Ingo. Helen Dunmore

Ingo - Helen  Dunmore


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back to school. It isn’t doing us any good, staying in the cottage and waiting, always waiting.

      Five weeks later a climber on the cliffs miles down the coast sees something. It’s the hull of the Peggy Gordon, wedged upside down between the rocks. He reads the name on it. The coastguards go down, and a team of divers searches the area. There is no sign of Dad. Finally, they pull the boat off the rocks and tow it into shore, so they can examine it thoroughly and find out what caused the accident. But the boat doesn’t give a single clue.

      Mum says to us, “We have to accept it now. Your Dad had an accident.”

      “No!” says Conor, slamming his fists on the table. “No, no, no. Dad wouldn’t lose the Peggy Gordon like that, on a calm night. That’s not what happened.” He bangs out of the house and gets his bike and disappears. I think he goes up to Jack’s. Anyway he comes home late, and when he creeps into my room to climb up his loft ladder, I’m already half asleep.

      “Conor?”

      “Ssh.”

      “It’s all right. Mum’s asleep. She’s been—”

      “Crying?”

      “No. Just sitting, not looking at anything. I hate it when she does that.”

      “I know.”

      “Conor, where’s Dad?”

      I’m still half asleep, or I’d never ask that question. How can Conor know, when nobody knows? The question just slips out. But Conor doesn’t get angry. He tiptoes over and kneels by my bed.

      “I don’t know what happened, Saph. But he’s not drowned. I’m sure of it. We’d know if he was drowned. We’d feel it. We’d feel a difference, if he was dead.”

      “Yes,” I say. Relief floods me. “You’re right. I don’t feel as if he’s dead either.”

      Conor nods. “We’re going to find Dad, Saph. However long it takes. But you mustn’t tell Mum. Swear and promise.”

      “Swear and promise,” I answer, and I spit on my right palm and Conor spits on his, and we slap our palms together. After that I sleep.

      They hold a memorial service for Dad in the church. Mum explains that we can’t have a proper funeral, because Dad’s body hasn’t been found. It hasn’t been found because there isn’t a body to find. Dad isn’t dead, I think to myself, and I know Conor is thinking the same thing.

      Everyone comes to the memorial service in dark clothes, with sad faces.

      “Oh Jennie, Jennie dear,” they say, and they put their arms round Mum. Some women kiss me, even though I don’t want them to. Conor stands there frowning, with his arms folded so no one will dare to kiss him. Conor’s angry because everybody’s flocking to the memorial service like sheep, believing that Dad’s dead, even though no one has found his body. Most people think that Conor is being brave, for Mum’s sake.

      “You’re the man of the house now, Conor,” says Alice Trewhidden in her creaky old voice. “Your mother’s lucky that she’s got a son to take care of her.” Alice only likes boys, not girls. In fact girls practically don’t exist in Alice’s eyes.

      “Conor has his own life to live, Alice,” says Granny Carne sharply. I didn’t see Granny Carne arrive, but suddenly she’s there, tall and strong and wild-looking. People fall back a little, to give her room, out of respect. Everyone shows respect to Granny Carne, as if she’s a queen. “Conor has his own choices to make,” Granny Carne goes on. “None of us can make them for him.”

      Grumpy, sharp-tongued Alice Trewhidden says nothing back. She just mumbles under her breath and shuffles off sideways like a crab to find the best seat. She’s not exactly scared of Granny Carne, but she doesn’t want to cross her. Nobody does.

      I’m surprised that Granny Carne has come to the memorial service. I’ve never seen her inside the church before. Everybody else looks surprised too. Heads bob round to look at her as she comes in, and murmurs fly around the cool, echoing space.

      Look who’s here!

      Who?

      Granny Carne. Can’t remember the last time we saw her inside the church.

      “I never seen her inside this church in my life, and that’s going back many years,” mutters Alice Trewhidden.

      Granny Carne doesn’t go far inside the church today. She stands by the open door at the back, watching and listening. Maybe she hears all the mutters and murmurs, but she takes no notice. She wears her usual shabby old earth-coloured clothes, but her poppy-red scarf is the brightest thing in the church.

      Granny Carne is tall and forbidding. People are still pushing their way into the crowded church, and they glance sideways at her as they come in, and a lot of them nod respectfully, just the same way as they nod to the vicar. The thought of Granny Carne being like the vicar makes my lips twitch.

      Granny Carne catches me looking at her. The faintest smile crosses her face. Suddenly I feel a flicker of hope and courage in the dark sadness of the church.

      Who is Granny Carne? Why is she different from everyone else?

      I remember asking Dad that, when I was about seven. We were sitting on the beach on a day of flat calm, and Dad was skimming stones on the water with a flick of his wrist. Just Dad and me, on our own. The stones hopped on the silky smooth water. One jump, two, four, six jumps—

      “Dad, who is Granny Carne? Why do they call her that when she’s not anyone’s real granny?”

      “Some say she’s a witch,” answered Dad.

      “I know,” I said. I’d heard that in the playground. “But there aren’t real witches now, are there?”

      “Who knows?” said Dad. “She has power in her, that’s for sure. If you want to put a label on it, you could call it witchcraft. Or you could call it magic.”

      “Does she do spells, Dad?”

      “Out of a great big spell book, do you mean?”

      “Or she might know them off by heart.”

      “She might. She has earth magic in her. That’s why she’s so strong, old as she is.”

      “How old is she, Dad?”

      Dad shrugged. “She’s always been as old as she is now. If you ask her how old she is she’ll say she’s as old as her tongue and a little bit older than her teeth. Maybe she’s been old for ever.”

      “Are you scared of her, Dad?”

      “No, I’m not scared. There are two sorts of magic, Sapphy. I’d say that Granny Carne’s magic is mostly benign.”

      “What does that mean?”

      “That her magic does good, rather than harm. Most of the time.”

      “Not all the time?”

      “Magic’s wild. You can’t put a harness on it, or make it do what you want. Even the best magic can be dangerous.”

      I remember being very surprised that Dad talked about magic as if it was a real thing. I knew that most grown-ups didn’t believe it was.

      “Always show respect to Granny Carne, Sapphy,” said Dad. “If you do that, and you don’t cross her, she’ll be a good friend to you. She’s always been a good friend to me. Never whisper about her behind her back, like ignorant people do. You think she doesn’t know, but she does.”

      Benign. Dad thought that Granny Carne’s magic was benign. I didn’t even know what the word meant then, but much later I looked it up in a dictionary. Characterised by goodness, kindness, it said. I thought about good magic, and wondered what Granny Carne’s magic was really like.

      And


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