Heart of Stone. C.E. Murphy
as the woman, a piercing soprano. Instead she spoke in a warm contralto with bright notes to it, like rich liqueur poured over ice. The tone was professional enough to border on unfriendly, but it couldn’t hide the depth of music in her voice. Margrit’s planned arguments to win an appointment with Daisani were abandoned in favor of a heartfelt, “You have a beautiful voice.”
The thin woman went still for a moment, then flickered a smile that did nothing to relax her features. “Thank you. Do you have an appointment?”
Impatience, Margrit told herself, would get her nowhere. They both knew she didn’t have an appointment, but form had to be met. She proffered a wry smile and shook her head. “I’m afraid not. I was hoping—”
“Mr. Daisani,” the narrow woman said, “is a very busy man.”
“I understand.” Margrit kept the rueful smile, and gestured to one of the lobby chairs. “I’d be glad to wait. I only need a few minutes of his time.”
The woman opened an appointment book of rich, embossed brown leather that complemented the pale wood of the enormous curved desk Eliseo Daisani’s personal assistant was barricaded behind. There was nothing in the office that wasn’t sumptuous. The lobby chairs were antiques, some covered in pale leather, others in rich red velvet that looked so soft Margrit had forced herself not to stop and brush her fingers across it as she entered. The hardwood floors gleamed as if they were polished every night, scuffs removed with prejudice. The walls were paneled wood, as polished as the floors, all of it harkening back to an era decades before Margrit’s own.
Paintings on the walls dated from the twenties, art deco at its finest, with the exception of one discreet portrait of a slim, dusky man behind the assistant’s desk. A woman bearing a striking resemblance to the assistant herself was also in the portrait, her hair cut in a sharp bob that did much more for her thin features than the tense bun this woman wore. Margrit dared a nod at the portrait, asking, “Your grandmother?”
As if she might be surprised by what lay there, the assistant turned to look at the painting. “Vanessa Gray,” she said. “And Dominic Daisani, Mr. Daisani’s father.” The second showing of interest in her, rather than Eliseo Daisani, seemed to thaw a very slender thread within the woman. A note of pride entered her rich voice as she turned back to Margrit. “I was named for her. My family has worked with Mr. Daisani’s family for a long time.” With the slight relaxation, she looked like the before picture of a makeover: there was beauty in her, tightly restrained. Margrit wondered what had made her decide to go the sourpuss route instead of playing up the glamour within.
“She was lovely. You look like her.” The compliments were honest, and Margrit offered another smile along with them, stepping back from the desk. “I really don’t mind waiting. Just a few minutes of his time, maybe?”
Vanessa Gray the younger pursed her thin lips and nodded very subtly toward a chair. Margrit took the victory, smiled again and retreated to await her chance.
“Miss Knight. What a pleasure to meet you.” Eliseo Daisani came around a marble desk that would fill Margrit’s bedroom, and offered her a hand, clasping hers in both of his when she took it. He was barely taller than she was, wiry in build, and his hands were disconcertingly hot.
“The pleasure is mine, Mr. Daisani.” Margrit spoke with a degree of reservation. “I appreciate you sharing a few minutes of your time.”
“When the rising star of the city’s Legal Aid Society comes knocking on my door, I am of course predisposed to discover her mission.” Daisani winked, making fun of himself. He was too thin for good looks, but his grin was disarming and he clearly knew it. Despite herself, Margrit smiled.
“I think you probably know why I’m here, Mr. Daisani.”
“Of course I do. It’s the price of being me. Someone has to be aware of all these details, and I was the best man for the job. Please, won’t you sit down?” He ushered her to a love seat coupled with a couch in front of floor-to-ceiling windows that overlooked the city. “Isn’t the view tremendous?” he asked, sounding as if he’d called it up especially for her. “Some days I don’t get any work done at all, just looking down at the city. Well, between that and the books.” He gestured easily at the far end of the office, which was walled to the ceiling with pale wooden shelves filled with hundreds of books, interspersed with decorative objects. “May I get you some water?”
“Yes, please. Do you mind?” She gestured toward the bookshelves in turn, taking a step or two in their direction. Daisani made a generous, expansive hand wave, inviting her to look as he went to a wet bar at the other end of the enormous office. “I don’t have that problem,” Margrit added as she approached the shelves. “My office is a cubicle in the middle of a building. Is that a Rodin?”
“It is.” Daisani sounded pleased as he joined her, offering a glass that gave a low, subtle ring of sound as Margrit took it. Crystal, she thought, trying not to look as startled as she felt. Of course it would be crystal. Nothing in Daisani’s office was of a halfway measure. “You have an excellent eye, Miss Knight.”
“I’ve never even seen photos of this before. It looks like an early sculpture of The Secret.” Margrit reached out to touch the marble hands, clasped together in silent eternity. “I didn’t know he’d done more than one version. I should be so lucky as to have knickknacks like yours, Mr. Daisani.” She turned her head, studying a pair of soft-looking furs pinned to the wall at the end of the shelves. One was much smaller than the other, and a thread of cool wariness slipped through Margrit. Daisani was a hunter, and apparently didn’t care if his prey was a mother with child. She turned her gaze back to him, keeping her expression neutral.
Daisani beamed at her. “An excellent eye,” he repeated. “I’ll be certain to arrange for a much better view.” Margrit blinked at him and his eyebrows—dark, inquisitive—rose. “In your new office.”
“My what?”
“Your new office.” Daisani’s eyebrows went higher, as if he was surprised it was necessary to explain. “As counsel for Daisani Incorporated, of course. You didn’t think I’d put you in a cubicle, did you? In this building?” He twirled a finger, making it clear the whole building was at his disposal.
“Counsel for what?” Margrit could feel heat building in her cheeks, a distressing indicator that she’d been outplayed and was too startled to react quickly. “I’m sorry, what?”
Daisani smiled beatifically, leaning on his desk as he reached for his own water. He crossed one ankle over the other, his polished leather shoes so bright that they caught Margrit’s attention as easily as they bounced the light. “It’s an excellent, excellent time to make a play for moving up in the world. I absolutely approve. It’s been, what, three, going on four years now, of Legal Aid? A number of minor victories and a few setbacks, though those are to be expected. But now with the Johnson case making headlines, you’ve paid your dues. You may, of course, want to take on one more case, just so it’s not quite so obvious that it’s time to pay off the bills now. Wouldn’t you say? As it happens, I’m delighted to tell you that I have an opening extraordinarily well suited for your skills.”
He leaned forward from the waist, flashing a conspiratorial grin. “And to your temperament, Miss Knight. It’s a noble pursuit, wanting to help those less fortunate than you are, but you needn’t live in near poverty yourself to do it. In fact, your address may be a touch unfashionable. After an appropriate amount of time we’ll certainly want to discuss moving you to, oh, say, the Upper East Side?” He came upright again, his shoulders back and spine straight, the posture of a confident man.
Margrit swallowed, folding her hands around the crystal glass carefully. “I’m a far cry from living in poverty, Mr. Daisani. I’m not here about a job.”
“Of course you are. This is anaudition. You just don’t realize it yet, Miss Knight. The idealists rarely do.” Daisani lifted a finger, then laid it alongside his nose, like a swarthy Santa Claus. “It’s all right. I won’t hold it against you.”
A