Swan Song. Edmund Crispin
doubting if there was much basis for this assertion, was not sufficiently interested in the stage door keeper’s domestic affairs to argue about it. He said goodnight and left the theatre. As he was walking away, a car drew up, and its occupant, a man, hurriedly entered the stage door. Adam experienced a mild curiosity, but he did not linger, and by the time he had arrived back at the hotel the incident was forgotten.
Meanwhile, in a dressing-room almost directly opposite to Furbelow’s open door, Edwin Shorthouse swayed a little in a cold draught. Now and again the rope creaked against the iron hook from which he was suspended, but that was the only sound.
‘It argues a certain poverty of imagination,’ said Gervase Fen with profound disgust, ‘that in a world where atom physicists walk the streets unharmed, emitting their habitual wails about the misuse of science by politicians, a murderer can find a no more deserving victim than some unfortunate opera singer …’
‘You’d scarcely say that,’ Adam answered, ‘if you’d known Shorthouse. He will not be very much mourned.’
The three men paused on the kerb to let a lorry go by before crossing St Giles’. A little whirlwind of snow-flakes was swept among them by the wind.
‘All the same,’ Fen resumed when they were half-way across, ‘good singers are rare. And as far as I’m able to judge’ – his confident manner tended to nullify this reservation – ‘he was good.’
‘Certainly he was good. No one would have put up with him for two minutes if he hadn’t been … Is the snow going to lie, one wonders?’
‘It seems to me you’re overhasty in assuming it was murder,’ said Sir Richard Freeman, the Chief Constable of Oxford. He walked very upright, with short, rapid, determined steps. ‘Mudge implied that the circumstances suggested suicide.’ He frowned severely at this Jamesian hyperbole.
‘Mudge,’ Fen remarked with emotion. He buffeted his arms across his chest in the manner associated with taxi-drivers. ‘That hurts,’ he complained. ‘Anyway, if it was suicide, I scarcely see how it’s likely to interest me.’
‘Shorthouse. Any relation of the composer?’
‘Charles Shorthouse?’ said Adam. ‘Yes. A brother. Edwin sang in a good many of Charles’ operas, though as far as the normal repertory was concerned he specialized in Wagner. Wotan and Sachs. Mark. That chatterbox Gurnemanz. He was the obvious Sachs when they decided to put on Meistersinger here.’
They passed a public-house. ‘I should like a Burton,’ said Fen, gazing back at it with the lugubrious passion of Orpheus surveying Eurydice at hell-mouth. ‘But I suppose it’s too early. Shorthouse was hanged, wasn’t he?’
‘So it appears.’ Sir Richard Freeman nodded. ‘But not strangled. It seems to have been a kind of judicial hanging.’
‘You mean his neck was broken?’
‘Or dislocated. We shall get the full medical report when we arrive.’
‘It’s by no means a common way to commit suicide,’ Fen commented. His normally cheerful, ruddy face was thoughtful. ‘In fact, the arranging of it would involve a certain amount of knowledge and finesse.’ He buttoned at the neck the enormous raincoat in which he was muffled, and adjusted his extraordinary hat. He was forty-three years old, lean, lanky, with blue eyes and brown hair ineffectually plastered down with water. ‘I gather,’ he pursued as they turned up Beaumont Street by the Randolph Hotel, ‘that Shorthouse had been causing trouble at rehearsals.’
‘Trouble,’ said Adam grimly, ‘is an understatement. By the way’ – he turned to the Chief Constable – ‘I asked my wife along to the theatre this morning. I hope you don’t mind. You see, it’s rather in her line.’
‘Your wife,’ said Sir Richard, heavily, like one burdened suddenly with a dangerous secret. ‘I didn’t know you were married, Langley.’
‘Adam’s wife,’ Fen explained, ‘is Elizabeth Harding, who writes books about crime.’
‘Ah,’ said Sir Richard. ‘Nasty subject,’ he added rather offensively. ‘Yes, of course. By all means. Delighted to meet her.’
‘I rather think she wants to interview you, Gervase,’ Adam continued. ‘She’s doing a series on famous detectives for one of the papers.’
‘Famous detectives,’ said Fen with great complacency. ‘Oh, my dear paws. You hear that, Dick?’ he went on, banging the Chief Constable suddenly on the chest to make sure of his attention. ‘Famous detectives.’
‘Celebrated imbeciles,’ said Sir Richard crossly. ‘Ugh.’
‘Anyway,’ Adam put in, ‘here we are.’
Crossing the entrance to St John Street, they arrived at the opera-house, and made their way, Fen grumbling in quite a distressing way about the cold, to the stage door, which they found guarded by a constable. Nearby, a small group of seedy-looking men with instrument cases, their coat collars turned up against the biting wind and their fingers blue and numb, were conversing with a female harpist.
‘Morning, Mr Langley,’ said one of them. ‘Queer business, isn’t it? Shall we be getting a rehearsal, do you imagine?’
‘Not until the afternoon, anyway,’ Adam returned. ‘It depends on the police, I should say.’
‘They won’t cancel the production, will they?’
‘No surely not. We’ll get a new Sachs. But it’ll probably mean postponing the first show.’
‘Well, I’m for the boozer,’ said the oboist. ‘Coming, anyone?’
The constable saluted Sir Richard Freeman. He saluted Fen, more dubiously. He did not salute Adam at all. They went inside.
The stage door led into a small stone vestibule, from which flights of stairs ran up and down. There was a kind of cavity, furnished with a few elementary comforts, where in the daytime the stage door keeper lived, moved, and had his being, but this was at present empty. They pushed through a padded swing-door into the wings. Semi-darkness greeted them. Moving cautiously among ropes, floodlamps, and scenery poised precariously against the walls, they came within earshot, and soon within sight, of some kind of altercation which was in progress on the stage.
Beneath a single working lamp, high up among the battens, stood Elizabeth and an Inspector of police, both of them very angry indeed. Dimly in the background there were other forms hovering, like wraiths on the threshold of limbo, but these two appeared to be the centre of such activity as was going forward at the moment. The Inspector of police was small, wizened, and malevolent in appearance; and Elizabeth was standing with her hands on her hips, glowering at him.
‘You are an intolerable, pompous ass,’ she was informing him in measured, judicial tones. ‘A jack-in-office. A nincompoop. A giddy-brained pigeon.’
‘Listen to me,’ said the Inspector with theatrical restraint. ‘Just you listen to me. I’ve had quite enough of you. You’ve no right to be here, young woman. And if you don’t get out – now: instantly – I shall charge you with obstructing me in the performance of my duties.’
‘I’d like to see you try,’ Elizabeth replied, in a voice of such intense malignancy that even Fen was startled. She swung round to face the newcomers. ‘And if you think—’ She broke off, and her face suddenly brightened. ‘Adam!’
‘Darling, are you being a nuisance?’ Adam asked. ‘I want you to meet Sir Richard Freeman, the Chief Constable, and Gervase Fen. Elizabeth, my wife.’
‘Pleasure,’ said Sir Richard with manly gruffness. ‘It’s all right, Mudge,’