The Complete Ingo Chronicles: Ingo, The Tide Knot, The Deep, The Crossing of Ingo, Stormswept. Helen Dunmore
a waste. I love mushrooms.
The next night Conor and I bike up to see his friend Jack. We stay longer than we mean to, because Jack’s Labrador bitch has three puppies. We haven’t played with them before, because they’ve been too little, but now they’re seven weeks old. Jack lets us hold one each. My puppy is plump and wriggly and she sniffs my fingers, licks them, and makes a hopeful whining sound in the back of her throat. She is so beautiful. Conor and I have always wanted a dog, but we haven’t managed it yet.
“You are the most beautiful puppy in the whole world,” I whisper to her, holding her close to my face. She has a funny little folded-down left ear, and soft, inquisitive brown eyes. If I could choose one of the puppies, it would be her. She wrinkles her nose, does a tiny puppy sneeze, and then snuggles in under my chin. I feel as if she’s chosen me already.
Poppy, the pups’ mother, she knows us, so she doesn’t mind us playing with them. She stays near, though, looking pleased and proud and watchful. Every time a pup tries to sneak away to explore, Poppy fetches it back and drops it in the basket. I love the way Poppy makes her mouth soft to pick up the pups by the scruff of their neck.
We forget all about the time. When we remember, it’s getting late and we have to rush.
“Come on, Saph. Mum’s going to kill me if we’re any later!”
Conor’s up ahead, racing. My bike’s too small for me and I have to pedal like crazy, but it still won’t go fast. When Conor gets a new one, I’ll have his old one. Dad says maybe at Christmas Conor will get his new bike.
“Wait for me!” I yell, but Conor’s away in the distance. At the last bend he waits for me to catch up.
“You are so slow,” he grumbles, as we bike the final downhill stretch side by side.
“I’m just as fast as you are, it’s only my bike that’s slow,” I say. “If I had your bike…” Conor’s already told me he’ll paint his old bike for me when he gets a new one, and I can keep the lights. He’ll paint it any colour I like.
We reach the gate where the track goes down past our cottage. Ours isn’t the only cottage here, but our neighbours are set far apart. At night we can see the lights from the other cottages’ windows, shining out against the dark hillside. Our cottage is closest to the sea.
“Look, there’s Mum. What’s she doing?” asks Conor suddenly.
Mum has climbed to the top of the stile opposite our cottage. She’s standing there, outlined against the light of the sunset. She strains forward, as if she’s looking for something.
“Something’s wrong,” says Conor. He drops his bike on the side of the track and starts to run. I drop mine too, but its handlebars get tangled up with Conor’s bike. I stop to sort out the bikes and prop them against the wall. I want to run to Mum, but I also don’t want to. I hang back. I have a cold feeling in my heart that tells me that Conor is right. Something is wrong. Something has happened.
This is when the long night begins. The longest night of my life so far, even though it’s summer and the nights are short.
None of us goes to bed. At first we all sit together in the kitchen, round the table, waiting. Sometimes I start to fall asleep. My head lolls and then I lurch out of sleep just before I tip off my chair. Mum doesn’t notice, and she doesn’t send me to bed. She watches the door as if any moment it will open, and Dad will be back.
“Dad often takes the boat out this late,” Conor keeps saying stubbornly, as the clock moves on. Ten o’clock. Eleven o’clock.
“Not like this,” says Mum. Her lips barely move. I know that she’s right, and so does Conor. Something’s wrong. When Dad goes fishing he usually goes with Badge or Pete. He does go on his own sometimes, but he never, ever just disappears without telling us where he’s going. We help him load up the boat and often we watch him go out on the tide.
But this time Dad has said nothing. He was working in the garden all afternoon. Mum heard him singing. She went to lie down for half an hour, because she was so tired from not sleeping the night before. She must have fallen asleep. When she woke the sun was low. She called to Dad, but no one answered. She went down the track and called again but everything was still. Our neighbour, Mary Thomas, came out.
“Is something wrong, Jennie?” she asked. “I heard you calling for Mathew.”
“No, nothing’s wrong,” said Mum. “It’s just I don’t know where he is. Maybe he’s working on the boat. I’ll go down to the mooring and check.”
Imagine Mum going all the way down to the cove, so near to the sea. She must have been scared, but she did it. She slipped on a rock as she climbed down, and cut her hand on mussel shells and got blood all over her jeans. She went down as far as she dared, until she could see that there was no boat tied up at the mooring place. The tide was high, just on the turn. Mum called and called again even though she was sure by now that Dad wasn’t there. She couldn’t stop herself calling.
“I had a feeling that Mathew was nearby. He was trying to get to me, but he couldn’t.”
Mum doesn’t tell us all this as we sit around the kitchen table. Much later that night, when she’s told us to go upstairs and get some sleep, we sit on the stairs and listen to her talking to Mary Thomas, telling her all the things she hasn’t told us – about calling Dad, and thinking he was nearby, but he couldn’t get to her.
Dawn comes, and Dad’s still not back. Mary Thomas is with Mum in the kitchen. Conor and I are still sitting on the stairs, waiting and listening. I must have fallen asleep, because suddenly I wake up with Conor’s arm round me. I’m stiff all over. My head hurts and the heavy frightened feeling inside is stronger than ever.
Mum said Dad would be back in the morning. But it’s morning now, and he’s not here. There’s a murmur of voices through the closed kitchen door, and we strain to make out what Mum’s saying.
“I don’t know what to do now, Mary!” she says, and we can hear the fear and panic in her voice. I wait for Mary to tell her to relax and calm down, because Dad’s been out in that boat a million times and no harm has ever come to him. But Mary doesn’t. Morning light creeps into our cottage, and Mary says, “Maybe we should call the coastguard now, Jennie.”
“Come on Saph,” says Conor. He stands up, and his face suddenly looks much older. We push through the kitchen doorway, and Mum stares at us as if she’s forgotten who we are. She looks awful.
Mary says to Conor, “I was saying to your mum, Conor, that maybe it’s time to call the coastguard now. It’s not like your father to go off like this and leave your mother worrying. There’s enough light to search by. If he’s out there fishing, there’s no harm done if the coastguard happens by. I’ll get the phone for you now, Jennie.”
Mum phones, and everything begins. Once it starts you can’t stop it. I’m still clinging to the hope that the police and the coastguard will say we’re being stupid to bother them. Take it easy, your dad’ll be fine. Wait a while and he’ll turn up. But they don’t.
The coastguard Jeep comes bouncing down the track. People talk into radios and mobiles. The police crowd into the kitchen, filling it with their uniforms.
Neighbours knock on the door. Mary goes out to talk to them, quietly, so that none of us will hear her telling the story over and over again. There are mugs of tea on the kitchen table, some empty, some half full. People start bringing sandwiches and cakes and biscuits until there’s so much food I think it’ll never get eaten I can’t eat anything. I try to swallow a biscuit and I choke, and Mum holds a glass of water to my mouth while I sip and splutter. Mum’s face is creased with fear and lack of sleep.
The old life of me and Dad and Mum and Conor has stopped like a clock. Another life has begun. I can hear it ticking: your dad has gone, your dad has gone, your dad has gone.
The sun shines brightly, and it’s getting