneath. And the queer thing is that the sketch I painted at the time has become tinged with the same atmosphere. When you look at it first it is just a rough sketch of a little steep Cornish street with the sunlight on it. But if you look long enough at it something sinister creeps in. I have never sold it but I never look at it. It lives in the studio in a corner with its face to the wall.
‘The name of the place was Rathole. It is a queer little Cornish fishing village, very picturesque—too picturesque perhaps. There is rather too much of the atmosphere of “Ye Olde Cornish Tea House” about it. It has shops with bobbed-headed girls in smocks doing hand-illuminated mottoes on parchment. It is pretty and it is quaint, but it is very self-consciously so.’
‘Don’t I know,’ said Raymond West, groaning. ‘The curse of the charabanc, I suppose. No matter how narrow the lanes leading down to them no picturesque village is safe.’
Joyce nodded.
‘They are narrow lanes that lead down to Rathole and very steep, like the side of a house. Well, to get on with my story. I had come down to Cornwall for a fortnight, to sketch. There is an old inn in Rathole, The Polharwith Arms. It was supposed to be the only house left standing by the Spaniards when they shelled the place in fifteen hundred and something.’
‘Not shelled,’ said Raymond West, frowning. ‘Do try to be historically accurate, Joyce.’
‘Well, at all events they landed guns somewhere along the coast and they fired them and the houses fell down. Anyway that is not the point. The inn was a wonderful old place with a kind of porch in front built on four pillars. I got a very good pitch and was just settling down to work when a car came creeping and twisting down the hill. Of course, it would stop before the inn—just where it was most awkward for me. The people got out—a man and a woman—I didn’t notice them particularly. She had a kind of mauve linen dress on and a mauve hat.
‘Presently the man came out again and to my great thankfulness drove the car down to the quay and left it there. He strolled back past me towards the inn. Just at that moment another beastly car came twisting down, and a woman got out of it dressed in the brightest chintz frock I have ever seen, scarlet poinsettias, I think they were, and she had on one of those big native straw hats—Cuban, aren’t they?—in very bright scarlet.
‘This woman didn’t stop in front of the inn but drove the car farther down the street towards the other one. Then she got out and the man seeing her gave an astonished shout. “Carol,” he cried, “in the name of all that is wonderful. Fancy meeting you in this out-of-the-way spot. I haven’t seen you for years. Hello, there’s Margery—my wife, you know. You must come and meet her.”
‘They went up the street towards the inn side by side, and I saw the other woman had just come out of the door and was moving down towards them. I had had just a glimpse of the woman called Carol as she passed by me. Just enough to see a very white powdered chin and a flaming scarlet mouth and I wondered—I just wondered—if Margery would be so very pleased to meet her. I hadn’t seen Margery near to, but in the distance she looked dowdy and extra prim and proper.
‘Well, of course, it was not any of my business but you get very queer little glimpses of life sometimes, and you can’t help speculating about them. From where they were standing I could just catch fragments of their conversation that floated down to me. They were talking about bathing. The husband, whose name seemed to be Denis, wanted to take a boat and row round the coast. There was a famous cave well worth seeing, so he said, about a mile along. Carol wanted to see the cave too but suggested walking along the cliffs and seeing it from the land side. She said she hated boats. In the end they fixed it that way. Carol was to go along the cliff path and meet them at the cave, and Denis and Margery would take a boat and row round.
‘Hearing them talk about bathing made me want to bathe too. It was a very hot morning and I wasn’t doing particularly good work. Also, I fancied that the afternoon sunlight would be far more attractive in effect. So I packed up my things and went off to a little beach that I knew of—it was quite the opposite direction from the cave, and was rather a discovery of mine. I had a ripping bathe there and I lunched off a tinned tongue and two tomatoes, and I came back in the afternoon full of confidence and enthusiasm to get on with my sketch.
‘The whole of Rathole seemed to be asleep. I had been right about the afternoon sunlight, the shadows were far more telling. The Polharwith Arms was the principal note of my sketch. A ray of sunlight came slanting obliquely down and hit the ground in front of it and had rather a curious effect. I gathered that the bathing party had returned safely, because two bathing dresses, a scarlet one and a dark blue one, were hanging from the balcony, drying in the sun.
‘Something had gone a bit wrong with one corner of my sketch and I bent over it for some moments doing something to put it right. When I looked up again there was a figure leaning