Oliver Twist. Чарльз Диккенс

Oliver Twist - Чарльз Диккенс


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He was the William Shakespeare of the Victorian age, both writing and taking to the stage as a storyteller. This makes it easy to understand why his characters had such pronounced identities, because Dickens would mentally assume different roles whilst story telling, both on paper and when treading the boards.

      As any parent or teacher will attest, it is quite necessary to exaggerate characters with gestures and voices while story telling to capture the imagination of the audience and leave no confusion about who is who. This is exactly what Dickens was doing, so that his version of the Victorian world became one of overblown polarity: villains and do-gooders, the devout and the morally fallen, the wealthy and the poor, the beautiful and the ugly, the selfish and the selfless. Those who fall ‘somewhere between’ truly are the silent majority in Dickensian Britain.

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      Table of Contents

       Cover Page

       Title Page

       CHAPTER 15 Showing how very fond of Oliver Twist, the merry old Jew and Miss Nancy were

       CHAPTER 16 Relates what became of Oliver Twist, after he had been claimed by Nancy

       CHAPTER 17 Oliver’s destiny continuing unpropitious, brings a great man to London to injure his reputation

       CHAPTER 18 How Oliver passed his time in the improving society of his reputable friends

       CHAPTER 19 In which a notable plan is discussed and determined on

       CHAPTER 20 Wherein Oliver is delivered over to Mr. William Sikes

       CHAPTER 21 The Expedition

       CHAPTER 22 The Burglary

       CHAPTER 23 Which contains the substance of a pleasant conversation between Mr. Bumble and a lady; and shows that even a beadle may be susceptible on some points

       CHAPTER 24 Treats of a very poor subject. But it is a short one, and may be found of importance in this history

       CHAPTER 25 Wherein this history reverts to Mr. Fagin and company

       CHAPTER 26 In which a mysterious character appears upon the scene; and many things, inseparable from this history, are done and performed

       CHAPTER 27 Atones for the unpoliteness of a former chapter; which deserted a lady, most unceremoniously

       CHAPTER 28 Looks after Oliver, and proceeds with his adventures

       CHAPTER 29 Has an introductory account of the inmates of the house, to which Oliver resorted

       CHAPTER 30 Relates what Oliver’s new visitors thought of him

       CHAPTER 31 Involves a critical position

       CHAPTER 32 Of the happy life Oliver began to lead with his kind friends

       CHAPTER 33 Wherein the happiness of Oliver and his friends, experiences a sudden check

       CHAPTER 34 Contains some introductory particulars relative to a young gentleman who now arrives upon the scene; and a new adventure which happened to Oliver

       CHAPTER


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