McQueen: The Biography. Christopher Sandford
as a 60-watt bulb and when it rained, which it did constantly most winters, water seeped through the roof. Like many shy boys, Steve relied on memorising to get by. (The rote student of Mark Twain would become an actor who hated to learn lines.) Parroting Huck Finn, for his peers, was enlivened by the ‘deez, demz and doz’ tones, plus stammer, in which he flayed the text. It was later discovered that he was suffering from a form of dyslexia. The muffled sniggers were yet another small snub, avenged by Steve with a quick, impersonal beating in the dirt bluff behind the schoolyard or, more often, playing truant. A Slater man named Sam Jones knew McQueen in 1937-8. ‘We all heard stories about him, but the truth is he didn’t show up much.’
By his ninth birthday he was firmly in the problem-child tradition, a pale, sandy-haired boy whose steely-blue eyes gave Jones the uncomfortable feeling of ‘being x-rayed’. People called it a striking face, broad-nosed but narrow-chinned, so that the head as a whole was bullet-shaped rather than oval. Another Slaterite recalls ‘that tense, hunted look he always had in a crowd’. Aside from the claustrophobia, McQueen owed his trademark quizzical squint to hearing loss. An undiagnosed mastoid infection in 1937 damaged his left ear for life, bringing him further untold grief in class and completing a caricature performance as small-town misfit. His remaining time there would be brief, violent and instructive.
As soon as he could drive Claude’s truck or fire a rifle, Steve immediately entered into such active conflict with Slater that the local sheriff called at Thomson Lane to issue a caution, and he aroused the school’s indignation by appearing, when he did so at all, reeking of pig dung. But he also deftly took to his relatives’ world. He liked to hunt, for instance, and once, to Claude’s eternal admiration, he took out two birds with a single shot. Steve often stalked deer or quail in the woods north of town, on the banks of the Missouri, at least once with a pureblood setter named Jim, the officially designated ‘coon dog of the century’. (The animal could apparently understand elaborate human commands, and also predicted the winners of horse races and prize fights.) In short, he said, it was a ‘schizo existence’, in which the wilderness, bloodletting and the magic of the primal, male life jarred against the drudgery of school and church. Steve’s great-uncle and grandparents didn’t bring him up to be violent – something beyond even their nightmares – but they showed him the world, and that was enough.
All this changed for the worse in 1939.
A flash of inspiration as can only be produced by a newlywed parent now caused Julian to send for her son from Indiana. Early that autumn, the same month that Britain went to war with Germany, Steve was taken out of school, packed a kit bag and sat, shrouded in his moth-eaten city clothes, cap pancaked down on his head, in the very back seat of the bus east. It was crowded with immigrant farmworkers going home to enlist. Many of them knew as much about the rest of America as they did about the Antarctic and sat staring or muttering over the noise of Steve’s neighbour, a Negro with a mouth-harp, as they crossed the Mississippi at St Louis. The Greyhound wound through Illinois until, late at night, it came around a curve into town. On both sides a sudden, windswept ruin opened out, the bus ploughing down dark alleys and backstreets, hardly better than furrows between the slums with, Steve noticed, ‘only a couple of pissing rats’ as proof of life. Indianapolis.
McQueen himself looked unhappily through the back window taking in the acrid smell of the city. Those 400 miles were worlds exquisitely separated. Where once there’d been Claude’s pigs, now there were pool halls, the Crescent and the Roxy. Racially, too, Indianapolis was segregated, black and white symbolically split by the railway – somewhere, downtown, men wore cheap Irontex suits and drove boatlike cars past hand-painted signs saying EATS. Local unemployment and, not incidentally, racketeering and Klan activity were all at their height and there was a curfew. It was raining. With two mismatched homes and no fewer than four warring role models (five, including his new stepfather), it’s hardly surprising McQueen would return to the theme of self-reliance throughout his career, channelling it into his best work and telling one startled reporter, ‘I’d rather wake up in the middle of nowhere than in any city on earth.’
The bus pulled in to the Meridian Street depot at midnight. Julian was more than an hour late meeting it, and Steve could smell the gin on her breath when she kissed him. He was introduced to her dour, clinically psychotic, it emerged, husband, and the three of them walked down dark streets, frequently challenged by police, to the boarding house. It was on the site of a former stockyard, and the old stink still haunted the place. Even through the shut window, the familiar depressing reek of meat, tallow, pulverised bones, hair and hides wafted up to Steve’s cold room. Towards dawn, he could hear Julian’s voice pleading and begging through the wall, and then the sound of her husband punching her. Finally, with daylight, the boy fell asleep. After all, he later told a close friend, it wasn’t as if it were permanent. They already owed their landlord ten dollars.
Before long Steve’s fourth-grade teacher in Indianapolis wanted nothing to do with him, and the contempt was mutual. Most mornings he went back to his earliest haunts, nowadays alone, slipping into the darkness of the Roxy, then begging some bones at the kitchen door of a diner. It wasn’t unknown for him to scavenge from the dustbins outside the canal bars, and he became an underage, lifelong beer toper. One day Steve fell in with some older boys who showed him how to steal hubcaps and then redeem them for cash at a store downtown. It was his first glimpse beyond his own rebellion into a world of organised crime that he would find more intriguing than the weekly mass to which his grandmother had dragged him in Slater. Julian and her husband tried, too, packing him off to a delinquents’ summer camp and Sunday school. But Steve acquired neither religion nor social graces. Soon, he was spending his nights running with a gang. He rarely, if ever, slept at home.
There was some building done during the late 1930s and early 1940s: hospitals, museums and parks all overlaying the great Lockefield Garden prank, a slum clearance scheme that provided housing for 7000 families. Several of these projects went broke and the Reconstruction Finance Corporation had to bail them out. By the time Steve arrived for the second time, the feds had assumed much of the local relief burden and a bewildering raft of agencies funnelled funds to help towns like Indianapolis to their own grass-roots ‘solutions’. Soon enough, there was money and food available to the needy. The young McQueen doted on the pleasure it would bring to relieve the suits of their cash.
Steve not only legitimately applied for ration tickets. He began working a lucrative forgery scam with his street mob. Between them they printed bundles of the tatty coupons and sold them at a profit to their contact downtown, who was in turn reimbursed by Washington. It was a crude but highly effective form of pioneering welfare fraud. Steve might have been a flop at school, but his inner fire – the vitality that erupted whenever he got away with something – was uncanny for a so-called loser. From about 1940 onwards he was busy either as a petty hood or generally twisting the system – and people’s melons – to his own ends. ‘You had this sense he was getting back on folks,’ says Toni Gahl. ‘He just tried everything, like he was fighting for his life. I heard about his [welfare] thing. Son of a bitch! No one else was doing that then, I couldn’t believe it.’
There was something almost confidence-inspiring in McQueen’s later career. For the few who knew him and millions who didn’t, his was the big magic that offset the cliches of the American film industry. Partly this was a result of his image, partly the result of his personality. Even in the 1940s a gap opened up between the angry thug and the shy boy wearing a pair of overalls hand-labelled Huck who was quiet, kind and fanatically loyal to friends. One was dark, one was sunny, but the two McQueens had this in common: both were warped by a sense of being alone in a ‘shit’ world. That long and hard childhood made him a master at walking a thin tightrope, buffeted by the warring rivalries of Julian, her husband and Slater, with church, school and his criminal interests to consider as well. It was a neat balancing act.
When her man left, as they all did, Julian made it a point of honour not to resort further to food stamps. Prostitution only ever supplemented her typing and waitressing but, after the day Steve caught her in flagrante, it took on a symbolic importance for him far outweighing its fiscal value. She hated doing it, obviously. No she didn’t. She didn’t hate it all that much. She was always fucking at it, he told Gahl. Sailors. Suits. Anyone, any time at all. From then on Steve spent his few