The Riviera Express. TP Fielden
told ’im,’ said Mudge, pointing at Terry. ‘I already told ’im.’ And with that he clamped his uneven jaws together.
Oh Lord, thought Miss Dimont, this one’s not a talker.
But not for nothing was the Express’s corkscrew-haired reporter renowned for charming the birds out of the trees. ‘He doesn’t listen,’ she said, nodding towards the photographer. ‘Deaf to anything but praise. You’ll need to tell me. The train came in and . . .’
‘I told ’im.’
There was a pause.
‘Mr Mudge,’ responded Miss Dimont slowly and perfectly reasonably, ‘if you’re unable to assist me, I shall have to ask Mrs Mudge when I see her at choir practice this evening.’
This surprisingly bland statement came down on the ancient porter as if a Damoclean sword had slipped its fastenings and pierced his bald head.
‘You’m no need botherin’ her,’ he said fiercely, but you could see he was on the turn. Mrs Mudge’s soprano, an eldritch screech whether in the church hall or at home, had weakened the poor man’s resolve over half a century. All he asked now was a quiet life.
‘The 4.30 come in,’ he conceded swiftly.
‘Always full,’ said Miss Dimont, jollying the old bore along. ‘Keeping you busy.’
‘People got out.’
Oh, come on, Mudge!
‘Missus Charteris arsk me to take ’er bags to the car. Gave me thruppence.’
‘That chauffeur of hers is so idle,’ observed Miss Dimont serenely. Things were moving along. ‘So then . . .?’
‘I come back to furs clars see if anyone else wanted porterin’. That’s when I saw ’im. Just like lookin’ at a photograph of ’im in the paper.’ Mr Mudge was warming to his theme. ‘’E wasn’t movin’.’
Suddenly the truth had dawned – first, who the well-dressed figure was; second, that he was very dead. The shocking combination had caused him to dance his tarantella on the platform edge.
The rest of the story was down to Terry Eagleton. ‘Yep, looks like a heart attack. What was he – forty-five? Bit young for that sort of thing.’
As Judy turned this over in her mind Terry started quizzing Mudge again – they seemed to share an arcane lingo which mistrusted verbs, adjectives, and many of the finer adornments which make the English language the envy of the civilised world. It was a wonder to listen to.
‘Werm coddit?’
‘Ur, nemmer be.’
‘C’rubble.’
Miss Dimont was too absorbed by the drama to pay much attention to these linguistic dinosaurs and their game of semantic shove-ha’penny; she sidled back to the railway carriage and then, pausing for a moment, heart in mouth, stepped aboard.
The silent Pullman coach was the dernier cri in luxury, a handsome relic of pre-war days and a reassuring memory of antebellum prosperity. Heavily carpeted and lined with exotic African woods, it smelt of leather and beeswax and smoke, its surfaces uniformly coated in a layer of dust so fine it was impossible to see: only by rubbing her sleeve on the corridor’s handrail did the house-proud reporter discover what all seasoned railway passengers know – that travelling by steam locomotive is a dirty business.
She cautiously advanced from the far end of the carriage towards the dead man’s compartment, her journalist’s eye taking in the debris common to the end of all long-distance journeys – discarded newspapers, old wrappers, a teacup or two, an abandoned novel. On she stepped, her eyes a camera, recording each detail; her heart may be pounding but her head was clear.
Gerald Hennessy sat in the corner seat with his back to the engine. He looked pretty relaxed for a dead man – she wondered briefly if, called on to play a corpse by his director, Gerald would have done such a convincing job in life. One arm was extended, a finger pointing towards who knows what, as if the star was himself directing a scene. He looked rather heroic.
Above him in the luggage rack sat an important-looking suitcase, by his side a copy of The Times. The compartment smelt of . . . limes? Lemons? Something both sweet and sharp – presumably the actor’s eau de cologne. But unlike Terry Eagleton Miss Dimont did not cross the threshold, for this was not the first death scene she had encountered in her lengthy and unusual career, and from long experience she knew better than to interfere.
She looked around, she didn’t know why, for signs of violence – ridiculous, really, given Terry’s confident reading of the cause of death – but Gerald’s untroubled features offered nothing by way of fear or hurt.
And yet something was not quite right.
As her eyes took in the finer detail of the compartment, she spotted something near the doorway beneath another seat – it looked like a sandwich wrapper or a piece of litter of some kind. Just then Terry’s angry face appeared at the compartment window and his fist knocked hard on the pane. She could hear him through the thick glass ordering her out on to the platform and she guessed that the police were about to arrive.
Without pausing to think why, she whisked up the litter from the floor – somehow it made the place look tidier, more dignified. It was how she would recall seeing the last of Gerald Hennessy, and how she would describe to her readers his final scene – the matinée idol as elegant in death as in life. Her introductory paragraph was already forming itself in her mind.
Terry stood on the platform, red-faced and hopping from foot to foot. ‘Thought I told you to call the police.’
‘Oh,’ said Miss Dimont, downcast, ‘I . . . oh . . . I’ll go and do it now but then we’ve got another—’
‘Done it,’ he snapped back. ‘And, yes we’ve got another fatality. I’ve talked to the desk. Come on.’
That was what was so irritating about Terry. You wanted to call him a know-it-all, but know-it-alls, by virtue of their irritating natures, do not know it all and frequently get things wrong. But Terry rarely did – it was what made him so infuriating.
‘You know,’ he said, as he slung his heavy camera bag over his shoulder and headed towards his car, ‘sometimes you really can be quite dim.’
*
Bedlington-on-Sea was the exclusive end of Temple Regis, more formal and less engagingly pretty than its big sister. Here houses of substance stood on improbably small plots, with large Edwardian rooms giving on to pocket-handkerchief gardens and huge windows looking out over a small bay.
Holidaymakers might occasionally spill into Bedlington but despite its apparent charm, they did not stay long. There was no pub and no beach, no ice-cream vendors, no pier, and a general frowning upon people who looked like they might want to have fun. It would be wrong to say that Bedlingtonians were stuffy and self-regarding, but people said it all the same.
The journey from the railway station took no more than six or seven minutes but it was like entering another world, thought Miss Dimont, as she and Herbert puttered behind the Riviera Express’s smart new Morris Minor. There was never any news in Bedlington – the townsfolk kept whatever they knew to themselves, and did not like publicity of any sort. If indeed there was a dead body on its streets this afternoon, you could put money on its not lying there for more than a few minutes before some civic-minded resident had it swept away. That’s the way Bedlingtonians were.
And so Miss Dimont rather dreaded the inevitable ‘knocks’ she would have to undertake once the body was located. Usually this was a task at which she excelled – a tap on the door, regrets issued, brief words exchanged, the odd intimacy unveiled, the gradual jigsaw of half-information built up over maybe a dozen or so doorsteps – but in Bedlington she knew the chances of learning anything of use were remote. Snooty wasn’t in it.
They