Silas Marner. Джордж Элиот
position should have begun to question the validity of an appeal to the divine judgment by drawing lots; but to him this would have been an effort of independent thought such as he had never known; and he must have made the effort at a moment when all his energies were turned into the anguish of disappointed faith. If there is an angel who records the sorrows of men as well as their sins, he knows how many and deep are the sorrows that spring from false ideas for which no man is culpable.
Marner went home, and for a whole day sat alone, stunned by despair, without any impulse to go to Sarah and attempt to win her belief in his innocence. The second day he took refuge from benumbing unbelief, by getting into his loom and working away as usual; and before many hours were past, the minister and one of the deacons came to him with the message from Sarah, that she held her engagement to him at an end. Silas received the message mutely, and then turned away from the messengers to work at his loom again. In little more than a month from that time, Sarah was married to William Dane; and not long afterwards it was known to the brethren in Lantern Yard that Silas Marner had departed from the town.
Even people whose lives have been made various by learning, sometimes find it hard to keep a fast hold on their habitual views of life, on their faith in the Invisible, nay, on the sense that their past joys and sorrows are a real experience, when they are suddenly transported to a new land, where the beings around them know nothing of their history, and share none of their ideas—where their mother earth shows another lap, and human life has other forms than those on which their souls have been nourished. Minds that have been unhinged from their old faith and love have perhaps sought this Lethean influence of exile in which the past becomes dreamy because its symbols have all vanished, and the present too is dreamy because it is linked with no memories. But even their experience may hardly enable them thoroughly to imagine what was the effect on a simple weaver like Silas Marner, when he left his own country and people and came to settle in Raveloe. Nothing could be more unlike his native town, set within sight of the widespread hillsides, than this low, wooded region, where he felt hidden even from the heavens by the screening trees and hedgerows. There was nothing here, when he rose in the deep morning quiet and looked out on the dewy brambles and rank tufted grass, that seemed to have any relation with that life centring in Lantern Yard, which had once been to him the altar-place of high dispensations. The whitewashed walls; the little pews where well-known figures entered with a subdued rustling, and where first one well-known voice and then another, pitched in a peculiar key of petition, uttered phrases at once occult and familiar, like the amulet worn on the heart; the pulpit where the minister delivered unquestioned doctrine, and swayed to and fro, and handled the book in a long-accustomed manner; the very pauses between the couplets of the hymn, as it was given out, and the recurrent swell of voices in song: these things had been the channel of divine influence to Marner—they were the fostering home of his religious emotions—they were Christianity and God’s kingdom upon earth. A weaver who finds hard words in his hymn-book knows nothing of abstractions; as the little child knows nothing of parental love, but only knows one face and one lap towards which it stretches its arms for refuge and nurture.
And what could be more unlike that Lantern Yard world than the world in Raveloe?—orchards looking lazy with neglected plenty; the large church in the wide churchyard, which men gazed at lounging at their own doors in service-time; the purple-faced farmers jogging along the lanes or turning in at the Rainbow; homesteads, where men supped heavily and slept in the light of the evening hearth, and where women seemed to be laying up a stock of linen for the life to come. There were no lips in Raveloe from which a word could fall that would stir Silas Marner’s benumbed faith to a sense of pain. In the early ages of the world, we know, it was believed that each territory was inhabited and ruled by its own divinities, so that a man could cross the bordering heights and be out of the reach of his native gods, whose presence was confined to the streams and the groves and the hills among which he had lived from his birth. And poor Silas was vaguely conscious of something not unlike the feeling of primitive men, when they fled thus, in fear or in sullenness, from the face of an unpropitious deity. It seemed to him that the Power he had vainly trusted in among the streets and at the prayer-meetings was very far away from this land in which he had taken refuge, where men lived in careless abundance, knowing and needing nothing of that trust, which, for him, had been turned to bitterness. The little light he possessed spread its beams so narrowly that frustrated belief was a curtain broad enough to create for him the blackness of night.
His first movement after the shock had been to work in his loom; and he went on with this unremittingly, never asking himself why, now he was come to Raveloe, he worked far on into the night to finish the tale of Mrs. Osgood’s table-linen sooner than she expected—without contemplating beforehand the money she would put into his hand for the work. He seemed to weave, like the spider, from pure impulse, without reflection. Every man’s work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of his life. Silas’s hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and to put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, now its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.
But at last Mrs. Osgood’s table-linen was finished, and Silas was paid in gold. His earnings in his native town, where he worked for a wholesale dealer, had been after a lower rate; he had been paid weekly, and of his weekly earnings a large proportion had gone to objects of piety and charity. Now, for the first time in his life, he had five bright guineas put into his hand; no man expected a share of them, and he loved no man that he should offer him a share. But what were the guineas to him who saw no vista beyond countless days of weaving? It was needless for him to ask that, for it was pleasant to him to feel them in his palm, and look at their bright faces, which were all his own: it was another element of life, like the weaving and the satisfaction of hunger, subsisting quite aloof from the life of belief and love from which he had been cut off. The weaver’s hand had known the touch of hard-won money even before the palm had grown to its full breadth; for twenty years, mysterious money had stood to him as the symbol of earthly good, and the immediate object of toil. He had seemed to love it little in the years when every penny had its purpose for him; for he loved the purpose then. But now, when all purpose was gone, that habit of looking towards the money and grasping it with a sense of fulfilled effort made a loam that was deep enough for the seeds of desire; and as Silas walked homeward across the fields in the twilight, he drew out the money and thought it was brighter in the gathering gloom.
About this time an incident happened which seemed to open a possibility of some fellowship with his neighbours. One day, taking a pair of shoes to be mended, he saw the cobbler’s wife seated by the fire, suffering from the terrible symptoms of heart-disease and dropsy, which he had witnessed as the precursors of his mother’s death. He felt a rush of pity at the mingled sight and remembrance, and, recalling the relief his mother had found from a simple preparation of foxglove, he promised Sally Oates to bring her something that would ease her, since the doctor did her no good. In this office of charity, Silas felt, for the first time since he had come to Raveloe, a sense of unity between his past and present life, which might have been the beginning of his rescue from the insect-like existence into which his nature had shrunk. But Sally Oates’s disease had raised her into a personage of much interest and importance among the neighbours, and the fact of her having found relief from drinking Silas Marner’s “stuff” became a matter of general discourse. When Doctor Kimble gave physic, it was natural that it should have an effect; but when a weaver, who came from nobody knew where, worked wonders with a bottle of brown waters, the occult character of the process was evident. Such a sort of thing had not been known since the Wise