The Malice. Peter Newman

       CHAPTER ONE

      In the south, the Breach stirs.

      For over a thousand years it has grown. Slowly at first, a hidden cancer under the skin of the earth, a hairline crack exhaling alien wisps, disturbing yet harmless. But beneath the surface, pressure grows until the crack becomes an opening, and the opening splits wide, a gaping womb, a wound in the world, erupting.

      Infernals pour forth, shapeless nightmares that slaughter their way into reality, inhabiting the bodies of the fallen and mutating them, taking the natural order and tainting it, corrupting plants, animals, even the air itself.

      As the infernals take on physical form, they find identities and names: greatest of them is the monstrous Usurper, who raises itself to power by force of will, who strikes down Gamma of The Seven and breaks her armies. It is the Usurper who heralds the end of hope and the retreat of humanity’s influence.

      But Gamma’s living sword is not destroyed and its continued presence nags at the marks left on the Usurper’s essence, festering, weakening. The Usurper sends its horde in search of the sword, named Malice by the infernals, but their efforts fail. A man takes the sword from them, and in time its power topples the Usurper and a kind of peace returns. Not true peace, too much is broken for the world to simply recover. This is merely a pause, a holding of breath. It is but a temporary thing. For in the south, the Breach stirs.

      *

      On the other side of the world a man stands by a window, his amber eyes intent on a small figure outside. Her name is Vesper. She is doing nothing of note and yet the man smiles as he watches her, her very existence comforting, warming like the suns.

      For a long time he was alone and lost, a vagrant. Now he has a home, a family and more goats than he knows what to do with. It is a good life.

      And yet lately a shadow seems to loom around the corner, a hint of coming disquiet. His home is built outside the Shining City, a step removed from people and politics and the expectations of others. News has to battle to get to his door. This is no accident.

      Behind him, the sword begins to tremble, rocking back and forth, folded wings tip-tapping on the wall, but the eye remains closed. For years it has slept, deeply, peacefully, a quiet companion.

      He turns to it, a smile sliding from his face. Absently, he scratches at old scars, on his thigh, his face, the side of his head. It has taken years to heal. Years of gentle work to make a new life, a safe space for those he loves.

      His attention goes back to Vesper, who chats idly with the goats. Slowly, he returns to work but the tapping of the sword continues, like a thorn in his boot, needling, never quite out of mind. Lips form a line. At his sides, fists clench.

      The sword is taken to his room, the door shut.

      It is not enough.

      He wraps the sword, making a thick bed of fabric for it, muffling the sounds it makes.

      It is not enough.

      Though it no longer bumps against the wall, the sword’s unease comes out in half-made notes, little things that catch on the edges of his soul.

      He finds himself standing at the door, staring, one hand starting to open it, to reach out to the sleeping sword. It would be a small matter to lift it, to wake it once more, to …

      ‘What are you doing?’

      He starts, turns to find Vesper standing there, face bright. With her, every day is a marvel. How tall she has become! How reminiscent of her mother.

      Her head tilts to one side, trying to see past him. ‘What are you doing?’

      He musters a half-smile, shrugs.

      ‘Are you okay?’

      He nods.

      ‘What’s in there? I thought I heard a noise. Can I have a look? Is it an animal? It sounded unhappy. Can I see?’

      He waves the questions away and puts a gentle hand on her shoulder, moving away from the room and taking her with him.

      Later, when other distractions have led the girl away, he returns to the room with tougher materials and a box.

      But it is not enough.

      *

      Twenty years have passed since the first wave of infernals came into being but the Breach has not ceased. A steady trickle of twisted creatures has dribbled from it, sometimes alone, sometimes in pairs, occasionally in gluts, but always, always, it grows; by inches, getting a little bigger, convulsing, then stretching again.

      For eleven of these years, Samael has watched.

      He stands on a rusting hill. Once a snake of mechanised metal, now a monument to things forgotten. Beneath his feet