Divergent Series. Вероника Рот
replaces it. I scowl and cross my arms.
“Have it your way,” she says.
The baskets disappear. I hear a door squeak and turn to see who it is. I see not a “who” but a “what”: A dog with a pointed nose stands a few yards away from me. It crouches low and creeps toward me, its lips peeling back from its white teeth. A growl gurgles from deep in its throat, and I see why the cheese would have come in handy. Or the knife. But it’s too late now.
I think about running, but the dog will be faster than me. I can’t wrestle it to the ground. My head pounds. I have to make a decision. If I can jump over one of the tables and use it as a shield—no, I am too short to jump over the tables, and not strong enough to tip one over.
The dog snarls, and I can almost feel the sound vibrating in my skull.
My biology textbook said that dogs can smell fear because of a chemical secreted by human glands in a state of duress, the same chemical a dog’s prey secretes. Smelling fear leads them to attack. The dog inches toward me, its nails scraping the floor.
I can’t run. I can’t fight. Instead I breathe in the smell of the dog’s foul breath and try not to think about what it just ate. There are no whites in its eyes, just a black gleam.
What else do I know about dogs? I shouldn’t look it in the eye. That’s a sign of aggression. I remember asking my father for a pet dog when I was young, and now, staring at the ground in front of the dog’s paws, I can’t remember why. It comes closer, still growling. If staring into its eyes is a sign of aggression, what’s a sign of submission?
My breaths are loud but steady. I sink to my knees. The last thing I want to do is lie down on the ground in front of the dog—making its teeth level with my face—but it’s the best option I have. I stretch my legs out behind me and lean on my elbows. The dog creeps closer, and closer, until I feel its warm breath on my face. My arms are shaking.
It barks in my ear, and I clench my teeth to keep from screaming.
Something rough and wet touches my cheek. The dog’s growling stops, and when I lift my head to look at it again, it is panting. It licked my face. I frown and sit on my heels. The dog props its paws up on my knees and licks my chin. I cringe, wiping the drool from my skin, and laugh.
“You’re not such a vicious beast, huh?”
I get up slowly so I don’t startle it, but it seems like a different animal than the one that faced me a few seconds ago. I stretch out a hand, carefully, so I can draw it back if I need to. The dog nudges my hand with its head. I am suddenly glad I didn’t pick up the knife.
I blink, and when my eyes open, a child stands across the room wearing a white dress. She stretches out both hands and squeals, “Puppy!”
As she runs toward the dog at my side, I open my mouth to warn her, but I am too late. The dog turns. Instead of growling, it barks and snarls and snaps, and its muscles bunch up like coiled wire. About to pounce. I don’t think, I just jump; I hurl my body on top of the dog, wrapping my arms around its thick neck.
My head hits the ground. The dog is gone, and so is the little girl. Instead I am alone—in the testing room, now empty. I turn in a slow circle and can’t see myself in any of the mirrors. I push the door open and walk into the hallway, but it isn’t a hallway; it’s a bus, and all the seats are taken.
I stand in the aisle and hold on to a pole. Sitting near me is a man with a newspaper. I can’t see his face over the top of the paper, but I can see his hands. They are scarred, like he was burned, and they clench around the paper like he wants to crumple it.
“Do you know this guy?” he asks. He taps the picture on the front page of the newspaper. The headline reads: “Brutal Murderer Finally Apprehended!” I stare at the word “murderer.” It has been a long time since I last read that word, but even its shape fills me with dread.
In the picture beneath the headline is a young man with a plain face and a beard. I feel like I do know him, though I don’t remember how. And at the same time, I feel like it would be a bad idea to tell the man that.
“Well?” I hear anger in his voice. “Do you?”
A bad idea—no, a very bad idea. My heart pounds and I clutch the pole to keep my hands from shaking, from giving me away. If I tell him I know the man from the article, something awful will happen to me. But I can convince him that I don’t. I can clear my throat and shrug my shoulders—but that would be a lie.
I clear my throat.
“Do you?” he repeats.
I shrug my shoulders.
“Well?”
A shudder goes through me. My fear is irrational; this is just a test, it isn’t real. “Nope,” I say, my voice casual. “No idea who he is.”
He stands, and finally I see his face. He wears dark sunglasses and his mouth is bent into a snarl. His cheek is rippled with scars, like his hands. He leans close to my face. His breath smells like cigarettes. Not real, I remind myself. Not real.
“You’re lying,” he says. “You’re lying!”
“I am not.”
“I can see it in your eyes.”
I pull myself up straighter. “You can’t.”
“If you know him,” he says in a low voice, “you could save me. You could save me!”
I narrow my eyes. “Well,” I say. I set my jaw. “I don’t.”
I WAKE TO sweaty palms and a pang of guilt in my chest. I am lying in the chair in the mirrored room. When I tilt my head back, I see Tori behind me. She pinches her lips together and removes electrodes from our heads. I wait for her to say something about the test—that it’s over, or that I did well, although how could I do poorly on a test like this?—but she says nothing, just pulls the wires from my forehead.
I sit forward and wipe my palms off on my slacks. I had to have done something wrong, even if it only happened in my mind. Is that strange look on Tori’s face because she doesn’t know how to tell me what a terrible person I am? I wish she would just come out with it.
“That,” she says, “was perplexing. Excuse me, I’ll be right back.”
Perplexing?
I bring my knees to my chest and bury my face in them. I wish I felt like crying, because the tears might bring me a sense of release, but I don’t. How can you fail a test you aren’t allowed to prepare for?
As the moments pass, I get more nervous. I have to wipe off my hands every few seconds as the sweat collects—or maybe I just do it because it helps me feel calmer. What if they tell me that I’m not cut out for any faction? I would have to live on the streets, with the factionless. I can’t do that. To live factionless is not just to live in poverty and discomfort; it is to live divorced from society, separated from the most important thing in life: community.
My mother told me once that we can’t survive alone, but even if we could, we wouldn’t want to. Without a faction, we have no purpose and no reason to live.
I shake my head. I can’t think like this. I have to stay calm.
Finally the door opens, and Tori walks back in. I grip the arms of the chair.
“Sorry to worry you,” Tori says. She stands by my feet with her hands in her pockets. She looks tense and pale.
“Beatrice, your results were inconclusive,” she says. “Typically, each stage of the simulation eliminates one or more of the factions, but in your case, only two have been ruled out.”
I stare at her. “Two?” I ask. My throat is so tight it’s hard to talk.
“If