The American. Генри Джеймс
think of something.
“Oh, you have thanked me enough,” said Newman.
“Ah, here it is, sir!” cried M. Nioche. “To express my gratitude, I will charge you nothing for the lessons in French conversation.”
“The lessons? I had quite forgotten them. Listening to your English,” added Newman, laughing, “is almost a lesson in French.”
“Ah, I don’t profess to teach English, certainly,” said M. Nioche. “But for my own admirable tongue I am still at your service.”
“Since you are here, then,” said Newman, “we will begin. This is a very good hour. I am going to have my coffee; come every morning at half-past nine and have yours with me.”
“Monsieur offers me my coffee, also?” cried M. Nioche. “Truly, my beaux jours are coming back.”
“Come,” said Newman, “let us begin. The coffee is almighty hot. How do you say that in French?”
Every day, then, for the following three weeks, the minutely respectable figure of M. Nioche made its appearance, with a series of little inquiring and apologetic obeisances, among the aromatic fumes of Newman’s morning beverage. I don’t know how much French our friend learned, but, as he himself said, if the attempt did him no good, it could at any rate do him no harm. And it amused him; it gratified that irregularly sociable side of his nature which had always expressed itself in a relish for ungrammatical conversation, and which often, even in his busy and preoccupied days, had made him sit on rail fences in young Western towns, in the twilight, in gossip hardly less than fraternal with humorous loafers and obscure fortune-seekers. He had notions, wherever he went, about talking with the natives; he had been assured, and his judgment approved the advice, that in traveling abroad it was an excellent thing to look into the life of the country. M. Nioche was very much of a native and, though his life might not be particularly worth looking into, he was a palpable and smoothly-rounded unit in that picturesque Parisian civilization which offered our hero so much easy entertainment and propounded so many curious problems to his inquiring and practical mind. Newman was fond of statistics; he liked to know how things were done; it gratified him to learn what taxes were paid, what profits were gathered, what commercial habits prevailed, how the battle of life was fought. M. Nioche, as a reduced capitalist, was familiar with these considerations, and he formulated his information, which he was proud to be able to impart, in the neatest possible terms and with a pinch of snuff between finger and thumb. As a Frenchman—quite apart from Newman’s napoleons—M. Nioche loved conversation, and even in his decay his urbanity had not grown rusty. As a Frenchman, too, he could give a clear account of things, and—still as a Frenchman—when his knowledge was at fault he could supply its lapses with the most convenient and ingenious hypotheses. The little shrunken financier was intensely delighted to have questions asked him, and he scraped together information, by frugal processes, and took notes, in his little greasy pocket-book, of incidents which might interest his munificent friend. He read old almanacs at the book-stalls on the quays, and he began to frequent another cafe, where more newspapers were taken and his postprandial demitasse cost him a penny extra, and where he used to con the tattered sheets for curious anecdotes, freaks of nature, and strange coincidences. He would relate with solemnity the next morning that a child of five years of age had lately died at Bordeaux, whose brain had been found to weigh sixty ounces—the brain of a Napoleon or a Washington! or that Madame P—, charcutiere in the Rue de Clichy, had found in the wadding of an old petticoat the sum of three hundred and sixty francs, which she had lost five years before. He pronounced his words with great distinctness and sonority, and Newman assured him that his way of dealing with the French tongue was very superior to the bewildering chatter that he heard in other mouths. Upon this M. Nioche’s accent became more finely trenchant than ever, he offered to read extracts from Lamartine, and he protested that, although he did endeavor according to his feeble lights to cultivate refinement of diction, monsieur, if he wanted the real thing, should go to the Theatre Francais.
Newman took an interest in French thriftiness and conceived a lively admiration for Parisian economies. His own economic genius was so entirely for operations on a larger scale, and, to move at his ease, he needed so imperatively the sense of great risks and great prizes, that he found an ungrudging entertainment in the spectacle of fortunes made by the aggregation of copper coins, and in the minute subdivision of labor and profit. He questioned M. Nioche about his own manner of life, and felt a friendly mixture of compassion and respect over the recital of his delicate frugalities. The worthy man told him how, at one period, he and his daughter had supported existence comfortably upon the sum of fifteen sous per diem; recently, having succeeded in hauling ashore the last floating fragments of the wreck of his fortune, his budget had been a trifle more ample. But they still had to count their sous very narrowly, and M. Nioche intimated with a sigh that Mademoiselle Noemie did not bring to this task that zealous cooperation which might have been desired.
“But what will you have?” he asked, philosophically. “One is young, one is pretty, one needs new dresses and fresh gloves; one can’t wear shabby gowns among the splendors of the Louvre.”
“But your daughter earns enough to pay for her own clothes,” said Newman.
M. Nioche looked at him with weak, uncertain eyes. He would have liked to be able to say that his daughter’s talents were appreciated, and that her crooked little daubs commanded a market; but it seemed a scandal to abuse the credulity of this free-handed stranger, who, without a suspicion or a question, had admitted him to equal social rights. He compromised, and declared that while it was obvious that Mademoiselle Noemie’s reproductions of the old masters had only to be seen to be coveted, the prices which, in consideration of their altogether peculiar degree of finish, she felt obliged to ask for them had kept purchasers at a respectful distance. “Poor little one!” said M. Nioche, with a sigh; “it is almost a pity that her work is so perfect! It would be in her interest to paint less well.”
“But if Mademoiselle Noemie has this devotion to her art,” Newman once observed, “why should you have those fears for her that you spoke of the other day?”
M. Nioche meditated: there was an inconsistency in his position; it made him chronically uncomfortable. Though he had no desire to destroy the goose with the golden eggs—Newman’s benevolent confidence—he felt a tremulous impulse to speak out all his trouble. “Ah, she is an artist, my dear sir, most assuredly,” he declared. “But, to tell you the truth, she is also a franche coquette. I am sorry to say,” he added in a moment, shaking his head with a world of harmless bitterness, “that she comes honestly by it. Her mother was one before her!”
“You were not happy with your wife?” Newman asked.
M. Nioche gave half a dozen little backward jerks of his head. “She was my purgatory, monsieur!”
“She deceived you?”
“Under my nose, year after year. I was too stupid, and the temptation was too great. But I found her out at last. I have only been once in my life a man to be afraid of; I know it very well; it was in that hour! Nevertheless I don’t like to think of it. I loved her—I can’t tell you how much. She was a bad woman.”
“She is not living?”
“She has gone to her account.”
“Her influence on your daughter, then,” said Newman encouragingly, “is not to be feared.”
“She cared no more for her daughter than for the sole of her shoe! But Noemie has no need of influence. She is sufficient to herself. She is stronger than I.”
“She doesn’t obey you, eh?”
“She can’t obey, monsieur, since I don’t command. What would be the use? It would only irritate her and drive her to some coup de tete. She is very clever, like her mother; she would waste no time about it. As a child—when I was happy, or supposed I was—she studied drawing and painting with first-class professors, and they assured me she had a talent. I was delighted to believe it, and when I went into society I used to carry her pictures with me in a portfolio and hand them round to the company. I remember, once, a lady thought I was