Sandman Slim. Richard Kadrey
on Brad Pitt’s shades, I ask, “You have anymore of these back there?”
“No.”
“You’re a hell of a first date, Carlos.” Damn. When someone gives you his last cigarette, you owe him.
Martin Denny bird chirps follow me to the door.
Turns out, I don’t need the shades for long. It must have been later in the day than I thought when I went into the Bamboo House of Dolls. As I leave, the sun is almost down and lights are coming on all along the Boulevard. I’ve always liked Hollywood better at night. The streetlights, headlights, and flashing signs outside the tourist traps blur away the straight lines and hard right angles that ruin the place. The Boulevard is only ever real at night when it’s both bright and black and there are promises hidden in every shadow. It’s like it was designed and built specifically for vampires. For all I know, it was.
Yes, there are vampires. Try to keep up.
I count to eleven as I walk deeper into Hollywood. Eleven parking meters. Eleven hookers looking for their first post-Christmas trick. Eleven actors I never heard of on eleven stars in the sidewalk.
Eleven years. Eleven goddamn years and I’m home with a key and a pocketknife and a coin that won’t buy me a cup of coffee.
Three, five, seven, eleven, all good children go to Heaven.
Gone eleven years and I make it back the day after Christmas. Is someone trying to tell me something?
I pull out one of Carlos’s American Spirits and light up. The smoke feels good in my lungs. This body is starting to feel like mine again. Like me. I’m just not sure about the rest of the world.
Who the hell are all these people on the Boulevard the day after Christmas? How am I supposed to blend in with them? There’s a nice guy at a bar a few blocks from here. He was just doing his job, but he had a knife in his hand and all I could do was count all the ways I knew to kill him.
It hits me then how unprepared I am for being back, how everything that made sense in Downtown is strange here, wrong and ridiculous. All the skills I developed—how to draw an enemy in and how to kill, all the magic I’d learned or stolen—suddenly feels feeble and foolish in this bright and alien place. I’m steel-toed boots in a ballet-slipper world.
I finish off the first cigarette and light another. The world is a much louder and stranger place than I remember. I need to start doing and stop running around screaming inside my own head. Brooding is for chickens, as my first-grade teacher used to say. Or maybe it was Lucifer. Homily reciters all kind of run together for me.
I need to concentrate on what’s important, like my sure and certain plans to find and kill, in as painful a way as possible, the six traitorous snakes who stole my life. And something worse. It makes me weak inside to think about it. It’s a woman’s face.
Her name is Alice. She’s the only bright thing I ever loved, the only person I ever met worth giving a damn about. If Heaven ever meant anything, she should be married, probably now to some skinny leather-pants guitarist she has to support with temp jobs in those fluorescent-tube high-rise dungeons along Wilshire. Or she’d have gone straight, married a dentist, squeezed out a minivan full of crib lizards, and gotten fat. That would be okay, too. But none of those things are going to happen for her. Nothing nice happens to murdered women, except that maybe someone cares about how they got that way.
If Alice was still around, would she even recognize me under all these scars? There was a mirror inside the entrance to the Bamboo House of Dolls, but I’d been careful not to look at it. Walking along the Boulevard, I take quick glances at my reflection in the dim glass of dead storefronts. I’m bigger than I was when I went down, heavier with muscle and scar tissue, but still thin by human standards. I can still recognize the rough outline of my face, but it looks more like stone than flesh. My cheeks and chin are chiseled out of concrete; my eyes are dark, shining marbles above lips the color of dirty snow. I’m a George Romero zombie, except I’ve never been dead. Just vacationing in the land of the dead. Suddenly I want to get my hands around the throat of fat Alice’s imaginary husband and squeeze him till he pops like a balloon.
That stops me cold.
It’s the first time I’ve fantasized about killing anyone outside the Circle. What a stupid and dangerous thought. Exactly the kind of thing that will steer me away from the real job and maybe get me killed. Then I’d be right back in Hell with nothing to show for it and wouldn’t that be a lot of laughs?
That leads me back to the $64,000 question: Why did the Veritas send me this way? It’s interesting being back on familiar turf, but I could have brooded back at the cemetery. That’s why it’s called a “cemetery.” And I didn’t need a bartender to offer me a job or give me free smokes. With a pocketful of Brad Pitt’s hundreds, I’m Richie Rich with a knife in his boot. So, why am I here?
I’m walking and smoking on a block that’s two open liquor stores, an empty secondhand bookstore, a dead record store, and a shuttered sex shop. As I’m speculating on how fucked up a town has to be when it can’t even keep a dildo-and-porn shop open, the inside of my skull lights up like God’s own pinball machine.
I have my answer. I know why I’m here.
He’s turning off the Boulevard onto Las Palmas, waddling on his little legs a short way up the block to a place called Max Overdrive Video. At the front door, he has to juggle things for a minute—transfer a cup of coffee to one hand, grip the top of a bag of doughnuts in his teeth, and do a little ass dance so he can work the keys out of his pocket and let himself into the store.
I watch him from across the street, just to make sure that I’m not imagining things. As he enters the place, I get a nice backlit shot of his face.
It’s Kasabian, one of my friends from the old magic circle. One of the six on my list.
Santa brought me something, after all.
Max Overdrive Video occupies both floors of an old Hollywood town house, the kind of weekend getaway kept by the gentry back in the forties and fifties, when this area was the most glamorous place in the known universe. Kasabian is moving around inside Max Overdrive like he owns the place. I think I should go and ask him if he does.
It’s full-on night now and I’m surrounded by fat, ripe shadows. I cross the street and pick a plump, dark one around the side of Max Overload, next to a health food restaurant. I glance over my shoulder to make sure the street is clear, and when I’m sure I’m alone, I slip into the shadow. The key tickles inside my chest and I emerge into the Room of Thirteen Doors.
I cross to the Door of Ice and quietly step out of the shadow on the other side.
I’m in the far back of the store, in the porn section. The lights are off back here, so I get a good look at the rest of the place.
There’s a door to an employee restroom on my right, tucked back behind the porn. Just beyond this section is a chained-off stairway leading upstairs. Neat racks of DVDs and bins of VHS tapes fill the rest of the store. I guess that’s something that’s changed in the last eleven years. Even the porn in the back is all discs. The only tapes I can find are piled carelessly in the sale bins. VHS is dead. This is something good to remember since I don’t want to sound like the Beverly Hillbillies when I’m talking to regular people. I should sit down and make a list of everything I missed while I was gone. If you can’t smoke in bars anymore, what other atrocities has the world committed?
Kasabian is up front, behind the counter, going over the day’s receipts. He lost some hair while I was away, but he’s made up for it by getting fat. He’d always been a little chubby, but now he’d taken on a truly odd shape. Not like one of those guys who grows a big belly and man boobs. He just seems to have expanded horizontally, like a balloon filled with too much air. It’s admirable in its own weird way. His chin and gut are defiant in the face of gravity, making him look more like Frosty the Snowman than Orson Welles.
I walk slowly down the main aisle toward the counter, checking the corners of the room, making